Fujifilm X-M5 Silver Camera with XC 15-45mm OIS PZ Lens
The X-M5 is a mirrorless digital camera with a compact and lightweight body weighing approximately 355g , making it the lightest camera in the X series (As of Oct 2024). The X-M5 is equipped with a full range of functions, including subject detection AF that can detect moving objects such as animals and cars using AI and a 6.2K/30P movie recording function, making it possible to shoot both still images and movies with a single camera. Additionally, the design features the high-quality appearance characteristic of the X series.
- 26.1MP APS-C X-Trans 4 CMOS Sensor
- 6.2K/29.97 fps Video, 10-Bit Internal Recording
- 425-Point AF, AI-Based Subject Detection
- Up to 30 fps JPEG Shooting w/ 1.25x Crop
- 3.0" 1.04m-Dot Tilting Touchscreen LCD
- Latest AI-Assisted Processing Algorithms
- Wi-Fi and Bluetooth Wireless Connections
The X-M5 is the ideal camera for a wide range of users, from first-time digital camera users to photography enthusiasts, with a compact size that makes you want to carry it with you every day and a wealth of shooting functions, while maintaining the high-quality appearance that is the hallmark of the X series, further expanding the joy of photography.
Add-ons
Colour Your Moment
Every day is different. The weather, the light, the way you feel – each offers a chance to view the world in a new way.
FUJIFILM X-M5 mirrorless digital camera has everything you need to bring that vision to life. Compact, lightweight, and with powerful photo and video functions, it’s the perfect companion to record everyday life.
Ready For Everything
At 355g (0.78lb), FUJIFILM X-M5 is currently the lightest model in the X Series line-up of digital cameras and so small it fits in a jacket pocket. This makes it perfect to carry everywhere you go, ready to create high-quality content on a moment’s notice.
Form and Function
The compact size of FUJIFILM X-M5 hasn’t compromised its elegant styling. The symmetrically placed dials on the top plate enhance its beauty. It’s unmistakably an X Series camera in both looks and performance.
Film Simulation
Instantly access your own creative looks thanks to FUJIFILM X-M5 digital cameras unique Film Simulation mode dial. Offering up to 20 looks, X-M5’s Film Simulation modes can be applied to photos and videos, giving you incredible flexibility for your output.
An Eye for Detail
Create content with depth, texture, and true-to-life color thanks to FUJIFILM X-M5’s X-Trans CMOS 4 sensor and X-Processor 5 imaging engine. Experience detail and quality that far exceeds the results from your Smartphone.
X-Trans CMOS 4
X-M5 features a back-illuminated "X-Trans CMOS 4" sensor. Boasting a 26.1 MP resolution, X-M5 can chronicle your most extraordinary adventures and everyday moments with a unique filter array that controls moiré and false colors for an image that will help you share your true creative vision. The back-illuminated design works to enhance image quality while minimizing noise.
X-Processor 5
Latest high-speed image processing engine
- AI processing technology
- HEIF image file format
- Optimizes Processing Efficiency
See It Your Way
Great images are all about the details. With the 20 available Film Simulation modes and a host of creative controls, FUJIFILM X-M5 empowers you to make content just the way you want it. The 20 Film Simulation modes offered by FUJIFILM X-M5, including REALA ACE mode, harness 90 years of Fujifilm color science.
Never Miss a Moment
FUJIFILM X-M5 features the same built-in AI-driven subject detection autofocus as FUJIFILM X100VI and X-T50 mirrorless digital cameras. Along with Fujifilm’s latest-generation image processor, this delivers incredible focus accuracy in nearly all lighting conditions, even if your subject is moving.
Subject Detection Autofocus
X-Processor 5 features subject detection autofocus that is built with deep-learning AI technology. In addition to providing incredible AF tracking and detection for human faces and eyes, FUJIFILM X-M5 can also automatically detect and track a broad range of subjects, including animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.
Latest AF Technology
FUJIFILM X-M5 is equipped with Fujifilm’s latest predictive algorithm, recording subjects with highly accurate AF even in scenes requiring tracking of moving objects or in low-contrast environments. It tracks a wide range of subjects, including sports and animals, and subjects in motion.
