Fujifilm GFX 100 Mark II Camera Body
Fujifilm GFX 100 Mark II Camera Body
€7,999.00
EAN / UPC : 4547410512786 | Brand : Fujifilm | SKU : 16805452
NB - This 'Body Only' version does not include a lens with the camera. You will require at least one lens in order to take pictures.
New beginnings don't start with taking new steps, they start with moving in new directions. And every new GFX System camera has taken a direction that has redefined what it means to be More Than Full Frame.
From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration. GFX100 II continues this tradition by bringing unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras.
- New GFX 102MP CMOS II HS sensor for incredibly high-speed readout
- High sensitivity, wide dynamic range, & lower noise (ISO 80 - 12800)
- High-performing X-Processor 5 engine supports pro-level features
- Pixel Shift Multi-Shot produces ultra-high-resolution 400MP images
- Go handheld with 5-axis in-body image stabilisation up to 8.0 stops
- Subject Detection AF uses AI technology for fast & accurate focusing
- Never miss a shot using a continuous frame rate of up to 8fps
- 120fps display frame rate in Boost Mode to keep pace with sports
- Uses Fujifilm’s renowned colour science for film simulation modes
- 4K/60p, 8K/30p, FHD/120p 4:2:2 10-bit Internal Recording
- Supports Cine formats like Premista, 35mm, & anamorphic (35mm)
- Improved subject tracking using AF-C mode with Wide/Tracking AF
- New MF assist focus MAP for added precision using manual focusing
- F-Log2 support for greater flexibility during post-production
- 9.44 Million Dot 1.0x EVF & 9.44 Million Dot three-way tilting LCD
- 5.3fps Blackout-Free Burst operation for an uninterrupted view
If it's time to find some direction, discover one to new opportunities with GFX100 II.
High Speed Performance
GFX 102MP CMOS II HS
GFX100 II brings a new 102-megapixel sensor with a readout speed that is about two times faster than GFX100S. Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.
Subject Detection AF
X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains. With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
*Set "SUBJECT DETECTION SETTING" to "BIRD" when you want to detect insects and to "AIRPLANE" when you want to detect drones.
Updated AF algorithm
GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.
8fps High-Speed Burst
GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action (when mechanical shutter is selected)
120fps Display Frame Rate in Boost Mode
Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second – more than enough to keep up with fast-moving subjects.
Shortened Intervals and Decreased Viewfinder Blackou
Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.
5.3fps Blackout-Free Burst Operation
GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well. When setting to electronic shutter)
The Ultimate in Image Quality
GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you’ve never witnessed before.
ISO 80 Standard Sensitivity
By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
Improved Quality in Every Corner
Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.
HEIF Image Format Support
GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.
Pixel Shift Multi-Shot
For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release. Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.
Power and Precision for Video
4:2:2 10-bit Internal Recording
Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.
High speed rolling shutter
Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.
Support for Multiple Cine Recording Formats
In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
Improved Subject Tracking
Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.
F-Log2 Support
GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones. *When setting to F-Log2 D Range Priority
Compatible with Frame.io Camera to Cloud
Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.
FAN-001 Cooling Fan
Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.
Recording to External SSD via USB
Connecting an external SSD via a USB Type-C cable lets you record photos and videos directly to an external SSD in all modes and formats, including 4K/60p and 8K/30p. (Depending on the type of SSD, there are some modes and formats that cannot be recorded. Please check the compatibility list for SSD)
New MF assist Focus MAP
For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.
RAW output via HDMI
Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.
Frame With Confidence
Up to 8.0 Stops of IBIS
Low light? No worries! GFX100 II is equipped with a new IBIS system that uses image information to detect blur, and provides up to eight stops of image stabilization* – more than any other Fujifilm camera. Confidently work hand-held in almost any lighting conditions, unlocking new levels of creativity for stills and video.
9.44 Million Dot 1.0x EVF
GFX100 II’s EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view.
Detail in Design
A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality.
Enhanced Top-Plate
A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.
New Leather Pattern BISHAMON-TEX
Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a traditional Japanese-inspired imprint that improves grip in all directions.
