€250.00
add to basket Panasonic Lumix GH7 Camera with 12-60mm F2.8-4 OIS Lens
)
The LUMIX GH7 is a next-generation mirrorless camera that meets the needs of creators, whatever their creative field may be.
The LUMIX GH7 delivers outstanding video performance, wide dynamic range with a newly developed 25.2MP BSI CMOS sensor, and improved AF performance with PDAF (Phase Detection Auto-Focus). To support the efficient workflow required in professional production environments, the GH7 is newly equipped with Apple ProRes RAW*1 internal recording and the World’s first 32-bit float recording*2, which eliminates the need to adjust sound recording levels during shooting.
With the rapid increase in demand for video content in recent years, the number of small teams of video creators is rising, along with the demand for further improvements in the quality of mirrorless cameras with excellent video performance and portability. Since its release in 2009, our LUMIX GH series has developed a strong reputation among creators and video production teams as a model renowned for its shooting performance, innovative features and reliability.
Add-ons
FREE €250.00 Save: 100%
add to basket 
€199.00
add to basket 
€549.00
add to basket 
€84.99
add to basket 
€116.00
add to basket 
€79.99
add to basket Enhanced Content Quality
The LUMIX GH7's Phase Hybrid AF tracks subjects persistently, capturing them quickly and precisely. Its Dynamic Range Boost enables a wide dynamic range at all ISO sensitivity ranges.
Efficient Workflow
ProRes RAW HQ internal recording, 32-bit float format recording (optional DMW-XLR2 required), etc. can be performed on the camera body itself, making it possible to produce high-quality and high-efficiency content with minimal setup.
Outstanding Reliability
Combines a compact body with a heat dissipation structure, enabling extended recording even when shooting at heavy loads (4:2:2 10-bit C4K/4K 60p/50p, ProRes RAW HQ).
ProRes RAW HQ Internal Recording
5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.
*Recording is not possible on the SD card. Apple and ProRes are trademarks or registered trademarks of Apple Inc. in the United States and/or other countries.
World’s First 32-bit Float Recording
When combined with the DMW-XLR2 (sold separately), the LUMIX GH7 delivers the world's first 32-bit float recording,* improving the quality and efficiency of the entire workflow. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording.
*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research. When used with the XLR microphone adaptor DMW-XLR2 (sold separately).
ARRI LogC3 Recording
By using DMW-SFU3A Software Upgrade Key (sold separately), users can use the ARRI LogC3*, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.
*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4. *On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode. ･ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.
Richer Tonal Expression
Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real time to create composite images with rich tonal range even in scenes with significant luminance differences. With still images, it allows for richer expression of shadow tones in RAW data. With video, it enables 13+-stop V-Log/V-Gamut recording.* It achieves a wide dynamic range in all ISO sensitivity ranges.
*When shooting video over 60fps (including VFR), latitude will be 12+ stop. ･Dynamic Range Boost is not activated when shooting HFR/VFR video of 61fps or higher, or with SH burst shooting. Also not activated at shutter speeds slower than 1/15 during still image shooting, depending on the ISO. ･This function is applied automatically.
Phase Hybrid AF
The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes where multiple subjects are involved, delivering accuracy even in backlit or low-light environments.
Real Time LUT
LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.
LUMIX Lab App
Pair the camera with your smartphone in three steps and transfer content seamlessly with ultra-fast Wi-Fi connection. You can also crop, adjust brightness, apply LUTs, etc., enabling simple editing for any social media platform to be done in a snap.
Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording
Offering 4:2:2 10-bit C4K/4K 60p/50p internal recording, the LUMIX GH7 delivers unlimited recording time* when used at the recommended operating temperature**. Ideal for small production teams and in demanding conditions where mobility and high-quality are a must. Also allows for simultaneous internal recording and external recording via HDMI output.
*Under the guaranteed operating environment. When using a battery. The recording time depends on the capacity of the battery and the recording media. **-10–40℃. ･Corresponding to 4K (4096×2160) as defined by Digital Cinema Initiatives (DCI). ･CFexpress card or an SD memory card with Video Speed Class 90 is required.
Collaborate Anytime, Anywhere
Native camera to cloud integration with Adobe’s Frame.io
With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud. NB - Not all features of Frame.io Camera to Cloud are guaranteed. ･Frame.io, the Frame.io logo, and Camera to Cloud are either registered trademarks or trademarks of Adobe in the United States and/or other countries.
Wireless / Wired Live Streaming
Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.
