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Nikon Z 6 III Camera Body

Nikon Z 6 III Camera Body


EAN / UPC : 4960759916167 | Brand : Nikon | SKU : VOA130AE

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NB - This 'Body Only' version does not include a lens with the camera. You will require at least one lens in order to take pictures.

The all-new Z6III introduces a new level of performance to mid-range full-frame cameras and is an exciting upgrade for photographers and videographers who want to hone their skills or go big on creativity, while keeping their setup ultra-compact. At the heart of the camera is the world's first partially stacked full-frame CMOS sensor—designed to let the Z6III perform big and stay small, it delivers in every way with incredible image quality and eye-widening dynamic range and colour fidelity.

  • 24.5 MP
  • 6K RAW video
  • Flagship power
  • Bright, hi-res EVF
  • Up to 120 fps

The partially stacked sensor at the heart of the Z6III is backed by the same EXPEED 7 processor that drives the Z8 and Z9—and this powerful duo fuel the camera's blazing AF calculations and EVF refresh rates, as well as its impressive light sensitivity. Stills shooters get a consistently smooth view through the viewfinder and can unleash up to 120 fps without worrying about rolling shutter distortion. Video shooters can deliver pristine 6K and 5.4K footage straight from the camera or create detail-rich 4K UHD video oversampled from 6K in-camera.

Keep on stepping up with the Z6III creative powerhouse! Exquisitely detailed 24.5 MP stills, 6K RAW video in-camera, a bright high-res EVF, 120 fps burst speeds, and precision AF features inherited from the Z8 and Z9. Combined with the flexibility of Z system lenses, this small full-frame camera is born to fuel your momentum.

Hi-res EVF with ultra-wide colour gamut

Immerse in your creative zone with the bright, ultra-high-resolution EVF that gives you a fluid high-definition view, and an extra-wide colour space for more accurate colour. It’s the difference between landing a good image—and creating a great one.

New levels of clarity

With a refresh rate of 60 fps, the 5760k-dot EVF displays a consistently smooth, full-resolution view during shooting and playback. Sharpness is incredible throughout the frame, making it easier to confirm focus, and there’s no jolting or drops in resolution when shooting at high frame rates.

Bright, HDR display

Shooting scenes with bright sun and deep shade? The high-luminance (4000 nits) EVF provides excellent visibility and dynamic range in high-contrast situations. Even on the brightest day, details like facial features or background elements won’t be hidden in shadows, so you can frame your shot perfectly.

Eye opening colour

The Z6III is the first mirrorless camera ever to have an EVF with a wide DCI-P3 colour gamut! You’ll see more lifelike colours with no colour banding, which helps immensely when making critical decisions. HEIF and JPEG files straight from the camera will look the way you intended.

World’s first partially stacked CMOS sensor*

The partially stacked sensor of the Z6III is so much more than the sum of its 24.5 megapixels. It’s designed to let this full-frame camera think big and stay compact––and it delivers in every way.

Backed by the power of EXPEED 7, this partially stacked full-frame CMOS sensor delivers incredible image quality with eye-widening dynamic range and colour fidelity. Phenomenal sensor scan speeds and ultra-fast data readout fuel blazing AF calculations on a level with the Z8 and Z9, counter rolling shutter distortion, and enable EVF refresh rates of 60 fps during continuous shooting at 20 fps.

Creating portraits? Intelligent noise reduction means remarkably detailed JPEG and HEIF files even if shooting at high ISOs. Photographing fast-moving wildlife? Your view on the action is fluid, your images will be superb.

* Among full-frame/FX-format mirrorless cameras as of 17th June 2024. Based on Nikon research.

Flagship AF features you can trust. Always.

However they move, the Z6III mirrorless camera sticks to your subject like glue. Flagship autofocus features bring you consistently reliable subject acquisition and tracking that won’t let go—even in the dark.