Three Fn Buttons
Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.
| Model name | FUJIFILM GFX100 II |
| Lens Mount | FUJIFILM G mount |
| Image sensor | 43.8mm×32.9mm GFX 102MP CMOS II HS with primary color filter |
| Number of effective pixels | 102 million pixels |
| Sensor Cleaning System | Ultra Sonic Vibration |
| Image Processing Engine | X-Processor 5 |
| Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90 / CFexpress Type B Card (-2TB) / SSD (-2TB) |
| File format of still image | DCF - Compliant with Design rule for Camera File system (DCF2.0) JPEG - Exif Ver.2.32 HEIF - 4:2:2 10bit RAW - 14bit / 16bit RAW (RAF original format) TIFF - 8bit / 16bit RGB (In-camera Raw Conversion Only) |
| Number of recorded pixels | [L] - 〈4:3〉 11648 x 8736 〈3:2〉 11648 x 7768 〈16:9〉 11648 x 6552 〈1:1〉 8736 x 8736 〈65:24〉 11648 x 4304 〈5:4〉 10928 x 8736 〈7:6〉 10192 x 8736 [M] - 〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192 〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192 [S] - 〈4:3〉 4000 x 3000 〈3:2〉 4000 x 2664 〈16:9〉 4000 x 2248 〈1:1〉 2992 x 2992 〈65:24〉 4000 x 1480 〈5:4〉 3744 x 3000 〈7:6〉 3504 x 3000 |
| Sensitivity | Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO80～12800 (1/3 step) Extended Output: ISO40 / ISO25600 / ISO51200 / ISO102400 |
| Movie Sensitivity | Standard Output: AUTO / ISO100～12800 (1/3 step) Extended Output: ISO25600 |
| Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted |
| Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
| Exposure compensation | Still : -5.0EV～+5.0EV 1/3EV step Movie : -2.0EV～+2.0EV 1/3EV step |
| Image stabilizer | |
|---|---|
| Mechanism | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect | 8.0 stops *based on CIPA standard *Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted |
| Digital Image Stabilization | Yes (movie mode only) |
| IS MODE BOOST | Yes (movie mode only) |
| Shutter | |
| Type | Focal Plane Shutter |
| Mechanical shutter speed | P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. |
| Electronic shutter speed | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
| Mechanical + Electronic shutter | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
| E-front + Mechanical shutter (GFX: Electronic Front Curtain Shutter) |
P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/1250sec. *When using the electronic front curtain shutter, the continuous shooting supports CL only |
| E-front + Mechanical + Electronic shutter (GFX: E-Front + Electronic Shutter) |
P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. *When using the electronic front curtain shutter, the continuous shooting supports CL only |
| Movie | 8K/DCI8K: 1/4000sec. to 1/24 sec. 5.8K: 1/4000sec. to 1/24 sec. 5.4K: 1/4000sec. to 1/24 sec. 4.8K: 1/4000sec. to 1/24 sec. 4.6K(ANAMOR): 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/8 sec. FHD: 1/4000sec. to 1/8 sec. *Cannot choose slower shutter speed than framerate for some settings. |
| Synchronized shutter speed for flash | Mechanical shutter: 1/125sec. or slower |
| Continuous shooting | CH Electronic shutter Approx. 8.7fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 156 frames, Lossless compressed RAW + JPEG 148 frames, Uncompressed RAW + JPEG 71 frames) CH Electronic shutter Approx. 5.8fps (35mm Format Mode ON) (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW + JPEG 1000+ frames, Lossless compressed RAW + JPEG 1000+ frames, Uncompressed RAW + JPEG 1000+ frames) CH Electronic shutter Approx. 5.3fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 390 frames, Compressed RAW+JPEG 119 frames, Lossless compressed RAW+JPEG 119 frames, Uncompressed RAW+JPEG 98 frames) CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 325 frames, Lossless compressed RAW 302 frames, Uncompressed RAW 76 frames, Compressed RAW+JPEG 75 frames, Lossless compressed RAW+JPEG 75 frames, Uncompressed RAW+JPEG 55 frames) CH Mechanical shutter Approx. 5.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 497 frames, Compressed RAW+JPEG 153 frames, Lossless compressed RAW+JPEG 152 frames, Uncompressed RAW+JPEG 116 frames) CL Mechanical shutter Approx. 2.0fps (No. of recordable frames: JPEG 1000+ frames, Compressed RAW 1000+ frames, Lossless compressed RAW 1000+ frames, Uncompressed RAW 1000+ frames, Compressed RAW+JPEG 1000+ frames, Lossless compressed RAW+JPEG 1000+ frames, Uncompressed RAW+JPEG 1000+ frames) *Electronic Front Curtain Shutter support CL only. *No. of recordable frames are calculated based on CFexpress Type B card in a cold start *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
| Drive Mode | |
| AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
| Filmsimulation bracketing | Any 3 types of film simulation selectable |
| Dynamic Range Bracketing | 100% / 200% / 400% |
| ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV |
| White Balance Bracketing | ±1 / ±2 / ±3 |
| Focus Bracketing | AUTO / MANUAL |
| Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark |
| Pixel Shift Multi Shot | HIGH RESOLUTION + ACCURATE COLOR: Yes ACCURATE COLOR: Yes |