*Live streaming to the platforms that comply with RTMP/RTMPS is basically possible (Compatibility with all the platforms is not guaranteed.) There may be the cases where the live streaming is not possible when the service of the platform changes. For more information, please refer to the terms and conditions of the platform. ･Since the transmission speed of live streaming varies depending on the Internet environment, smartphone performance, etc., we recommend that you conduct a transmission test in advance. ･A commercially available USB ethernet adaptor is required to convert the DC-GH7's USB Type C terminal to a LAN terminal.
| Type | Digital Single Lens Mirrorless camera | |
| Lens mount | Micro Four Thirds mount | |
| IMAGE SENSOR | ||
|---|---|---|
| Type | BSI CMOS sensor (17.3 x 13.0 mm) | |
| Camera effective pixels / Total pixels | Approx. 25.2 megapixels / Approx. 26.5 megapixels | |
| AR (Anti Reflection) coating | Yes | |
| Aspect ratio / Colour filter | 4:3 / Primary colour filter | |
| Dust reduction system | Image sensor shift type | |
| Latitude | 13+ stops (V-Log) (Sensor output is 60fps or less) 12+ stops (V-Log) (Sensor output is 61fps or higher) |
|
| STILL IMAGE | ||
| Recording file format | JPEG (DCF, Exif 3.0), RAW | |
| Aspect ratio | 4:3 / 3:2 / 16:9 / 1:1 | |
| File size (Pixels) | 4:3 : 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode. 3:2 : 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode. 16:9 : 5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode. 1:1 : 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode. |
|
| Image quality | RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine) | |
| Colour space | sRGB, AdobeRGB | |
| MOTION PICTURE | ||
| Recording file format | MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW MP4: H.264/MPEG-4 AVC, H.265/HEVC |
|
| Audio format | 4ch Audio Recording: OFF | MOV Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*) Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit) *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately). MP4 Linear format: AAC (2ch stereo 48kHz/16-bit) |
| 4ch Audio Recording: XLR* | MOV Linear format: LPCM (4ch monaural 48kHz/24-bit) Float format: LPCM (4ch monaural 48kHz/32-bit) *When attaching DMW-XLR2 (sold separately). |
|
| 4ch Audio Recording: XLR*+Camera | MOV Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**) *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). |
|
| System frequency | 59.94Hz / 50.00Hz / 24.00Hz | |
| Image area of video | FULL / PIXEL/PIXEL | |
| Log recording | V-Log | |
| Proxy | ON / OFF Proxy Rec Quality: H / M / L Real Time LUT (Proxy): ON / OFF *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming]. |
|
| MOV *¹ *² *³ / 59.94Hz | [5.8K] 5760x4320 (4:3) | 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9) | 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
|
| [4.4K] 4352x3264 (4:3) | 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| [C4K] 4096x2160 / [4K] 3840x2160 | 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)** 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD. |
|
| [FHD] 1920x1080 | 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/*** 239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/*** 239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/*** 119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*** 119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*** 119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*** 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM) 29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **Image Area of Video is set to FULL during this recording mode. ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD. |
|
| MOV *¹ *² *³ / 50.00Hz | [5.8K] 5760x4320 (4:3) | 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9) | 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
|
| [4.4K] 4352x3264 (4:3) | 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| [C4K] 4096x2160 / [4K] 3840x2160 | 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)** 50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD. |
|
| [FHD] 1920x1080 | 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/*** 200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/*** 200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/*** 100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*** 100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*** 100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*** 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **Image Area of Video is set to FULL during this recording mode. ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD. |
|
| MOV *¹ *² *³ / 24.00Hz | [5.8K] 5760x4320 (4:3) | 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9) | 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
|