Grain Effect
From subtle textures to the gritty look of traditional high-ISO film stocks, with FUJIFILM X-M5 you can easily add natural-looking grain to your photos. Control the level of grain for just the right amount of texture on any image.
Color Chrome Effect
For highly saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost. Or use Color Chrome FX Blue to boost the blue tones in an image.
White Balance Shift
For white balance, choose Auto, Custom, Color Temperature, or a series of preset options. White balance can be fine-tuned in the WB Shift feature with red (R) and blue (B) color coordinates.
Digital Image Stabilization
FUJIFILM X-M5 uses a powerful digital image stabilizer that combats camera shake for smooth, professional footage. It’s effective whether you’re standing still or moving to keep up with a subject.
High-Quality Recording
FUJIFILM X-M5 supports in-camera card recording to your SD card at 6.2K/30p 4:2:2 10-bit, as well ashigh-quality, 4K/60p and 1080/240p video recording in a compact and lightweight body.
Microphone Direction Setting
FUJIFILM X-M5 is the first X Series model to feature three built-in microphones for the highest-quality audio. Four different audio modes are available: Surround, Front Priority, Back Priority, or Front & Back Priority, giving the flexibility to get crystal-clear sound from any direction.
Noise Reduction Setting
The new microphones offer more than just directional control – a versatile noise reduction feature has also been added. Now, it’s possible to reduce noise that continues at a constant frequency; for example, the sound of air conditioning or wind noise.
Compatible with Frame.io
Create, share and collaborate online in an instant with FUJIFILM X-M5’s native Frame.io Camera to Cloud technology. Wirelessly connect to an active internet connection, authenticate to Frame.io, and start uploading photos and videos from the moment of creation.
Subject Tracking
Track subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. FUJIFILM X-M5 will track the object, even in situations where multiple subjects appear in the frame.
F-Log2 Support
In addition to F-Log, FUJIFILM X-M5 also supports F-Log2, which records an impressive dynamic range of 13+ stops.* This range is wider than Fujifilm’s original F-Log, broadening post-production potential.
LP Mode
The camera features LP mode for extended recording time.
9:16 Short Movie Mode
FUJIFILM X-M5 features a new Short Movie mode to create social-ready content that’s easy to share on various social media. Clips of 15, 30 or 60 seconds can be recorded in 9:16 vertical format without having to turn the camera on its side. An on-screen timer makes it easy to see how long you have left while recording.
Easy-to-Use Interface
The layout of the Vlog mode interface has been designed to make video recording intuitive and enjoyable, even if you are new to content creation.
Rich System
FUJIFILM X-M5 is compatible with a range of Fujifilm accessories that boost your creative options.
Share Content Quickly
FUJIFILM X-M5 allows low bit rates of 8Mbps and 25Mbps to be selected. Choosing these rates minimizes the time it takes to transfer files to smartphones and other devices, so you can get content online quickly. Additionally, a USB-C connection enables high-speed transfer of video files of 4GB or more to both Android and iOS devices.
