Atomos Shogun Flame
Atomos Shogun Flame
Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor's image quality.
Shoot what you see.
Filmmakers constantly face exposure challenges on set, choosing between detail in the highlights and in shadows. Shooting Log from the camera is a partial solution, recording a broader brightness range but still you need to compromise on the monitor's image quality. The solution is the Shogun Flame, a 7" 10-bit AtomHDR 1500nit Field Monitor with 4K/HD 10-bit ProRes/DNxHR recording, Sony & Canon Raw to ProRes/DNxHR recording, professional HDMI, SDI and XLR connections along with LTC/Genlock & bidirectional SDI/HDMI conversion needed on set and in broadcast. With AtomHDR, you get the brightness and dynamic range of HDR Log with natural, vibrant colors to let you simply shoot the way you see.
Get ahead of the Log curve
Cameras with Log output (S-Log2, S-Log3, C-Log, V-Log etc) already have the 10+ stops of dynamic range needed for High Dynamic Range (HDR). Be at the forefront of the HDR revolution sweeping the industry by having a field monitor capable of resolving HDR in the field as you see it in Post Production and record the original Log image direct from the sensor for HDR grading in post production.
Scenes Ignite with 1500nits of Light
Not all scenes call for HDR Log recording. In situations that don't call for 10 stops of dynamic range, use the intensity of the 1500nit panel to monitor traditional standard dynamic range (SDR/Rec709) video at high brightness for outdoor monitoring.
Simply pick the right mode, HDR or High Bright SDR, and get busy setting up your shot on the premium 7" display boasting 10-bit processing, 1920x1200 resolution, 325ppi pixel density, optional calibration to overcome natural LCD color drift and an arsenal of precision video setup tools for perfect shots every time.
Simple OS, Sophisticated Shots
The Flame Series is packed with an extensive suite of scopes, all 1-touch away and simple to use. The Video OS includes tools for focus, framing & exposure (Focus peaking, 2:1/1:1 zoom, Zebra, False Color, Safe Area, luma/RGB parade, vectorscope) along with a flexible 3D LUT implementation (use built-in LUTs or upload .cube files) and options for de-squeezing anamorphic content.
Continuous power is back... with super fast charging.
Our patented continuous power system pioneered on our HD products are back on the 4K range. The hot swappable dual battery system that automatically swaps to the second battery when power is low, coupled with the blazingly fast battery charger and dual 4-cell batteries (both included with the product) means that continuous power in the field is all but assured.
Monitor & Record XLR Audio
The Shogun Flame has professional audio to match professional video. Monitor up to 8ch of embedded HDMI audio, up to 12ch of SDI audio or use the included XLR breakout cable to connect with external microphones for balanced analogue audio with 48V phantom power. Audio control is simple with dedicated meters and menus to select channels for recording/ monitoring and adjustments for frame delay and gain.
Advanced Recording Capability
Outside of 10-bit 4:2:2 ProRes/DNxHR, the Shogun Flame adds recording functionality not found in other recorders. Trigger start/stop recording over HDMI from select Canon, Sony, Panasonic, Nikon cameras. Convert interlace video from your camera to progressive on the fly with built-in 3:2 and 2:2 pulldown and gain advanced functionality like Pre-roll (continuous cache recording to never miss the action) and Time lapse to maximise your creativity.
|Without batteries & media||650g / 22.9oz|
|With batteries & media||1094g / 38.6oz|
|Dimensions (W x H x D mm)||214 x 127 x 45mm, 8.4 x 5 x 1.8|
|Construction||High quality lightweight ABS Polycarbonate for durability & portability|
|Operating power||10 - 24W|
|Compatible batteries||NP series and supporting accessories|
|Input voltage (battery)||6.2V to 16.8V|
|Battery time (based on 7.4V)||5200mAh - up to 1.5hrs (monitor & record 4K 30p) - 7800mAh - up to 2.2hrs (monitor & record 4K 30p)|
|DC In||1 x DC in (6.2 - 16.8V)|
|Continuous power Patent pending||Primary-secondary battery system Change batteries without losing power Loop batteries continuously|
|Resolution||1920 x 1200|
|Aspect ratio||16:9 native|
|Color Gamut||REC709 HDTV|
|Look up table (LUT) support||3D LUT (.cube le format)|
|Anamorphic de-squeeze||2x, 1.5x, 1.33x, Panasonic 8:3|
|Technology||SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional Atomos Spyder|
|Supported Log formats||Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm|
|Supported Gamuts||Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut|
|Bit depth||10-bit (8+2 FRC)|
|Brightness||1500nit (+/- 10)|
|PQ in/out In Post Out Monitor||Yes / Yes|
|HDMI||1 x HDMI (1.4b)|
|SDI||1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)|
|Signal||Uncompressed true 10-bit or 8-bit 422 (camera dependent)|
|HDMI||1 x HDMI (1.4b)|
|SDI||1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G|
|Signal||Uncompressed true 10-bit or 8-bit 422 (playback file dependent)|
|HDMI to HDMI||720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120, 2160p 24/25/30|
|SDI to SDI||720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/120 2160p 24/25/30|
|HDMI to SDI||720p 50/60, 1080i 50/60 1080p 24/25/30/50/60/120 2160p 24/25/30|
|SDI to HDMI||720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/120 2160p 24/25/30|
|Raw to CDNG (Record only)||Codecs Cinema DNG for supported cameras (Sony FS5/FS7/ FS700, Canon C300MKII, C500, Panasonic Vericam RAW) Frame rates 4K DCI / 4K UHD; 24/25/30 2K / 1080p; 24/SF24/25/SF25/30/SF30/50/60/100/120|
|Raw to ProRes / DNxHR||Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K DCI / 4K UHD; 24/25/30 2K / 1080p; 24/SF24/25/SF25/30/ SF30/50/60/100/120|
|Video to ProRes / DNxHR||Codecs Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB Frame rates 4K UHD; 24/25/30 1080p; 24/SF24/25/SF25/30/ SF30/50/60/100/120 1080i; 50/60i 720p; 50/60p|
|Pulldown removal||24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)|
|4K UHD downscale for HD monitoring||Yes - Loop-out and playback (Not available in RAW)|
|HDMI||2 or 8ch 24-bit, camera dependent|
|SDI||12ch 48kHz 24-bit|
|Audio||2ch balanced XLR analog in/out Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic|
|HDMI||Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard|
|SDI||SDI trigger camera selectable|
|Other||LANC control - Slave|
|Genlock / LTC||Yes / Yes|
|Pre-roll record||Yes (HD 8s, 4K 2s)|
|Meta data tagging||Yes (10 tags available)|
|Supported media (Approved List Only)||4K / HD (50/60/120p) SSD 2.5, HDD (7,200 up to 1080p60) HD SSD 2.5, HDD (5,400 up to 1080p30)|
|Master caddy case||Master Caddy II (included) 75mm x 105mm x 12mm|
|Master caddy dock||2.5 SATA to USB 2.0/3.0|
|Supported applications||Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015|
|XML support||FCPX XML native, FCP7 supported with conversion (Adobe compatible)|
|Accessories included||Shogun Flame unit, Master Caddy II x 1,
12V-3A AC power supply, Breakout XLR cable
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