| [4.4K] 4352x3264 (4:3) | 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| [C4K] 4096x2160 / [4K] 3840x2160 | 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)** 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD. |
|
| [FHD] 1920x1080 | 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)** 120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)** 120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)** 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD. |
|
| MP4 *¹ *² / 59.94Hz | [4K] 3840x2160 | 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
| [FHD] 1920x1080 | 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|
| MP4 *¹ *² / 50.00Hz | [4K] 3840x2160 | 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC) 25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
| [FHD] 1920x1080 | 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) 25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC) |
|
| MP4 *¹ *² / 24.00Hz | - | |
| ProRes *¹ *³ / 59.94Hz | [5.7K] 5728x3024 (17:9) | 29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/** 29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/** 29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/** 23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/** 23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. **Software that supports Apple ProRes RAW is required to edit RAW video recorded. **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
| [C4K] 4096x2160 | 59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/*** 59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/*** 59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/*** 29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/*** 29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/*** 23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/*** 23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **Image Area of Video is set to PIXEL/PIXEL during this recording mode. ***Software that supports Apple ProRes RAW is required to edit RAW video recorded. ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
|
| [FHD] 1920x1080 | 59.94p, 454Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 59.94p, 302Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 227Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 29.97p, 151Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 181Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 23.98p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. |
|
| ProRes *¹ *³ / 50.00Hz | [5.7K] 5728x3024 (17:9) | 25.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/** 25.00p, 2.3Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/** 25.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. **Software that supports Apple ProRes RAW is required to edit RAW video recorded. **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
| [C4K] 4096x2160 | 50.00p, 3.5Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/*** 50.00p, 2.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/*** 50.00p, 1.6Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 1.1Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 1.8Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/*** 25.00p, 1.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/*** 25.00p, 811Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 541Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **Image Area of Video is set to PIXEL/PIXEL during this recording mode. ***Software that supports Apple ProRes RAW is required to edit RAW video recorded. ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
|
| [FHD] 1920x1080 | 50.00p, 378Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 50.00p, 252Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 189Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 25.00p, 126Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. |
|
| ProRes *¹ *³ / 24.00Hz | [5.7K] 5728x3024 (17:9) | 24.00p, 3.3Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/** 24.00p, 2.2Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/** 24.00p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. **Software that supports Apple ProRes RAW is required to edit RAW video recorded. **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
| [C4K] 4096x2160 | 24.00p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/*** 24.00p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/*** 24.00p, 779Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. **Image Area of Video is set to PIXEL/PIXEL during this recording mode. ***Software that supports Apple ProRes RAW is required to edit RAW video recorded. ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
|
| [FHD] 1920x1080 | 24.00p, 182Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)* 24.00p, 121Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)* *Proxy video recording is available. |
|
| VARIABLE FRAME RATE | ||