Model Name | FUJIFILM X-M5 | |
Lens Mount | FUJIFILM X mount | |
Sensor Specifications | ||
---|---|---|
Image Sensor | 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter | |
Number of effective pixels | 26.1 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Number of recorded pixels | [L] | 3:2 - 6240 x 4160 16:9 - 6240 x 3512 1:1 - 4160 x 4160 |
[M] | 3:2 - 4416 x 2944 16:9 - 4416 x 2488 1:1 - 2944 x 2944 |
|
[S] | 3:2 - 3120 x 2080 16:9 - 3120 x 1760 1:1 - 2080 x 2080 |
|
[L] Panorama | vertical - 2160 x 9600 horizontal - 9600 x 1440 |
|
[M] Panorama | vertical - 2160 x 6400 horizontal - 6400 x 1440 |
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Still Image Sensitivity | Standard Output | AUTO1 AUTO2 AUTO3 ISO160~12800 (1/3 step) |
Extended Output | ISO80 ISO100 ISO125 ISO25600 ISO51200 |
|
Movie Sensitivity | Standard Output | AUTO ISO160~12800 (1/3 step) |
Extended Output | ISO25600 | |
Exposure control | TTL 256-zone metering Multi Spot Average Center Weighted |
|
Exposure mode | P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure) |
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Exposure compensation | Still : -5.0EV~+5.0EV 1/3EV step Movie : -2.0EV~+2.0EV 1/3EV step |
|
Image stabilizer | Digital Image Stabilization : Yes (movie mode only) IS MODE BOOST : Yes (movie mode only) |
|
Dynamic Range | Still | Range : AUTO / 100% / 200% / 400% ISO restriction : DR100%: No limit / DR200%: ISO320 or more / DR400%: ISO640 or more |
Movie | Range : 100% / 200% / 400% ISO restriction : DR100%: No limit / DR200%: ISO320 or more / DR400%: ISO640 or more |
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Shutter Specifications | ||
Shutter type | Focal Plane Shutter | |
Shutter speed | Mechanical shutter | P mode - 30sec. to 1/4000sec. A mode - 30sec. to 1/4000sec. S/M mode - 15min. to 1/4000sec. Bulb - up to 60min. |
Electronic shutter | P mode - 30sec. to 1/32000sec. A mode - 30sec. to 1/32000sec. S/M mode - 15min. to 1/32000sec. Bulb - 1sec. Fixed |
|
Electronic front curtain shutter | P mode - 30sec. to 1/4000sec. A mode - 30sec. to 1/4000sec. S/M mode - 15min. to 1/4000sec. Bulb - up to 60min. |
|
Mechanical + Electronic shutter | P mode - 30sec. to 1/32000sec. A mode - 30sec. to 1/32000sec. S/M mode - 15min. to 1/32000sec. Bulb - up to 60min. |
|
E-front + Mechanical shutter | P mode - 30sec. to 1/4000sec. | |
E-front + Mechanical + Electronic shutter | P mode - 30sec. to 1/32000sec. | |
Movie | 6.2K - 1/4000sec. to 1/24 sec. 4K/DCI4K - 1/4000sec. to 1/24 sec. FHD - 1/4000sec. to 1/24 sec. |
|
Synchronized shutter speed for flash | Mechanical shutter - 1/180sec. or slower | |
Continuous shooting (CH) | Electronic Shutter Approx. 30fps (1.25x Crop) |
JPEG - 128 frames Compressed RAW - 78 frames Lossless compressed RAW - 46 frames Uncompressed RAW - 23 frames Compressed RAW + JPEG - 32 frames Lossless compressed RAW + JPEG - 27 frames Uncompressed RAW + JPEG - 21 frames |
Electronic Shutter Approx. 20fps (1.25x Crop) |
JPEG - 141 frames Compressed RAW - 81 frames Lossless compressed RAW - 47 frames Uncompressed RAW - 24 frames Compressed RAW + JPEG - 46 frames Lossless compressed RAW + JPEG - 38 frames Uncompressed RAW + JPEG - 21 frames |
|
Electronic Shutter Approx. 10fps (1.25x Crop) |
JPEG - 204 frames Compressed RAW - 113 frames Lossless compressed RAW - 57 frames Uncompressed RAW - 25 frames Compressed RAW + JPEG - 66 frames Lossless compressed RAW + JPEG - 54 frames Uncompressed RAW + JPEG - 22 frames |
|
Electronic Shutter Approx. 20fps |
JPEG - 127 frames Compressed RAW - 60 frames Lossless compressed RAW - 34 frames Uncompressed RAW - 23 frames Compressed RAW + JPEG - 34 frames Lossless compressed RAW + JPEG - 26 frames Uncompressed RAW + JPEG - 21 frames |
