
Fujifilm X100VI Silver Digital Camera
The X100VI combines “The One and Only” design and operability with outstanding features that deliver exceptional image quality, providing a wide range of users, from professional photographers to passionate creatives, with the joy of owning a camera and the wonder of photography.
- 40.2 millions pixels X-Trans™ CMOS 5 HR APS-C Sensor
- Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
- 3.0in Tilting touchscreen colour LCD monitor
- 6-stop 5-axis Image Sensor Stabilisation
- 23mm (35mm Equiv) F2.0 Fujinon Lens
- X-Processor 5 with 20 film simulation modes
X100VI is the sixth-generation model in the X100 Series. While maintaining a popular design and compact size, X100VI features the new 40.2 megapixel X-Trans™ CMOS 5 HR※1 sensor and the high-speed X-Processor 5 image processing engine to deliver high image quality and high performance. Furthermore, the newly developed in-body image stabilization function with up to 6.0 stops※2 has been incorporated for the first time in an X100 Series product, while maintaining the Series' characteristic compact size and light weight that has only increased minimally from the previous model, X100V, allowing users to enjoy shooting with the X100VI in an extremely wide range of environments and situations.

Add-ons






See. Frame. Create.
Enjoy photography in its purest form with Fujifilm’s X100 Series digital cameras. Using a timeless dial-based design, passed down from model to model, the stunning 6th-generation X100VI offers an indulgent, tactile image-making experience that delivers unforgettable content in every creative moment.
However you want to create content, the light, portable X100VI will always be ready. Compose using the versatile hybrid viewfinder, flip out the detailed LCD to work at waist level, or preset settings and trust your instincts. Whatever your creative style, this camera ensures no moment is missed.
Elegant Design
A design that inspires and motivates, X100VI’s aluminum top-plate, machined dials and tactile exterior encourage creativity every time you pick it up. Offered in Silver and Black finishes as standard, a limited edition version of X100VI celebrating Fujifilm’s 90th anniversary will also be available.
Light Weight, High Performance
When light is low and stakes are high, X100VI’s newly developed in-body image stabilization (IBIS) system keeps images sharp and videos stable. The five-axis IBIS mechanism offers up to 6.0* stops of compensation, yet maintains the X100 Series’ characteristic compactness and portability.
*up to 6.0 stops are available when using the LCD or EVF features.
The Ultimate Design for Analog Operation
Echoing classic film camera design, the dials on the top-plate of X100VI combine essential functionality with creative freedom. View or change camera settings at any time, with shutter speed, aperture, and ISO controls all instantly accessible – just as they were on X100V.
Flat Two-way Tilting LCD
Confidently compose and view images using X100VI’s two-way tilting LCD. Featuring 1.62 million dots for color accuracy and detail, the LCD stores flat against the body to maintain the perfect profile. Framing is now even easier with 45° screen tilt available when holding the camera at high angles.
Advanced Hybrid Viewfinder
Frame images your way using X100VI’s hybrid viewfinder. Switch between the EVF, showing what the sensor sees, and OVF, which also shows what’s outside the frame. An OVF Image Display option allows you to view an image after it has been made, either at full screen or in the corner of the viewfinder.
Film Simulation
The 20 Film Simulation modes offered by X100VI, including the new REALA ACE mode, harness 90 years of Fujifilm colour science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colours and tones Fujifilm is renowned for, or add artistic flair and start to BUILD YOUR LEGACY. Add extra options to your image-making journey by combining X100VI’s unique Film Simulation modes with other creative features. Use analogue effects such as film grain, or boost colour depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.
Velvia/VIVID
Based on FUJICHROME Velvia, an ultra-vivid reversal film designed for professionals, this Film Simulation mode provides richer and more high-contrast colors than the PROVIA/STANDARD. It is a favorite of landscape photographers.
PRO Neg. Hi
Based on PRO160NH, a color negative film for professionals, this Film Simulation mode has slightly harder tonal gradation than PRO Neg. Std. It is mainly used in portrait photography where the lighting is not easily controlled. It provides the right amount of shadows even under flat lighting.
CLASSIC CHROME
This Film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. Its low-saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.
CLASSIC Neg.
Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation.