Blisteringly fast AF calculations on a par with the Z8 and Z9 allow remarkable precision at high-speed frame rates, while deep-learning technology powers impressive subject detection in Auto-Area AF and Manual Focus, or when using Auto Capture. There are also dedicated subject detection modes for people and animals: tracking on the eyes is incredible, even if your subject is extremely small in the frame.

If you’re shooting as daylight fades, before the sun rises, or at night, AF sensitivity down to –10 EV** means you can keep shooting longer. If you’re out in bright conditions, dedicated AF pixels on the camera’s sensor keep faces in focus even if they’re in shadow or backlit.

If you’re using a shallow depth of field to shoot still subjects, or interior or landscape details, Pinpoint AF offers a very small, very precise AF point. You can define the exact point of focus on even the most delicate elements of your composition.

**AF sensitivity down to –10 EV. Measured in photo mode at ISO 100 and a temperature of 20°C/68°F using single-servo AF (AF‑S) and a lens with a maximum aperture of f/1.2.

Backed by a brilliant lens system

Ignite your creativity. The possibilities for what you can create in-camera with the Z6III and a NIKKOR Z lens are endless.

For wildlife and action enthusiasts, S-line super-telephoto lenses will let you comfortably shoot handheld—with all the sharpness and beautiful bokeh only an S-line prime lens can deliver. The NIKKOR Z 600mm f/6.3 VR S and the NIKKOR Z 400mm f/4.5 VR S are both incredibly lightweight: combined with the Z6III’s powerful in-camera Vibration Reduction image stabilisation, you’ll be able to leave the tripod or monopod at home.

For portraits and fine art, Nikon’s coveted range of fast S-line prime lenses lets you portray subjects in bold new ways. The exquisite NIKKOR Z 135mm f/1.8 S Plena delivers perfectly circular background and foreground bokeh. Breathtaking clarity, sharpness, and bokeh are also features of the NIKKOR Z 50mm f/1.2 S and NIKKOR Z 85mm f/1.2 S lenses, both of which are as exciting for video as for stills.

For creativity that doesn’t stop, Nikon’s beautifully affordable trio of S-line f/2.8 zoom lenses and wide range of S-line f/1.8 prime lenses all offer stunning low-light performance. All NIKKOR Z lenses boast similar layout and controls, making them easy to pick up and use straight away, and selected Z lenses offer linear focusing for video shooters. You can also use the (optional) MC-N10 remote grip to make clickless focus adjustments while you record.

Nikon’s renowned ergonomics and customization

Responsiveness you can feel. A control layout so well thought out, you won’t have to think. The Z6III full-frame mirrorless camera just gets out of your way, and lets you get on with making images.

Customisation inherited from the Nikon Z8 and Z9 cameras includes the ability to assign different AF-area modes to custom buttons: you’ll be able to switch AF modes quickly, whenever the situation asks for it. For viewfinder shooting, Touch FN lets you assign different functions—including focus point—to the high-resolution vari-angle touchscreen. With your eye to the viewfinder, you can move the focus point quickly and easily with a flick of your thumb.

If you like auditory confirmation while shooting, the Z6III is happy to oblige with simulated shutter sounds that confirm shots are being taken, even if the mechanical shutter is disengaged. You can choose from five custom shutter sounds, including those inspired by classic Nikon DSLRs, film cameras, and rangefinders.

There are separate display interfaces for stills and video. Plus, the Z6III’s streamlined body still has space for two card slots—giving you options when it comes to shooting and storage. One slot supports high-performance CFexpress Type B cards or XQD cards, and one slot supports UHS-II SD cards.

A tough build for all your creative journeys

Small yet tough. Perfectly light yet incredibly durable. Weighing just 750 g, the Z6III full-frame camera is born to travel and engineered to embrace the elements.

Both body and battery function in temperatures as cold as –10 C/14 F, which makes trekking into wintry locations in search of the perfect wildlife shot entirely possible. You can put rainy and dusty environments on your travel itinerary too: premium weather sealing protects the camera and its MB-N14 battery grip.