|
Electronic Shutter Approx. 10fps |
JPEG - 155 frames Compressed RAW - 79 frames Lossless compressed RAW - 41 frames Uncompressed RAW - 24 frames Compressed RAW + JPEG - 48 frames Lossless compressed RAW + JPEG - 39 frames Uncompressed RAW + JPEG - 22 frames |
|
Electronic Shutter Approx. 8fps |
JPEG - 173 frames Compressed RAW - 82 frames Lossless compressed RAW - 41 frames Uncompressed RAW - 25 frames Compressed RAW + JPEG - 52 frames Lossless compressed RAW + JPEG - 37 frames Uncompressed RAW + JPEG - 23 frames |
|
Mechanical Shutter Approx. 8.0fps |
JPEG - 173 frames Compressed RAW - 82 frames Lossless compressed RAW - 38 frames Uncompressed RAW - 25 frames Compressed RAW + JPEG - 52 frames Lossless compressed RAW + JPEG - 34 frames Uncompressed RAW + JPEG - 23 frames |
|
Continuous Shooting (CL) | Mechanical Shutter Approx. 5.0fps |
JPEG - 1000+ frames Compressed RAW - 163 frames Lossless compressed RAW - 48 frames Uncompressed RAW - 27 frames |
Mechanical Shutter Approx. 4.0fps |
JPEG - 1000+ frames Compressed RAW - 1000+ frames Lossless compressed RAW - 65 frames Uncompressed RAW - 28 frames |
|
Mechanical Shutter Approx. 3.0fps |
JPEG - 1000+ frames Compressed RAW - 1000+ frames Lossless compressed RAW - 152 frames Uncompressed RAW - 38 frames |
|
Pre-shot | Electronic Shutter Approx. 30fps (1.25 X Crop) |
30 frames 75 frames 105 frames |
Electronic Shutter Approx. 20fps (1.25 X Crop) |
20 frames 576 frames 596 frames |
|
Electronic Shutter Approx. 10fps (1.25 X Crop) |
10 frames 1000+ frames 1000+ frames |
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Electronic Shutter Approx. 20fps (1.25 X Crop) |
20 frames 998 frames 1018 frames |
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Electronic Shutter Approx. 10fps (1.25 X Crop) |
10 frames 1000+ frames 1000+ frames |
|
Electronic Shutter Approx. 8fps (1.25 X Crop) |
8 frames 1000+ frames 1000+ frames |
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Drive Modes | ||
AE Bracketing | 2 frames 3 frames 5 frames 7 frames 9 frames |
|
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% 200% 400% |
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ISO sensitivity Bracketing | ±1/3EV ±2/3EV ±1EV |
|
White Balance Bracketing | ±1 ±2 ±3 |
|
Focus Bracketing | AUTO MANUAL |
|
Multiple Exposure | Yes (Max. 9 frames) Additive Average Bright Dark |
|
HDR Mode | AUTO 2 4 8 800% + |
|
Advanced filter | Toy camera Miniature Pop color High-key Low-key Dynamic tone Soft focus Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
|
Focus System | ||
Mode | Single AF Continuous AF MF |
|
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
AF frame selection | Single point AF | 13×9 / 25×17 (Changeable size of AF frame) |
Zone AF | 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid | |
All | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle & Bike/Airplane/Train)
|
|
Flash | ||
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Shoe mount flash | Sync. Mode 1st Curtain 2nd Curtain AUTO FP (HSS) |
|
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) MANUAL MULTI *When EF-X500 is set OFF |
|
LCD monitor | ||
Aspect Ratio | 3:2 | |
Dots | Approx. 1.04 million dots | |
Touch Screen Mode | Shooting Mode | Shooting AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) Touch Zoom (ON/OFF) |
Playback Mode | Swipe Pinch-in / Pinch-out Double-tap Drag |
|
Movie Recording | ||
File format | MOV | HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
MP4 | MPEG-4 AVC/H.264, AAC | |
Movie compression | Long GOP | |