ASTIA/SOFT
Based on FUJICHROME ASTIA, a reversal film designed for fashion portraits, this Film Simulation mode prioritizes soft and faithful reproduction of skin tones, while also depicting vivid blue skies and greenery.
NOSTALGIC Neg.
Designed to recreate the look of images in old photo albums, NOSTALGIC Neg. produces images with rich colors in the shadows – and a soft tonality through the midtones and highlights.
PROVIA/STANDARD
Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode is great for all subject types, offering a neutral color reproduction.
REALA ACE
Based on REALA ACE, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.
ETERNA/CINEMA
Based on ETERNA, a film designed for motion pictures, this Film Simulation mode minimizes saturation to ensure no color overpowers another. It provides extremely soft tonal gradation in highlights, and deep shadows to prevent clipping, reproducing a cinematic look.
ACROS
Based on ACROS, a monochrome film renowned for super-fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textured feel of monochrome.
Grain effect
From subtle textures to the gritty look of traditional high-ISO film stocks, with X100VI you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.
Colour chrome effect
For highly-saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost. Or use Color Chrome FX Blue to boost the blue tones in an image.
Cutting-Edge Image Quality
The optically precise 23mm F2 lens, borrowed from the X100V, perfectly complements the 40.2-megapixel sensor, delivering edge-to-edge sharpness across the frame.
High-resolution 40.2MP BSI imaging sensor
X100VI’s high-resolution, 40.2-megapixel X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising signal-to-noise ratio.
Twice the processing speed of X-Processor 4
- AI processing technology
- Next generation HEIF image file format
- Reduced power consumption
Subject Detection Autofocus
X100VI uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.*
Updated AF algorithm
X100VI incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.
ISO 125 Standard Sensitivity
The X-Trans CMOS 5 HR sensor in X100VI has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, X100V was only an extended sensitivity option, is now available natively on the X100VI.
S/N Level / Low-Light Power
The high-resolution 40.2-megapixel X-Trans CMOS 5 HR sensor has an enhanced image-processing algorithm that boosts resolution without compromising the signal-to-noise ratio. Astonishing image quality is in the palm of your hand.
*SUBJECT DETECTION SETTING to be set to BIRD for insect detection, and to AIRPLANE for detecting drones
6.2K/30p 4:2:2 10-bit internal recording
X100VI offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit color. 4K/60p and high-speed 1080/240p are also available, maximizing video flexibility.
Improved Subject Tracking
Track subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. X100VI will track the object, even in situations where multiple subjects appear in the frame.
Compatible with Frame.io Camera to Cloud
X100VI supports Frame.io Camera to Cloud natively. No accessary needed integration for Frame.io and deliver photos or video straight to the cloud the moment after they are created.
Rich System Expandability
AR-X100
The lightweight AR-X100 adapter ring is machined from metal and allows 49mm filters to be attached.
PRF-49
The PRF-49 offers reassuring protection for the 23mm F2 lens.
Weather-Resistance
Using the AR-X100 and PRF-49 together make the X100VI weather-resistant. The combination confidently repels dust, moisture, and temperatures down to -10°C (14°F) , so you can keep creating in more challenging conditions.
Built-in ND Filter
Ideal for stills and video use, X100VI has a four-stop ND filter built into the lens. It helps deliver a wide aperture in bright conditions to separate the subject from the background, or extends shutter speeds to emphasize movement.
Wide Conversion Lens WCL-X100II
A dedicated Wide Conversion Lens* that multiplies the fixed focal length by approximately 0.8x, without any discernible drop in image quality. Once attached, it converts the 23mmF2 lens to 28mm (35mm format equivalent).
Tele Conversion Lens TCL-X100II
A dedicated Tele Conversion Lens* that multiplies the fixed focal length by approximately 1.4x, without any discernible drop in image quality. Once attached, it converts the 23mmF2 lens to 50mm (35mm format equivalent).
Li-ion battery NP-W126S
X100VI is supplied with the NP-W126S rechargeable li-ion battery. Despite the extra functions available on the camera, the battery life remains approximately 450* frames; the same level as that of the previous model, X100V.
*In Economy mode.
Lens Hood LH-X100
Cut down the chances of lens flare and glare degrading images by attaching the optional LH-X100*. The lens hood effectively blocks the sun or other light sources to boost image quality and maximize detail.