| MOV *¹ *² / 59.94Hz | [5.7K] 5728x3024 (17:9) | 29.97p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [C4K] 4096x2160 / [4K] 3840x2160 | 59.94p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 29.97p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 23.98p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD. |
|
| [FHD] 1920x1080 | 59.94p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 59.94p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 29.97p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 29.97p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 23.98p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 23.98p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD. |
|
| MOV *¹ *² / 50.00Hz | [5.7K] 5728x3024 (17:9) | 25.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [C4K] 4096x2160 / [4K] 3840x2160 | 50.00p (Maximum output of sensor is 120fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM) 25.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD. |
|
| [FHD] 1920x1080 | 50.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 50.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 25.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 25.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 100fps when Image Area of Video is set to PIXEL/PIXEL. *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD. |
|
| MOV *¹ *² / 24.00Hz | [5.7K] 5728x3024 (17:9) | 24.00p (Maximum output of sensor is 60fps), 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [C4K] 4096x2160 / [4K] 3840x2160 | 24.00p (Maximum output of sensor is 120fps), 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* 24.00p (Maximum output of sensor is 60fps), 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)** *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD. **External USB-SSD recording. |
|
| [FHD] 1920x1080 | 24.00p (Maximum output of sensor is 240fps), 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)* 24.00p (Maximum output of sensor is 300fps), 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)* *Maximum output of sensor is 120fps when Image Area of Video is set to PIXEL/PIXEL. *An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video of 61fps or higher on a USB-SSD. |
|
| HDMI RAW DATA OUTPUT | ||
| Compatible external devices | Blackmagic Video Assist 5" 12G HDR, Blackmagic Video Assist 7" 12G HDR *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data. *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR. *All functions may not be available depending on the situation. *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording. ATOMOS devices "Ninja V" / "Ninja V+" / "Ninja" / "Ninja Ultra" / "Shogun" / "Shogun Ultra" / "Shogun Connect" *All functions may not be available depending on the situation. *Please check here for compatible firmware versions of external recorders. https://panasonic.jp/support/global/cs/dsc/connect/index.html *"Ninja V" "Ninja" "Shogun" does not support some RAW video data. *Software that supports Apple ProRes RAW is required to edit RAW video recorded. *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut. https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/ |
|
| Rec quality / NTSC (59.94Hz) | [5.8K] 5760x4320 (4:3) | 29.97p, 12-bit (LPCM)* 23.98p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9) | 59.94p, 12-bit (LPCM)* 29.97p, 12-bit (LPCM)* 23.98p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. |
|
| [4.4K] 4352x3264 (4:3) | 59.94p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| [C4K] 4096x2160 (17:9) | 119.88p, 12-bit (LPCM)* 59.94p, 12-bit (LPCM)* 29.97p, 12-bit (LPCM)* 23.98p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| Rec quality / PAL (50.00Hz) | [5.8K] 5760x4320 (4:3) | 25.00p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9) | 50.00p, 12-bit (LPCM)* 25.00p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. |
|
| [4.4K] 4352x3264 (4:3) | 50.00p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| [C4K] 4096x2160 (17:9) | 100.00p, 12-bit (LPCM)* 50.00p, 12-bit (LPCM)* 25.00p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. |
|
| Audio format | 4ch Audio Recording: OFF | Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*) Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit) *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately). |
| 4ch Audio Recording: XLR* | Linear format: LPCM (4ch monaural 48kHz/24-bit) Float format: LPCM (4ch monaural 48kHz/32-bit) *When attaching DMW-XLR2 (sold separately). |
|
| 4ch Audio Recording: XLR*+Camera | Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**) *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). |
|
| STREAMING | ||
| Wi-Fi | Protocol | RTMP / RTMPS |
| 59.94Hz / [FHD] 1920x1080 | 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set. 29.97p, 6Mbps / 3Mbps (H.264) |
|
| 59.94Hz / [HD] 1280x720 | 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) |
|
| 50.00Hz / [FHD] 1920x1080 | 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is set. 25.00p, 6Mbps / 3Mbps (H.264) |
|