Recording in 6.2K(3:2) | File size | 6240 x 4160 |
Frame rate | 29.97p / 25p / 24p / 23.98p | |
Bitrate | 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps | |
Recording in DCI4K(17:9) | File size | 4096 x 2160 |
Frame rate | 59.94p / 50p / 29.97p / 25p / 24p / 23.98p | |
Bitrate | 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps | |
Recording in 4K(16:9) | File size | 3840 x 2160 |
Frame rate | 59.94p / 50p / 29.97p / 25p / 24p / 23.98p | |
Bitrate | 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps | |
Recording in Full HD(17:9) | File size | 2048 x 1080 |
Frame rate | 59.94p / 50p / 29.97p / 25p / 24p / 23.98p | |
Bitrate | 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps | |
Recording in Full HD(16:9) | File size | 1920 x 1080 |
Frame rate | 59.94p / 50p / 29.97p / 25p / 24p / 23.98p | |
Bitrate | 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps | |
Recording in Full HDLP(16:9) | File size | 1920 x 1080 (1.29x Crop) |
Frame rate | 59.94p / 50p | |
Bitrate | 200Mbps / 100Mbps / 50Mbps / 25Mbps / 8Mbps | |
Recording in Full HD(17:9) High speed rec. | File size | 2048 x 1080 |
Frame rate | 240p / 200p / 120p / 100p | |
Bitrate | 200Mbps (recording) | |
Recording in Full HD(16:9) High speed rec. | File size | 1920 x 1080 |
Frame rate | 240p / 200p / 120p / 100p | |
Bitrate | 200Mbps (recording) | |
Microphone Direction Setting | SURROUND, FRONT PRIORITY, BACK PRIORITY, FRONT & BACK PRIORITY | |
Vlog Mode | Yes | |
Image Recording | ||
AUTO Mode Setting | AUTO / Portrait / Portrait Enhancer / Landscape / Sport / Night / Night (Tripod) / Fireworks / Sunset / Snow / Beach / Underwater / Party / Flower Text |
|
Film simulation mode | 20 modes | PROVIA/Standard / Velvia/Vivid / ASTIA/Soft / Classic Chrome / REALA ACE / PRO Neg.Hi / PRO Neg.Std / Classic Neg. / Nostalgic Neg. / ETERNA/Cinema / ETERNA BLEACH BYPASS / ACROS / ACROS + Ye Filter / ACROS + R Filter / ACROS + G Filter / Black & White / Black & White + Ye Filter / Black & White + R Filter / Black & White + G Filter / Sepia |
Monochromatic Color | Yes | |
Grain Effect | Roughness : STRONG, WEAK, OFF Size : LARGE, SMALL |
|
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Portrait Enhancer Lv | STRONG, MEDIUM, WEAK, OFF | |
White Balance Modes | Auto | White Priority Auto Ambience Priority |
Custom | Custom 1 – 3 | |
Colour temperature selection | 2500K~10000K | |
Presets | Daylight Shade Fluorescent Light-1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater |
|
Clarity setting | ±5 steps | |
Self-timer | Still : 10sec. / 2sec. Movie : 10sec. / 5sec. / 3sec. |
|
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Connectivity | ||
Wireless transmitter | Standard | IEEE802.11b/g/n/ (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standard | Bluetooth Ver. 5.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402〜2480MHz | |
Terminals | Digital interface | USB Type-C USB 10Gbps |
HDMI output | HDMI Micro connector (Type D)
|
|
Others | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) Hot shoe |
|
Storage media | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I |
|
File format of still image | DCF : Compliant with Design rule for Camera File system (DCF2.0) JPEG : Exif Ver.2.32 HEIF : 4:2:2 10bit RAW : 14bit RAW (RAF original format) TIFF : 8bit / 16bit RGB (In-camera Raw Conversion Only) |
|
Power Supply | ||
Battery | NP-W126S Li-ion battery (included) | |
Battery Life | Still images | Economy Mode : Approx. 440 frames Normal Mode : Approx. 330 frames |
Movie Capture (Actual) | 6.2K : Approx. 45min. (29.97p) 4K : Approx. 50min. (29.97p) Full HD : Approx. 45min. (59.94p)、Approx. 50min. (120P) |