Support for FUJIFILM Xapp
X100VI is compatible with the FUJIFILM XApp, offering extended functionality and simple image transfer. Files can be shared between camera and smartphone quickly, while the app also allows the camera to be operated remotely.
Model name | FUJIFILM X100VI | |
Image sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter | |
Number of effective pixels | 40.2 millions pixels | |
Sensor Cleaning System | Ultra Sonic Vibration | |
Image Processing Engine | X-Processor 5 | |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. |
|
File format of still image | DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32*1 | |
HEIF | 4:2:2 10bit | |
RAW | 14bit RAW (RAF original format) | |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
Number of recorded pixels | [L] | 〈4:3〉 6864 x 5152 〈3:2〉 7728 x 5152 〈16:9〉 7728 x 4344 〈1:1〉 5152 x 5152 〈5:4〉 6432x5152 |
[M] | 〈4:3〉 4864 x 3648 〈3:2〉 5472 x 3648 〈16:9〉 5472 x 3080 〈1:1〉 3648 x 3648 〈5:4〉 4560x3648 | |
[S] | 〈4:3〉 3456 x 2592 〈3:2〉 3888 x 2592 〈16:9〉 3888 x 2184 〈1:1〉 2592 x 2592 〈5:4〉 3264x2592 | |
Panorama[L] | 〈vertical〉2160 x 9600 〈Horizontal〉9600 x 1440 | |
Panorama[M] | 〈vertical〉2160 x 6400 〈Horizontal〉6400 x 1440 | |
Lens | Type | FUJINON single focal length lens |
Focal length | f=23mm (35mm format equivalent : 35mm) | |
Max. aperture | F2.0 | |
Lens configuration | 8 elements in 6 groups (includes 2 aspherical elements) | |
ND filter | Yes (4 stops) | |
Aperture | F2 - F16 1/3EV step (controlled with 9-blade aperture diaphragm) | |
Focus range | Approx. 10cm to infinity / 3.9in. to infinity | |
Conversion lens | WIDE / TELE / OFF | |
Digital Tele-Converter | 70mm* / 50mm* / 35mm*(Nomal)*35mm fomat equivalent | |
Sensitivity | Still Image | Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO125~12800 (1/3 step) Extended Output: ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 |
Movie | Standard Output: AUTO / ISO125~12800 (1/3 step) Extended Output: ISO25600 |
|
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted | |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) | |
Exposure compensation | Still | -5.0EV~+5.0EV 1/3EV step |
Movie | -2.0EV~+2.0EV 1/3EV step | |
Image stabilizer | Mechanism | Image sensor shift mechanism with 5-axis compensation |
Compensation Effect | 6.0 stops *based on CIPA standard *Pitch/yaw shake only *When shooting with EVF/LCD |
|
Digital Image Stabilization | Yes (movie mode only) | |
IS MODE BOOST | Yes (movie mode only) | |
Shutter type | Lens Shutter | |
Shutter speed | Mechanical shutter | P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 15min. to 1/4000sec. Bulb: up to 60min. |
Electronic shutter | P mode: 30sec. to 1/180000sec. A mode: 30sec. to 1/180000sec. S/M mode: 15min. to 1/180000sec. Bulb: 1sec. Fixed | |
Mechanical + Electronic shutter | P mode:30sec. to 1/180000sec. A mode:30sec. to 1/180000sec. S/M mode:15min. to 1/180000sec. Bulb:up to 60min. *Mechanical shutter works until 1/4000sec. |
|
Movie | 6.2K: 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/24 sec. FHD: 1/4000sec. to 1/24 sec. *Cannot choose slower shutter speed than framerate for some settings. |
|
Continuous shooting | CH Electronic shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: JPEG 117 frames, Compressed RAW 52 frames, Lossless compressed RAW 35 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 25 frames, Lossless compressed RAW + JPEG 22 frames, Uncompressed RAW + JPEG 17 frames) CH Electronic shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: JPEG 146 frames, Compressed RAW 57 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 17 frames, Compressed RAW + JPEG 38 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames) CH Electronic shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: JPEG 163 frames, Compressed RAW 59 frames, Lossless compressed RAW 36 frames, Uncompressed RAW 18 frames, Compressed RAW + JPEG 36 frames, Lossless compressed RAW + JPEG 33 frames, Uncompressed RAW + JPEG 17 frames) CH Electronic shutter Approx. 