Knocks and bumps won’t worry the Z6III. When the camera is powered off, a VR lock activates to prevent accidental damage to the sensor. Plus, the magnesium-alloy front cover keeps the camera light while also being incredibly resistant to impact.

It isn’t just the front of this full-frame mirrorless camera that’s got your back. The top and back plates are manufactured from lightweight Sereeboã P Series carbon fibre—a high-performance, high-strength injection-moulded material with the same structural strength as magnesium.

Ultimate Adaptability

If your heart lies with an F-mount lens, the Mount Adapter FTZ II (sold separately) lets you use approximately 360 classic Nikon lenses with no loss of image quality. The adapter itself is fully weather sealed and its streamlined design enables comfortable shooting in any orientation, making it the perfect bridge to the compact Z6III full-frame mirrorless camera.

Discover the Z6III for Video

Born to power creativity. Designed to enhance productivity. The Z6III full-frame camera will become part of how you move and flow as a filmmaker. Discover a freedom your talent will respond to. Straight away.

Acclaimed 3D-tracking

With 3D tracking, it couldn’t be easier to follow unpredictable, fast-moving subjects. The Z6III stays locked on, even if your subject is extremely small in the frame.

Subject detection to rely on

Just like the Z8 and Z9, the Z6III can detect and track people, cats, dogs, birds, bicycles, motorbikes, cars, aircraft, and trains. You can use subject detection when focusing man...

Blink and you won’t miss

Go all out with an incredible 120 fps and Pre-Release Capture. You’ll nail the decisive moment, even if it happened before you released the shutter.

Own the art of movement

Don’t let its size fool you—the partially stacked 24.5 MP sensor of the Z6III delivers a performance that easily outpaces the Z6II. You can unleash 120 fps (10 MP DX-format JPEGs), or 60 fps (24 MP full-frame JPEGs) without worrying about rolling shutter distortion. Full pixel readout maintains dynamic range, so you can even crop in without compromising image detail.

8.0-stop VR with focus-point stabilization

An incredible 8.0 stops of in-camera image stabilisation gives you the freedom to nail super-sharp handheld shots, even at night. If you’re using a NIKKOR Z lens without built-in VR, Focus Point VR will stabilise the area around the active focus point no matter where it is in the frame: it’s a game changer for creative wide-angle compositions.

Focus in the dark with AF down to –10 EV

From opportunistic shots to creative decisions about location, the Z6III opens up where—and when—you can create. Low-light AF down to –10 EV lets the camera detect faces and eyes in the dark: you won’t even need the light of the new moon to shoot by. And for night shoots without a tripod, the native ISO range goes from 100 all the way up to 64000 (expandable to 50-204800).

Go for mesmerising with Pixel Shift

If you’ve always wanted to explore ultra-high-resolution photography, now’s your chance! Activate Pixel Shift on the Z6III and you can merge multiple RAW files into one 96-megapixel image with spectacular colour and low noise. Shooting still subjects with the camera on a tripod will give you the best results. Simply use Nikon’s free NX Studio software to combine the files.

Flexible portrait controls

Shooting portraits? Draw the best out of your images with Portrait Impression Balance, Skin Softening, and Rich Tone Portrait, which renders rich tones while retaining skin details.

Power your creativity with 6K

More detail. More flexibility. More you. When you have the power of 6K resolution to work with in-camera, and pro-quality sound as you film, it’s so much easier to push your creative vision forwards.

Stay fluid with high-res, in-camera video formats

With the Z6III full-frame camera, you’re free to roll without external monitors. In-camera recording up to 6K/60p (RAW) and 5.4K/60p (YUV) lets you deliver pristine footage straight from the camera, pull HD verticals for your socials—and so much more. You can create detail-rich 4K UHD/60p video oversampled from 6K in-camera. Or shoot 10-bit log files with extensive depth and dynamic range, ready for precise colour grading.