| 50.00Hz / [HD] 1280x720 | 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) |
|
| USB Tethering | Protocol | RTMP / RTMPS |
| 59.94Hz / [4K] 3840x2160 | 29.97p, 12.5Mbps (H.264) | |
| 59.94Hz / [FHD] 1920x1080 | 59.94p, 16Mbps / 8Mbps (H.264) 29.97p, 6Mbps / 3Mbps (H.264) |
|
| 59.94Hz / [HD] 1280x720 | 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) |
|
| 50.00Hz / [4K] 3840x2160 | 25.00, 12.5Mbps (H.264) | |
| 50.00Hz / [FHD] 1920x1080 | 50.00p, 16Mbps / 8Mbps (H.264) 25.00p, 6Mbps / 3Mbps (H.264) |
|
| 50.00Hz / [HD] 1280x720 | 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) |
|
| Wired LAN | Protocol | RTP / RTSP |
| 59.94Hz / [4K] 3840x2160 | 59.94p, 50Mbps / 25Mbps (H.265)* 59.94p, 50Mbps / 25Mbps (H.264)* 29.97p, 25Mbps / 12.5Mbps (H.265) 29.97p, 25Mbps / 12.5Mbps (H.264) *When Image Area of Video is set to PIXEL/PIXEL. |
|
| 59.94Hz / [FHD] 1920x1080 | 59.94p, 20Mbps / 16Mbps (H.265) 59.94p, 16Mbps / 8Mbps (H.264) 29.97p, 12Mbps / 6Mbps (H.265) 29.97p, 6Mbps / 3Mbps (H.264) |
|
| 59.94Hz / [HD] 1280x720 | 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) |
|
| 50.00Hz / [4K] 3840x2160 | 50.00p, 50Mbps / 25Mbps (H.265)* 50.00p, 50Mbps / 25Mbps (H.264)* 25.00p, 25Mbps / 12.5Mbps (H.265) 25.00p, 25Mbps / 12.5Mbps (H.264) *When Image Area of Video is set to PIXEL/PIXEL. |
|
| 50.00Hz / [FHD] 1920x1080 | 50.00p, 20Mbps / 16Mbps (H.265) 50.00p, 16Mbps / 8Mbps (H.264) 25.00p, 12Mbps / 6Mbps (H.265) 25.00p, 6Mbps / 3Mbps (H.264) |
|
| 50.00Hz / [HD] 1280x720 | 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) |
|
| VIEWFINDER | ||
| Type | OLED Live View Finder | |
| Pixels | Approx. 3.68 million dots | |
| Field of view / Magnification | Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 4:3 | |
| Eye point / Diopter adjustment | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) | |
| Eye sensor | Yes | |
| Display speed | 120fps / 60fps | |
| REAR MONITOR | ||
| Type | TFT LCD monitor with static touch control | |
| Monitor size | Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect | |
| Pixels | Approx. 1.84 million dots | |
| Field of view | Approx. 100% | |
| FOCUS (*⁴) | ||
| Type | Phase Detection AF system / Contrast AF system | |
| DFD technology | Yes | |
| Focus mode | AFS (Single) / AFC (Continuous) / MF | |
| AF mode | Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set. |
|
| AF detective range | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) | |
| AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | |
| AF assist light | Yes | |
| AF lock | Set the Fn button in custom menu to AF lock | |
| Focus ring control | Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached. | |
| Others | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking, 1-Area AF Moving Speed, AF Micro Adjustment, Continuous AF (during motion picture recording), Focus/Shutter Priority, Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide, Focus Ring Lock, Show/Hide AF Mode, AF-Point Scope, Shutter AF, Half Press Shutter, Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter, Touch AF/AE Function, Touch Pad AF, Lens Focus Resume | |
| EXPOSURE CONTROL | ||
| Light metering system | 1,728-zone multi-pattern sensing system | |
| Light metering mode | Multiple / Center Weighted / Spot / Highlight Weighted | |
| Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) | |
| Mode dial | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. |
|
| Exposure compensation | 1/3 EV step ±5EV (±3EV for motion picture) | |
| ISO sensitivity (Standard output sensitivity) | Still image | [Normal] Auto / 50 (Extended ISO) / 100-25600 [V-Log] Auto / 125 (Extended ISO) / 500-12800 *Switchable between 1/3 or 1 EV step. |
| Motion picture | [Normal] Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800 Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) / 100-3200 / 4000-12800 (Extended ISO) [V-Log] Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800 Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) / 250-3200 / 4000-12800 (Extended ISO) [Hybrid Log Gamma] Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800 Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO) *Switchable between 1/3 or 1 EV step. |
|
| ISO Auto | Still image | [Normal] Minimum: 100-12800 Max: Auto / 200-25600 [V-Log] Minimum: 500-6400 Max: Auto / 800-12800 |
| Motion picture | [Normal] Minimum: Sensor output is 60fps or less: 100-6400 Sensor output is 61fps or higher: 100-1600 Max: Sensor output is 60fps or less: Auto / 200-12800 Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO) [V-Log] Minimum: Sensor output is 60fps or less: 500-6400 Sensor output is 61fps or higher: 250-1600 Max: Sensor output is 60fps or less: Auto / 800-12800 Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO) [Hybrid Log Gamma] Minimum: Sensor output is 60fps or less: 250-6400 Sensor output is 61fps or higher: 250-1600 Max: Sensor output is 60fps or less: Auto / 400-12800 Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO) |