13fps (No. of recordable frames: JPEG 80 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 25 frames, Lossless compressed RAW+JPEG 18 frames, Uncompressed RAW+JPEG 17 frames) CH Electronic shutter Approx. 8.9fps (No. of recordable frames: JPEG 84 frames, Compressed RAW 38 frames, Lossless compressed RAW 24 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 25 frames, Uncompressed RAW+JPEG 17 frames) CH Mechanical shutter Approx. 11fps (No. of recordable frames: JPEG 38 frames, Compressed RAW 33 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames) CH Mechanical shutter Approx. 8.0fps (No. of recordable frames: JPEG 76 frames, Compressed RAW 35 frames, Lossless compressed RAW 21 frames, Uncompressed RAW 17 frames, Compressed RAW+JPEG 28 frames, Lossless compressed RAW+JPEG 23 frames, Uncompressed RAW+JPEG 17 frames) CL Mechanical shutter Approx. 6.0fps (No. of recordable frames: JPEG 97 frames, Compressed RAW 36 frames, Lossless compressed RAW 23 frames, Uncompressed RAW 18 frames, Compressed RAW+JPEG 29 frames, Lossless compressed RAW+JPEG 22 frames, Uncompressed RAW+JPEG 18 frames) CL Approx. 5.0fps (No. of recordable frames: JPEG 110 frames, Compressed RAW 42 frames, Lossless compressed RAW 25 frames, Uncompressed RAW 18 frames) CL Approx. 4.0fps (No. of recordable frames: JPEG 184 frames, Compressed RAW 48 frames, Lossless compressed RAW 26 frames, Uncompressed RAW 19 frames) CL Approx. 3.0fps (No. of recordable frames: JPEG 504 frames, Compressed RAW 57 frames, Lossless compressed RAW 29 frames, Uncompressed RAW 20 frames) Pre-shot Electronic shutter Approx. 20fps (1.29x Crop) (No. of recordable frames: While half press 20 frames, After full press 135 frames, Total 155 frames) Pre-shot Electronic shutter Approx. 13fps (1.29x Crop) (No. of recordable frames: While half press 13 frames, After full press 177 frames, Total 190 frames) Pre-shot Electronic shutter Approx. 10fps (1.29x Crop) (No. of recordable frames: While half press 10 frames, After full press 240 frames, Total 250 frames) Pre-shot Electronic shutter Approx. 11fps (No. of recordable frames: While half press 11 frames, After full press 79 frames, Total 90 frames) Pre-shot Electronic shutter Approx. 8fps (No. of recordable frames: While half press 8 frames, After full press 102 frames, Total 110 frames) *Recordable frames depends on recording media *Speed of continuous shooting depends on shooting environment and shooting frames |
|
Drive Mode | AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames *by 1/3EV step, up to ±3EV steps |
Filmsimulation bracketing | Any 3 types of film simulation selectable | |
Dynamic Range Bracketing | 100% / 200% / 400% | |
ISO sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV | |
White Balance Bracketing | ±1 / ±2 / ±3 | |
Focus Bracketing | AUTO / MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark | |
HDR Mode | AUTO / 200% / 400% / 800% / 800% + | |
Advanced filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) | |
Focus | Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
Low-light Performance | Contrast: -2.0EV Phase Detection: -5.0EV |
|
AF frame selection | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes |
|
Face/eye detection | Yes | |
Subject detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
Flash | Built-in flash | Auto flash [Super Intelligent Flash] Guide Number: approx. 4.4 (ISO100・m) Effective range(ISO1600): approx. 30cm - 7.4m/1.0ft. - 24.3ft. Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / COMMANDER / OFF |
Shoe mount flash | Sync. Mode: 1st Curtain / 2nd Curtain Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF |
|
Hot shoe | Yes (Dedicated TTL Flash compatible) | |
Viewfinder (Hybrid viewfinder) | OVF: Reverse Galilean viewfinder with electronic bright frame display Coverage of Frame Area v.s. Capturing Area: approx. 95% Magnification: approx x0.52 |
|
Viewfinder | EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 16.8mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -4~+2m-1 Magnification: 0.66x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 32° (Horizontal angle of view: approx. 27° ) Built-In Eye Sensor |