| Focus | |
| Mode | Single AF / Continuous AF / MF |
| Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
| Low-light Performance | Contrast: -2.5EV GF80mmF1.7 attached Phase Detection: -5.5EV GF80mmF1.7 attached |
| AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
| Face/eye detection | Yes |
| Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) |
| Flash | |
| Hot shoe | Yes (Dedicated TTL Flash compatible) |
| Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS) Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
| Synchronized terminal | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: MANUAL |
| Screens | |
| Viewfinder | EVF: 0.64 inch OLED Color Viewfinder, Approx. 9.44 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5～+2m-1 Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° ) Built-In Eye Sensor |
| LCD monitor | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots |
| Touch Screen | Shooting Mode - AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting Playback Mode - Swipe, Pinch-in / Pinch-out, Double-tap, Drag |
| Sub LCD monitor | 2.09 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 320x219-dot |
| Movie recording | |
| File format | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
| Movie compression | All Intra / Long GOP |
| File size Frame rate Bitrate |
[8K(17:9)] 8192 x 4320 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [8K(16:9)] 7680 x 4320 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [8K(2.76:1)] 8192 x 2968 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [5.8K(2.35:1)] 5824 x 2476 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [5.4K(17:9)] 5440 x 2868 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4.8K(3:2)] 4776 x 3184 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4.8K(16:9)] 4776 x 2688 29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4.6K(1.38:1)] 4664 x 3380 24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 720Mbps/360Mbps/200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording) [Full HD(16:9) High speed rec.] 1920 x 1080 120p/100p 720Mbps (recording)/360Mbps (recording)/200Mbps (recording) *Selectable mode will be changed depending on the "Image Format" setting. *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions |
| Camera Settings | |
| Film simulation mode | 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) |
| Monochromatic Color | Yes |
| Grain Effect | Roughness - STRONG, WEAK, OFF Size - LARGE, SMALL |
| Color Chrome Effect | STRONG, WEAK, OFF |
| Color chrome Blue | STRONG, WEAK, OFF |
| Smooth Skin Effect | STRONG, WEAK, OFF |
| Dynamic range setting | Still - AUTO / 100％ / 200％ / 400％ Movie - 100％ / 200％ / 400％ ISO restriction: DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more |
| White balance | Auto - White Priority / Auto / Ambience Priority Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater Custom 1 / Custom 2 / Custom 3 |
| Color temperature selection | 2500K～10000K |
| Clarity setting | ±5 steps |
| Self-timer | Still - 10sec. / 2sec. Movie - 10sec. / 5sec. / 3sec. |
| Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
| Connectivity | |
| Wireless transmitter | IEEE802.11a/b/g/n/ac (standard wireless protocol) Encryption - WPA/WPA2 mixed mode, WPA3 Access mode - Infrastructure |
| Bluetooth® | Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Center frequency) 2402～2480MHz |
| Digital interface | USB Type-C (USB3.2 Gen2x1) |
| HDMI output | HDMI Micro connector (Type D) |
| LAN Terminal | 1000BASE-T、100BASE-TX、10BASE-T |
| Others | ø3.5mm, stereo mini connector (Microphone and Remote Release) ø3.5mm, stereo mini connector (Headphone) Synchronized terminal Hot shoe |
| Power | |
| Power supply | NP-W235 Li-ion battery (included) |
| Battery life for still images | Normal Mode: Approx. 540 frames *Auto power save ON *When GF63mmF2.8 R WR is set |
| Actual battery life of movie capture | 8K: Approx. 60min. (29.97p) 4K: Approx. 60min. (59.94p) Full HD: Approx. 80min. (59.94p) *Face detection is set to OFF |
| Continuance battery life of movie capture | 8K: Approx. 80min. (29.97p) 4K: Approx. 90min. (59.94p) Full HD: Approx. 140min. (59.94p) *Face detection is set to OFF |
| Physical | |
| Dimensions (Width x Height x Depth) |
Inc EVF: 152.4 x 117.4 x 98.6mm (Minimum Depth: 46.5mm) Excl EVF: 152.4 x 103.5 x 73.5mm |
| Weight | body only : Approx. 867g inc battery & memory card: Approx. 948g inc battery, memory card & EVF : Approx. 1,030g |
| Operating Temperature | -10℃～+40℃ |
| Operating Humidity | 10% - 80% (no condensation) |
| Accessories Included | |
| Interchangeable electronic viewfinder EVF-GFX3 Li-ion battery NP-W235 AC power adapter AC-5VJ Plug adapter USB cable Shoulder strap Body cap Hot shoe cover Vertical battery grip connector cover Memory card slot cover Sync terminal cover Cooling fan connector cover Cable protector |
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Showcased Accessories
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7 found, displaying 1 to 7.