|
| Synchro scan | Still image / Motion picture | |
| AE lock | Set the Fn button in custom menu to AE lock | |
| IMAGE STABILIZATION SYSTEM | ||
| Type | B.I.S. (5-axis / 7.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60mm (35mm camera equivalent f=120mm) when H-ES12060 is used.] Dual I.S. 2 (7.5-stop**) **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.] |
|
| WHITE BALANCE | ||
| White balance | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Colour temperature setting 1, 2, 3, 4 | |
| White balance adjustment | Blue/Amber bias, Magenta/Green bias | |
| Colour temperature setting | 2500-10000K in 100K | |
| SHUTTER | ||
| Type | Focal-plane shutter | |
| Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60 Motion picture: 1/25,000 - 1/25 Creative Video M mode / MF mode: 1/25,000 - 1/8 |
|
| Self timer | 10sec, 3 images / 2sec / 10sec / Custom Time | |
| Remote control | Remote control by DMW-RS2 (sold separately) | |
| Silent mode / Shutter type | Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR) | |
| BRACKET | ||
| AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
| Aperture bracket | 3, 5 or all positions | |
| Focus bracket | Yes | |
| White balance bracket | 3 images in blue/amber axis or in magenta/green axis, colour temperature setting | |
| BURST SHOOTING | ||
| Burst speed | Mechanical shutter | H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
| Electronic front curtain shutter | H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
|
| Electronic shutter | SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/AFC/MF) SH20: 20 frames/sec (AFS/AFC/MF) SH75 PRE: 75 frames/sec (AFS/MF) SH60 PRE: 60 frames/sec (AFS/AFC/MF) SH20 PRE: 20 frames/sec (AFS/AFC/MF) H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
|
| Number of recordable images | H/M/L* RAW+JPEG: More than 170 images**, More than 165 images*** RAW: More than 215 images**, More than 200 images*** JPEG: More than 260 images**, More than 250 images*** SH RAW / RAW+JPEG : 190 images JPEG: 190 images*** *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. **When using a card with CFexpress Type B ***When using a card with SD Speed Class with "UHS-II UHS Speed Class 3 (U3)". |
|
| FLASH | ||
| Flash type | TTL External Flash (sold separately) | |
| Flash mode | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. | |
| Flash synchronization | 1st Curtain Sync, 2nd Curtain Sync. | |
| Flash output adjustment | 1/3EV step ±3EV | |
| Synchronization speed | Less than 1/250 second | |
| Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch | |
| Flash sync socket | Yes | |
| COLOUR SETTINGS | ||
| Photo Style | Photo Style | Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 / Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)* *Set to ON from Show/Hide Photo Style to select. |
| Picture adjustment | Contrast / Highlight / Shadow / Saturation / Colour Tone / Hue / Filter Effect / Grain Effect / Colour Noise / Sharpness / Noise Reduction / ISO / WB / LUT *Adjustable settings vary depending on the Photo Style mode. |
|
| Filter | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass | |
| LUT Library | Supported file types: .vlt, .cube Vlog_709 / Set 1-39 (Set 1-3: Sample LUT) *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing, LUT View Assist in Log View Assist, LUT can be applied from these settings. |
|
| MOTION PICTURE FUNCTION | ||
| Time lapse shot | Yes | |
| Stop motion animation | Yes | |
| SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | |
| Luminance level | 8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 |
|
| Master pedestal level | 31 steps | |
| Colour bars / Test tone | Yes (SMPTE / EBU / ARIB) / Yes | |
| LUT view assist | Monitor / HDMI | |
| HLG view assist | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) | |
| Anamorphic desqueeze display | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF | |
| Wave form monitor / Vectorscope | Selectable | |
| Knee control | Yes (in Like709 mode) | |
| Other functions | Red REC Frame Indicator, Streaming Blue Frame Indicator | |
| FUNCTION BUTTON | ||
| REC | Exposure Comp. / Sensitivity / White Balance / Photo Style / Apply LUT / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / AWB Lock / Exposure Mode / Synchro Scan (Video) / AF Mode / AF Detection Setting / Detecting Subject / AF Custom Setting (Photo) / AF Custom Setting (Video) / Focus Limiter / Focus Limiter Range Set / Focus Peaking / Focus Peaking Sensitivity / Focus Frame Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Near Shift / AF-ON: Far Shift / AF-Point Scope / Focus Area Set / Enlarged Live Display (Video) / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode Setting / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Crop Zoom (Photo) / Live View Composite / Rec. File Format / Rec Quality / Rec Quality (My List) / Variable Frame Rate / Proxy Recording / Time Code Display / Audio