|
LCD monitor | 3.0 inch tilting touch screen color LCD monitor Aspect Ratio: 3:2 Dots: Approx. 1.62 million dots |
|
Touch Screen Mode | Shooting Mode | Shooting, AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting |
Playback Mode | Swipe, Pinch-in / Pinch-out, Double-tap, Drag | |
Movie recording | File format | MOV: HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC |
Movie compression | Long GOP | |
File size Frame rate Bitrate |
[6.2K(16:9)] 6240 x 3150 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [DCI4K HQ(17:9)] 4096 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [4K HQ(16:9)] 3840 x 2160 29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [DCI4K(17:9)] 4096 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [4K(16:9)] 3840 x 2160 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [Full HD(17:9)] 2048 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [Full HD(16:9)] 1920 x 1080 59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps/50Mbps [Full HD(17:9) High speed rec.] 2048 x 1080 240p/200p/120p/100p 200Mbps (recording) [Full HD(16:9) High speed rec.] 1920 x 1080 240p/200p/120p/100p 200Mbps (recording) *For recording movies, use a SD memory card with UHS Speed Class 3 or higher. *Selectable bitrate will be changed depends on the setting. *Recording time can become short depending on the temperature and/or shooting conditions |
|
Film simulation mode | 20 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia) | |
Monochromatic Color | Yes | |
Grain Effect | Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL | |
Color Chrome Effect | STRONG, WEAK, OFF | |
Color chrome Blue | STRONG, WEAK, OFF | |
Smooth Skin Effect | STRONG, WEAK, OFF | |
Dynamic range setting | Still | AUTO / 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
Movie | 100% / 200% / 400% ISO restriction: DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
|
White balance | Auto | White Priority / Auto / Ambience Priority |
Custom | Custom1 - 3 | |
Color temperature selection | 2500K~10000K | |
Preset | Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater | |
Clarity setting | ±5 steps | |
Self-timer | Still | 10sec. / 2sec. |
Movie | 10sec. / 5sec. / 3sec. | |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
Wireless transmitter | Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 | |
Access mode | Infrastructure | |
Bluetooth® | Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating frequency (Center frequency) | 2402~2480MHz | |
Terminal | Digital interface | USB Type-C USB 10Gbps |
HDMI output | HDMI Micro connector (Type D) | |
Others | Microphone / shutter release input: ø2.5mm Hot shoe |
|
Power supply | NP-W126S Li-ion battery (included) | |
Battery life for still images*2 | Economy Mode: Approx. 360 / 450 frames (EVF / OVF) Normal Mode: Approx. 310 / 450 frames (EVF / OVF) |
|
Actual battery life of movie capture*2 | 6.2K: Approx. 45min. (29.97p) 4K: Approx. 45min. (59.94p) Full HD: Approx. 50min. (59.94p)、Approx. 55min. (120P) *Face detection is set to OFF |
|
Continuance battery life of movie capture*2 | 6.2K: Approx. 70min. (29.97p) 4K: Approx. 70min. (59.94p) Full HD: Approx. 85min. (59.94p) *Face detection is set to OFF |
|
Dimensions | Width: 128.0mm Height: 74.8mm Depth: 55.3mm (Minimum Depth: 33.2mm) |
|
Weight | including battery and memory card: Approx. 521g excluding battery and memory card: Approx. 471g |
|
Operation Environment | Operating Temperature | 0℃~+40℃ |
Operating Humidity | 10% - 80% (no condensation) | |
Accessories included | Li-ion battery NP-W126S USB cable Shoulder strap Metal strap clip Clip attaching tool Protective cover Lens cap Hot shoe cover Owner's manual |
Movie Specification
Media Rec (SD memory card)
Resolution/Aspect | Size | Frame rate | File format/Compression | Bit rate*1 | Bit depth | HDMI outupt Resolution(Frame rate)/Sampling/Bit depth |
Crop Magnification | ||
---|---|---|---|---|---|---|---|---|---|
DIS ON | DIS OFF | ||||||||
6.2K 16:9 | 6240 x 3510 | 29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps |
10bit | FHD 4:2:2 10bit (When H.265 Long GOP 4:2:2 MOV selected)*2 4K 4:2:2 10bit (When H.265 Long GOP 4:2:0 MOV selected)*2 |
Not possible |
1.23x | |
DCI4K HQ 17:9 4K HQ 16:9 |
4096 x 2160 3840 x 2160 |
29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps |
10bit | DCI4K/4K 4:2:2 10bit | Not possible |
1.23x | |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps |
8bit | DCI4K/4K 4:2:2 8bit | Not possible |
1.23x | ||||
DCI4K 17:9 4K 16:9 |
4096 x 2160 3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps |
10bit | DCI4K/4K 4:2:2 10bit | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps |
8bit | DCI4K/4K 4:2:2 8bit | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
||||
FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps 100Mbps 50Mbps |
10bit | FHD 4:2:2 10bit*3 | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps 100Mbps 50Mbps |
8bit | FHD 4:2:2 8bit*3 | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
||||
High speed FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
240fps(4×/8×/10×) 200fps(4×/8×) 120p (2x/4x/5x) 100p (2x/4x) |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
200Mbps (when recording) | 10bit | FHD(59.94p) 4:2:2 10bit*4 | Not possible |
1.23x | |
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
200Mbps (when recording) | 8bit | FHD(59.94p) 4:2:2 8bit*4 |
HDMI Output
Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution/Sampling/Bit depth |
Crop Magnification | ||
---|---|---|---|---|---|---|
DIS ON | DIS OFF | |||||
6.2K 16:9 | 6240 x 3510 | 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit*2 | Not possible |
1.23x | |
DCI4K HQ 17:9 4K HQ 16:9 |
4096 x 2160 3840 x 2160 |
29.97p 25.00p 24.00p 23.98p |
DCI4K/4K 4:2:2 10bit | Not possible |
1.23x | |
DCI4K 17:9 4K 16:9 |
4096 x 2160 3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
DCI4K/4K 4:2:2 10bit | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|
FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit *3 | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
HDMI Output (High speed REC HDMI ONLY)
Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution(Frame rate)/Sampling/Bit depth |
Crop Magnification | ||
---|---|---|---|---|---|---|
DIS ON | DIS OFF | |||||
FHD 16:9 | 1920 x 1080 | 120p 100p |
FHD(120p/100p) 4:2:2 10bit | Not possible |
1.23x |
The EU's General Product Safety Regulation (GPSR) promotes consumer safety and confidence by ensuring compliance with product safety standards and improving recall effectiveness. To meet these requirements, we provide the Manufacturer's information below along with the EU Responsible Person's details, where applicable. As always if you have an issue with any product we firstly recommend that you make direct contact with the shop and we will endeavour to assist you.
GFX Series (Cameras, Lenses, + Accessories)
Manufacturer
FUJIFILM Corporation
7-3 Akasaka 9-Chome,
Minato-Ku,
Tokyo 107-0052,
Japan
EU Importer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
product.safety.eu@fujifilm.com
Manual & Safety Notes
fujifilm-x.com/en-ie/support/manual/cameras/
fujifilm.com/ie/en/consumer/support
X Series (Cameras, Lenses, + Accessories)
Manufacturer
FUJIFILM Corporation
7-3 Akasaka 9-Chome,
Minato-Ku,
Tokyo 107-0052,
Japan
EU Importer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
product.safety.eu@fujifilm.com
Manual & Safety Notes
fujifilm-x.com/en-ie/support/manual/cameras/
fujifilm.com/ie/en/consumer/support
Instax (Cameras, Printers, + Accessories)
Manufacturer
EU Importer
Manual & Safety Notes
Fujifilm Memory Cards
Manufacturer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
EU Importer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
product.safety.eu@fujifilm.com
Manual & Safety Notes
Analogue Film
Manufacturer
EU Importer
Manual & Safety Notes
- Bags / Cases / Straps
- Batteries / Chargers
- Camera Accessories
- Camera Lenses
- Flashguns / Lighting
- Lens Accessories
- Memory & Film
Showcased Accessories







Share:
Share on Facebook Share on Twitter Share on Pinterest Tell a friend