Film majestic slow motion at 240p

Show the beauty of the moves inside the moves with majestic slow-motion sequences. You can record full frame, Full HD footage at 240p (10x slow motion). Or tighten the view without changing lenses by recording in DX-crop mode at 4K/120p. The option to record in 10-bit H.265 gives you maximum flexibility over colour grading in post.

Keep rolling . . .

Wedding parties, music performances, interviews. With the Z6III, you won’t need to stop. Hang around for the best bits. Show the whole story.

Line-level input for pro-quality sound

In a first for Nikon cameras, the Z6III’s external mic input can function as a line-level input that lets you connect your audio recorder or mixer directly to the camera. You’ll be able to capture professional quality sound in-camera while filming, saving you precious time—and money––in post.

High-resolution vari-angle touchscreen

No matter which angle you’re filming from, the fully articulating 2100k-dot vari-angle touchscreen always gives you a clear, highly detailed view of the scene. Key shooting information including a waveform can be displayed, and a red border frame confirms you’re recording. Filming yourself? You can flip the screen around to a front-facing orientation.

Hi-Res Zoom. Prime lens flexibility.

Shooting with a prime lens? You can take advantage of the 6K sensor to zoom in, with no loss of image quality. Choose from 11 different zoom speeds and zoom in up to 1.4x in 4K, or 2x in Full HD.

E-VR for rock-steady handheld filming

Powerful E-VR helps nail handheld walking shots so steady, everyone will think you used a gimbal. If you’re using a Z lens, the trapezoid distortion common to all wide-angle lenses will be corrected.

Film all the way down to IS0 200

Go boldly into the night! You can set the dynamic range of a scene down to ISO 200 (equivalent) when shooting in N-log at Lo2. You’ll be able to capture the richest, finest details in the dark.

