Fujifilm GFX 50S Mark II Camera Body
Fujifilm GFX 50S Mark II Camera Body
€3,999.00 €3,199.00 €800.00
EAN / UPC : 4547410452280 | Brand : Fujifilm | SKU : 16708446
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€800.00 Instant discount
The GFX 50S II from FUJIFILM is a wonderfully compact and portable medium format mirrorless camera that offers the perfect mix of accessibility and flexibility. This camera produces files with extremely wide dynamic range and high resolution, thanks to the 51.4MP CMOS sensor paired with an improved X-Processor 4 image processor, and the sensor's large form factor achieves a unique three-dimensional look with especially smooth tonal and color transitions.
- 51.4 megapixel medium format CMOS sensor
- X-Processor 4 image processing unit
- 5-axis stabilisation system
- Weatherproof
- 19 filming simulations
- 1.8" LCD top display
- 3.2" LCD tiltable touchscreen display
Add-ons
Enjoy exceptional image quality in great portability, afforded by its size equivalent to full-frame cameras. The GFX50S II brings the premium world of large-format image quality closer than ever before with its advanced AF, high-performance In-Body Image Stabilization (IBIS) and compact lightweight body, superior to conventional medium-format cameras in every sense.
The camera is innovatively designed for added ground-breaking mobility so that users can explore its exceptional image quality in a broad range of shooting fields. It integrates the high-speed image processing engine “X-Processor 4” and the latest algorithm with an autofocus system with an enhanced refresh rate to seize a decisive shutter opportunity.
Step into a New Level
Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range. Paired with its family of G Mount lenses, the result is a perfect marriage between the camera body and lens, leaving photographers of all levels joyful in the simplicity of easily achieving wonderful image quality.
Room for Perfection
Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results a stronger signal-to-noise ratio, which surpresses noise, increases dynamic range, and produces images with more information per pixel.
The GFX50S II packs the 51.4MP large-format sensor to boast an incredible image-resolving power, capturing every detail in sharpness across the frame. Light is recorded to the pixel which is 1.7 times that of a full-frame sensor*2 to achieve a wide dynamic range and a high signal-to-noise ratio. The resulting image reproduces deep tonality and texture from shadows to highlights, and delivers image clarity with minimal noise even when taken in low light. One of the strengths of the large format sensor is its ability to produce a very shallow depth of field. It is complimented by GF lenses’ edge-to-edge sharpness to accentuate the main subject against a blurred background for added three-dimensional definition.
Another powerful feature is its five-axis in-body image stabilization(IBIS) mechanism that provides up to 6.5 stops of anti-shake advantage*3, the highest in the history of the GFX Series, to compensate for camera shakes during hand-held shooting and minimize motion blur in low light or in outdoor settings where a tripod cannot be used. Despite carrying an impressive array of key devices, the camera comes in a compact form factor, weighing approximately 900g.
It’s Not Just about Resolution
GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped microlenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.
Variety of Film Simulations
The GFX50S II comes with as many as 19 Film Simulations, including “Nostalgic Neg.,” developed for the launch of the GFX100S and characterized by high saturation and soft tonality. Use Film Simulation presets, designed for various subject types and scenes, while checking how they affect the final image in Live View.
Pixel Shift Multi-Shot to generate 200MP images
The GFX50S II features the Pixel Shift Multi-Shot function, capable of creating 200MP images free of false color presentation. The ability to reproduce a photo subject’s colors, texture and even its atmosphere in the finest of details makes the camera a perfect choice for archiving. Large artworks and historical artifacts, previously difficult to photograph in detail because of their size, can be captured in precise details in edge-to-edge clarity.