Information / Sound Rec Level Disp. / Mute Sound Input / Sound Rec Level Adj. / Sound Rec Quality / Sound Rec Level Limiter / 4ch Audio Recording / XLR Mic Adaptor Setting / Sound Monitoring Channel / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Image Area of Video / Crop Zoom (Video) / Focus Transition / Live Cropping / Live Cropping Settings / Q.MENU / Rec/Playback Switch / Video Record / Video Record (Creative Video) / LVF/Monitor Switch / Dial Operation Switch / Preview / Preview Aperture Effect / Constant Preview / Level Gauge / Histogram / Luminance Spot Meter / Frame Marker / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Set / Video-Priority Display / Zebra Pattern / LUT View Assist (Monitor) / LUT View Assist (HDMI) / LUT Select / HLG View Assist (Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / WFM/Vector Scope / Anamorphic Desqueeze Display / Colour Bars / Focus Ring Control / AF Micro Adjustment / Zoom Control / Step Zoom / Zoom Speed / Lens Information / Destination Card Slot / Streaming / REAL TIME LUT / Wi-Fi / Fan Mode / Save to Custom Mode / No Setting / Off (Disable Press and Hold) / Restore to Default | |
| PLAY | Magnify from AF Point / LUT View Assist (Monitor) / HLG View Assist (Monitor) / Anamorphic Desqueeze Display / RAW Processing / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Video Record (Creative Video) / Night Mode / Card Slot Change / Sound Monitoring Channel (Play) / Wi-Fi / Fan Mode / Send Image (Smartphone) / LUT View Assist (HDMI) / HLG View Assist (HDMI) / No Setting / Off (Disable Press and Hold) / Restore to Default | |
| INTERFACE | ||
| USB | USB Type-C® (USB 10Gbps) | |
| USB-SSD Recording | Yes (ON / OFF) | |
| HDMI (*⁵) | HDMI | HDMI TypeA Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.), 4ch (When [4ch Mic Input] is set to ON.) |
| Monitor-through | 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit].) 4:2:2 8bit (When [Rec Quality] is set to [4:2:0 8bit].) 4K/120p / 4K/100p Down Convert: Auto / C4K/4K / 1080p / 1080i / OFF |
|
| Playback | 59.94Hz: 8K/30p* / C4K/120p / C4K/60p / C4K/30p / 4K/120p / 4K/60p / 4K/30p / 1080/120p / 1080p / 1080i / 720p** / 480p** 50.00Hz: 8K/25p* / C4K/100p / C4K/50p / C4K/25p / 4K/100p / 4K/50p / 4K/25p / 1080/100p / 1080p / 1080i / 720p** / 576p** 24.00Hz: 8K/24p* / C4K/120p / C4K/24p / 4K/120p / 4K/24p / 1080/120p / 1080p *Only for still image playback. **Only for playback. |
|
| Remote input | φ2.5mm | |
| Audio | Build-in microphone | Stereo Wind Noise Canceller: OFF / Standard / High |
| External microphone / External audio device input | φ3.5mm for external microphone / external audio device MIC (Plug-in Power) / MIC / LINE Wind Cut: OFF / Low / Standard / High *When attaching Φ3.5mm microphone. Special Mic: Stereo / Shotgun *When attaching DMW-MS2 (sold separately). |
|
| XLR microphone | Yes with DMW-XLR2 (sold separately) | |
| 4ch mic input | Yes with DMW-XLR2 (sold separately) | |
| Speaker | Monaural | |
| Headphone output | φ3.5mm | |
| Card slot | Slot 1: CFexpress Card (CFexpress Type B) Slot 2: SD Memory Card / SDHC Memory Card* / SDXC Memory Card* *Compatible with UHS-I/UHS-II UHS Speed Class 3 standard SDHC/SDXC Memory Cards and UHS-II Video Speed Class 90 standard SDXC Memory Cards. |
|
| TC IN/OUT | ||
| TC IN/OUT | Yes with BNC Converter Cable (bundled) | |
| Count up | Rec Run / Free Run | |
| Time code mode | Drop Frame / Non-Drop Frame (When system frequency [59.94Hz] is selected.) | |
| HDMI time code output | ON / OFF | |
| External TC setting | TC Synchronization / TC Output Reference | |
| FAN | ||
| Modes | Auto1 / Auto2 / Fast / Normal / Slow / OFF* *OFF can be set when in iA/P/A/S/M mode. | |
| LAMP | ||
| Modes | Tally Lamp (front/rear) / Card Access Light / Power Indicator / Charging Light/Network Connection Light | |
| WIRELESS | ||
| Wi-Fi | 2.4GHz bands (STA/AP) (IEEE802.11b/g/n) 5GHz bands (STA/AP) (IEEE 802.11a/n/ac) Security: WPA/WPA2/WPA3 |
|
| Bluetooth | Bluetooth® v5.0 (Bluetooth Low Energy (BLE)) | |
| DUST AND SPLASH RESISTANT* | ||
| Type | Yes. *Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water. |
|
| POWER | ||
| Battery | Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled) USB power supply, USB power charging, USB power delivery |
|
| Battery life (CIPA standard) | When using CFexpress Card | Approx. 330 images, 750 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 350 images, 800 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Using a Nextorage CFexpress Type B card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
| When using SD memory card | Approx. 360 images, 850 images (Power Save LVF mode*) with H-ES12060 / DMW-BLK22 Approx. 380 images, 900 images (Power Save LVF mode*) with H-FS12060 / DMW-BLK22 *Using a Nextorage SDXC memory card. Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 1 sec. |
|