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Movie Capture (Continuous) | 6.2K : Approx. 65min. (29.97p) 4K : Approx. 85min. (29.97p) Full HD : Approx. 80min. (59.94p) |
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Physical | ||
Weight | Approx. 355g (inc battery & memory card) Approx. 307g (excl battery & memory card) |
|
Operating Temperature | 0°C~+40°C | |
Operating Humidity | 10%~80% (no condensation) | |
Accessories included | ||
Li-ion battery NP-W126S Shoulder strap Body cap Cooling fan connector cover |
Media Rec (SD memory card)
Resolution/Aspect | Size | Frame rate | File format/Compression | Bit rate1 | Bit depth | HDMI output Resolution(Frame rate)/Sampling/Bit depth HDMI |
Crop Magnification | |
---|---|---|---|---|---|---|---|---|
DIS ON | DIS OFF | |||||||
6.2K 3:2 | 6240 x 4160 | 29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
10bit | FHD 4:2:2 10bit (H.265 Long GOP 4:2:2 MOV selected)2 3 4K 4:2:2 10bit (H.265 Long GOP 4:2:0 MOV selected)2 3 |
Not possible |
1.0x |
DCI4K 17:9 4K 16:9 |
4096 x 2160 3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
10bit | DCI4K/4K 4:2:2 10bit | 59.94p/50.00p:1.22x 29.97p/25.00p/24.00p/ 23.98p:1.32x |
59.94p/50.00p:1.18x 29.97p/25.00p/24.00p/ 23.98p:1.0x |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
8bit | DCI4K/4K 4:2:2 8bit | |||||
Long play 4K 16:9 |
4096 x 2160 3840 x 2160 |
29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
10bit | DCI4K/4K 4:2:2 10bit | 1.22x | 1.18x |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
8bit | DCI4K/4K 4:2:2 8bit | |||||
FHD 17:9 FHD 16:9 FHD 9:16 |
2048 x 1080 1920 x 1080 1080 x 1920 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
10bit | FHD 4:2:2 10bit3 | 1.32x | 1.0x |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
8bit | FHD 4:2:2 8bit3 | |||||
Long play FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
10bit | FHD 4:2:2 10bit | x1.12 | 1.29x |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps 25Mbps 8Mbps |
8bit | FHD 4:2:2 8bit | |||||
High speed FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
240fps(4×/8×/10×) 200fps(4×/8×) 120p (2x/4x/5x) 100p (2x/4x) |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps (when recording) | 10bit | FHD(59.94p) 4:2:2 10bit4 | Not possible |
1.29x |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps (when recording) | 8bit | FHD(59.94p) 4:2:2 8bit4 |
HDMI Output
Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution/Sampling/Bit depth |
Crop Magnification | ||||
---|---|---|---|---|---|---|---|---|
DIS ON | DIS OFF | |||||||
6.2K 3:2 | 6240 x 4160 | 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit2 3 | Not possible |
1.0x | |||
DCI4K 17:9 4K 16:9 |
4096 x 2160 3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
DCI4K/4K 4:2:2 10bit | 59.94p/50.00p:1.22x 29.97p/25.00p/24.00p/ 23.98p:1.32x |
59.94p/50.00p:1.18x 29.97p/25.00p/24.00p/ 23.98p:1.0x |
|||
FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit | 1.32x | 1.0x | |||
High speed REC HDMI ONLY | ||||||||
FHD 16:9 | 1920 x 1080 | 120p 100p |
FHD(120p/100p) 4:2:2 10bit | Not possible |
1.29x | |||
HDMI RAW Output | ||||||||
6.2K 3:2 | 6240 x 4160 | 29.97p 25.00p 24.00p 23.98p |
12bit | Not possible |
1.0x | |||
5.2K 16:9 | 5232 x 2944 | 59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
12bit | Not possible |
1.19x |
Notes
- Bit rate will be changed depend on the subject
- The resolution from HDMI output is different from selected setting
- When the aspect ratio is not 16:9, the image is output in 16:9 with a black band
- The frame rate from HDMI output is different from selected setting
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