| Model name | FUJIFILM GFX50S II | |
| Lens Mount | FUJIFILM G mount | |
| Image sensor | 43.8mm×32.9mm Bayer array with primary color filter | |
| Number of effective pixels | 51.4 million pixels | |
| Sensor Cleaning System | Ultra Sonic Vibration | |
| Image Processing Engine | X-Processor 4 | |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1 | |
| File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
| JPEG | Exif Ver.2.32*2 | |
| RAW | 14bit RAW (RAF original format) | |
| TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| Number of recorded pixels | ［L］〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192 ［S］〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992 〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000 |
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| Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step) Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400 |
| Movie | Standard Output: AUTO / ISO200～6400 (1/3 step) | |
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
| Exposure compensation | Still | -5.0EV~+5.0EV 1/3EV step |
| Movie | -2.0EV~+2.0EV 1/3EV step | |
| Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 6.5 stops *based on CIPA standard *Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted |
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| Digital Image Stabilization | Yes (movie mode only) | |
| IS MODE BOOST | Yes (movie mode only) | |
| Shutter type | Focal Plane Shutter | |
| Shutter speed | Mechanical shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. |
| Electronic shutter | P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
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| Mechanical + Electronic shutter | P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
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| Electronic Front Curtain Shutter | P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec. |
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| Electronic Front Curtain Shutter + Electronic Shutter | P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec. S/M mode: 60min. to 1/16000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
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| Movie | FHD: 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate. |
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| Synchronized shutter speed for flash | 1/125sec. or slower | |
| Continuous shooting | CH Electronic Front Curtain Shutter Approx. 2.2fps (JPEG: Endless, Compressed RAW: Endless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames) CH Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames) *Recordable frames depends on recording media. *Speed of continuous shooting depends on shooting environment and shooting frames. |
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| Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing | 100% / 200% / 400% | |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
| White Balance Bracketing | ±1 / ±2 / ±3 | |
| Focus Bracketing | AUTO / MANUAL | |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
| Pixel Shift Multi Shot | Yes | |
| Focus | Mode | Single AF / Continuous AF / MF |
| Type | TTL Contrast AF | |
| Low-light Performance | Contrast: -3.5EV *Low light priority AF-S ON / GF80mmF1.7 attached | |
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
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| Face/eye detection | Yes | |
| Flash | Sync. Mode | 1st Curtain / 2nd Curtain / AUTO FP (HSS) When SHOE MOUNT FLASH is set TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF |
| Hot shoe | Yes (Dedicated TTL Flash compatible) | |
| Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4～+2m-1 Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° ) Built-In Eye Sensor |
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| LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots |
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| Touch Screen Mode | Shooting Mode | AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
| Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
| Sub LCD monitor | 1.80 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 303x230-dot |
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| Movie recording | File format | MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
| Movie compression | Long GOP | |
| File size Frame rate Bitrate Recording time |
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps Up to 120min. *For recording movies, use a SD memory card with UHS Speed Class 1 or higher. *Recording time can become short depending on the temperature and/or shooting conditions. |
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| Film simulation mode | 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) |
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| Monochromatic Color | Yes | |
| Grain Effect | Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL |
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| Color Chrome Effect | STRONG, WEAK, OFF | |
| Color chrome Blue | STRONG, WEAK, OFF | |
| Smooth Skin Effect | STRONG, WEAK, OFF | |
| Dynamic range setting | Still | AUTO / 100％ / 200％ / 400％ ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more |
| Movie | 100％ / 200％ / 400％ ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more |
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| White balance | Auto | White Priority / Auto / Ambience Priority |
| Custom | Custom1 - 3 | |
| Color temperature selection | 2500K～10000K | |
| Preset | Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
| Clarity setting | ±5 steps | |
| Self-timer | 10sec. / 2sec. | |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing) | |
| Wireless transmitter | Standard | IEEE802.11b/g/n (standard wireless protocol) |
| Encryption | WEP / WPA / WPA2 mixed mode | |
| Access mode | Infrastructure | |
| Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
| Operating frequency (Center frequency) | 2402〜2480MHz | |
| Terminal | Digital interface | USB Type-C (USB3.2 Gen1x1) |
| HDMI output | HDMI Micro connector (Type D) | |
| Others | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal |
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| Power supply | NP-W235 Li-ion battery (included) | |
| Battery life for still images*3 | Normal Mode: Approx. 455 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
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| Actual battery life of movie capture*3 | Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF |
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| Continuance battery life of movie capture *3 |
Full HD: Approx. 140min. (29.97p) *Face detection is set to OFF |
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| Dimensions | Width: 150.0mm Height: 104.2mm Depth: 87.2mm (Minimum Depth) 44.0mm |
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| Weight | including battery and SD memory card: Approx. 900g excluding battery and SD memory card: Approx. 819g |
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| Operation Environment | Operating Temperature | -10°C～+40°C |
| Operating Humidity | 10% - 80% (no condensation) | |
| Starting up period | Approx. 0.4sec. | |
| Accessories included | Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Cable protector Owner's manual |
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*1 *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
*2 Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing.
*3 Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
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This promotion is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.
Offer valid from 26/09/2023 to 13/11/2023 (inclusive). Terms & Conditions Apply.