| When using external USB-SSD | Approx. 280 images with H-ES12060 / DMW-BLK22 Approx. 290 images with H-FS12060 / DMW-BLK22 *Using a Samsung external SSD (T9_2TB). Under the test conditions specified by Panasonic based on CIPA standard. |
|
| Continuous recordable time (Motion picture) *¹ | When using CFexpress Card | MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060 |
| When using SD memory card | MP4 [4K/60p]: Approx. 90 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 100 min with H-ES12060 / H-FS12060 |
|
| When using external USB-SSD | MP4 [4K/60p]: Approx. 80 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 90 min with H-ES12060 / H-FS12060 |
|
| Actual recordable time (Motion picture) *¹ | When using CFexpress Card | MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060 |
| When using SD memory card | MP4 [4K/60p]: Approx. 45 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 50 min with H-ES12060 / H-FS12060 |
|
| When using external USB-SSD | MP4 [4K/60p]: Approx. 40 min with H-ES12060 / H-FS12060 MP4 [FHD/60p]: Approx. 45 min with H-ES12060 / H-FS12060 |
|
| DIMENSIONS / WEIGHT | ||
| Dimensions (W x H x D) | Approx. 138.4 x 100.3 x 99.6 mm / 5.45 x 3.95 x 3.92 inch (Body only, excluding protrusions) Approx. 138.4 x 100.3 x 142.0 mm / 5.45 x 3.95 x 5.59 inch (with H-FS12060, excluding protrusions) Approx. 138.4 x 100.3 x 157.0 mm / 5.45 x 3.95 x 6.18 inch (with H-ES12060, excluding protrusions) |
|
| Weight | Approx. 805g / 1.77 lb (Body, Hot Shoe Cover, Battery, SD Memory Card x 1) (excluding body cap) Approx. 721g / 1.59 lb (Body, Hot Shoe Cover) (excluding body cap) |
|
| OPERATING ENVIRONMENT | ||
| Operating temperature | -10°C to 40°C (14°F to 104°F) | |
| Operating humidity | 10%RH to 80％RH | |
| STANDARD ACCESSORIES | ||
| Recording Software | LUMIX Lab / LUMIX Sync ･This software is used to control a Panasonic digital camera from a smartphone. Check the site below to download and install the software. https://panasonic.jp/support/global/cs/dsc/ (For Android™ / iOS) LUMIX Tether ･This software is used to control a Panasonic digital camera from a computer. It allows you to change various settings of the camera, perform remote recording, and save remotely recorded images to the PC. Check the site below to download and install the software. http://panasonic.jp/support/global/cs/soft/download/d_lumixtether.html (For Windows / Mac) |
|
| Playback / Editing Software | ･The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Adwaa's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) |
|
| In The Box | DC-GH7 Kit : Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap DC-GH7L Kit / DC-GH7M Kit : Battery Pack, Battery Charger, BNC Converter Cable, Shoulder Strap, Body Cap, Eye Cup, Hot Shoe Cover, Flash Synchro Socket Cap, Lens Cap, Lens Hood, Lens Rear Cap |
|
* The Operating Instructions for advanced features is available for downloaded at Panasonic LUMIX Customer Support Site using PC, smartphone or tablet connected to the Internet.
Note
- About motion picture recording
The cards that can be used for recording vary depending on the motion pictures bit rate and format type.
- Motion pictures with 72Mbps or less: CFexpress card, SD memory card with SD Speed Class with Class 10 or Video Speed Class 10 or higher
- Motion pictures with 200Mbps or less: CFexpress card, SD memory card with UHS-I / UHS-II UHS Speed Class 3 (U3) or Video Speed Class 30 or higher
- Motion pictures with 400Mbps or less: CFexpress card, SD memory card with Video Speed Class 60 or higher
- Motion pictures with 600Mbps or less: CFexpress card, SD memory card with Video Speed Class 90
- Motion pictures with 800Mbps or more, variable frame rate with ALL-Intra, or ProRes: CFexpress card
A new file will be created to continue recording if the continuous recording time exceeds the following conditions.
- Motion pictures with less than 72Mbps: 30 minutes
- Motion pictures with 72Mbps or more: 3 hours 4 minutes
A new file will be created to continue recording if the file size exceeds the following conditions.
- [MP4] in [FHD]: 4GB
- [MP4] in [4K]: 96GB
- [MOV] in 600Mbps or less: 192GB
- [MOV] in 800Mbps: 640GB
- [ProRes] in [5.7K]: 640GB
If the resolution is higher than C4K, the frame rate is higher than 60p or set to ProRes, the camera may stop the recording to protect itself. Wait until the camera cools down.
- Hybrid Log Gamma is selectable in [4:2:2 10bit] or [4:2:0 10bit].
- High-res audio is selectable only when attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).
- About AF
- Automatic Detection is not available for High Frame Rate video shooting above 60p.
- Tracking and Automatic Detection are not available when using HDMI cable or USB connection cable for High Frame Rate video shooting above 60p.
- To output motion pictures with 4K or higher, use a Premium High Speed HDMI cable (Type A - Type A plug).
Showcased Accessories
5 found, displaying 1 to 5.
5 found, displaying 1 to 5.
Share:
Share on Facebook Share on Twitter Share on Pinterest Tell a friend