Lens mount Nikon Z mount
Image sensor format FX
Image sensor type CMOS
Sensor size 35.9 mm x 23.9 mm
Total pixels 26.79 million
Dust-reduction system Image sensor cleaning, Image Dust Off reference data (requires NX Studio)
Effective pixels 24.5 million
Image size (pixels) [FX (36 x 24)] selected for image area:
(L) 6048 x 4032 ( 24.4 million)
(M) 4528 x 3024 ( 13.7 million)
(S) 3024 x 2016 ( 6.1 million)
[DX (24 x 16)] selected for image area:
(L) 3984 x 2656 ( 10.6 million)
(M) 2976 x 1992 ( 5.9 million)
(S) 1984 x 1328 ( 2.6 million)
[1:1 (24 x 24)] selected for image area:
(L) 4032 x 4032 ( 16.3 million)
(M) 3024 x 3024 ( 9.1 million)
(S) 2016 x 2016 ( 4.1 million)
[16:9 (36 x 20)] selected for image area:
(L) 6048 x 3400 ( 20.6 million)
(M) 4528 x 2544 ( 11.5 million)
(S) 3024 x 1696 ( 5.1 million)
File format (image quality) NEF (RAW): 14 bit; choose from lossless compression, high efficiency (high), and high efficiency options
JPEG: JPEG-Baseline compliant with fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available
HEIF: Supports fine (approx. 1 : 4), normal (approx. 1 : 8), or basic (approx. 1 : 16) compression; size-priority and optimal-quality compression available
NEF (RAW)+JPEG: Single photograph recorded in both NEF (RAW) and JPEG formats
NEF (RAW)+HEIF: Single photograph recorded in both NEF (RAW) and HEIF formats
Picture Control System Auto , Standard , Neutral , Vivid , Monochrome , Flat Monochrome , Deep Tone Monochrome , Portrait , Rich Tone Portrait , Landscape , Flat
Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon); selected Picture Control can be modified; storage for Custom Picture Controls
Note: Choice of Picture Controls is restricted to Standard, Monochrome, and Flat when HLG is selected for tone mode during still photography.
Media CFexpress (Type B) , XQD , SD , SDHC (UHS-II compliant) , SDXC (UHS-II compliant)
Dual card slot 1 CFexpress card or XQD card and 1 Secure Digital (SD) card
Either card can be used for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF pictures, or for storage of duplicate JPEG or HEIF pictures at different sizes and image qualities; pictures can be copied between cards.
File system DCF 2.0, Exif 2.32, MPEG‑A MIAF
Viewfinder 1.27-cm/0.5-in. approx. 5760k-dot UXGA OLED electronic viewfinder with color balance and auto and 19-level manual brightness controls; high frame-rate display available
Frame coverage Approx. 100% horizontal and 100% vertical
Magnification Approx. 0.8x (50 mm lens at infinity, -1.0 m-1)
Eyepoint 21 mm (-1.0 m-1; from rearmost surface of viewfinder eyepiece lens)
Diopter adjustment -4 to +2 m-1
Eye sensor Automatically switches between monitor and viewfinder displays
Compatible lenses Z mount NIKKOR lenses
F mount NIKKOR lenses (mount adapter required; restrictions may apply)
Shutter type Electronically-controlled vertical-travel focal-plane mechanical shutter; electronic front-curtain shutter; electronic shutter
Shutter speed ¹⁄₈₀₀₀ to 30 s (choose from step sizes of ¹⁄₃, ¹⁄₂, and 1 EV, extendable to 900 s in mode M), bulb, time
When using an electronic shutter, the shutter speed can be set up to ¹⁄₁₆₀₀₀ s.
Flash sync speed Flash synchronizes with shutter at speeds of ¹⁄₂₀₀ s or slower; faster sync speeds are supported with auto FP high-speed sync
When using an electronic shutter, flash synchronizes with the shutter at speeds of ¹⁄₆₀ s or slower; and auto FP high-speed sync cannot be used.
Release mode Single frame , continuous low-speed , continuous high-speed , continuous high-speed (extended) , high-speed frame capture + with Pre-Release Capture , Self-timer
Approximate frame advance rate Up to 120 fps
Continuous low-speed: Approx. 1 to 7 fps
Continuous high speed: Approx. 8.1 fps (when using the electronic shutter and image quality settings other than NEF (RAW) and NEF (RAW) +: approx. 16 fps)
Continuous high speed (extended): Approx. 14 fps (with electronic shutter: Approx. 20 fps)
High-speed frame capture + (C30): Approx. 30 fps
High-speed frame capture + (C60): Approx. 60 fps
High-speed frame capture + (C120): Approx. 120 fps
Maximum frame advance rate as measured by in-house tests.
Self-timer 2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2, or 3 s
Exposure Metering System TTL metering using camera image sensor
Exposure Metering mode Matrix metering
Center-weighted metering: Weight of 75% given to 12 or 8 mm circle in center of frame or weighting can be based on average of entire frame
Spot metering: Meters circle with a diameter of approximately 4 mm centered on selected focus point
Highlight-weighted metering
Exposure Range -4 to +17 EV
Figures are for ISO 100 equivalent and f/2.0 lens at 20 °C/68 °F
Exposure Mode AUTO: auto, P: programmed auto with flexible program, S: shutter-priority auto, A: aperture-priority auto, M: manual
Exposure compensation -5 to +5 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)
Exposure lock Luminosity locked at detected value
ISO sensitivity (Recommended Exposure Index) ISO 100 to 64000 (choose from step sizes of ¹⁄₃ and 1 EV);
can also be set to approx. 0.3, 0.7, or 1 EV (ISO 50 equivalent) below ISO 100 or to approx. 0.3, 0.7, 1, or 1.7 EV (ISO 204800 equivalent) above ISO 64000; auto ISO sensitivity control available
Note: ISO sensitivity is limited to 400 to 64000 when HLG is selected for tone mode.
Active D-Lighting Auto, Extra high, High, Normal, Low, and Off
Multiple exposure Add, average, lighten, darken
Other options HDR overlay, photo mode flicker reduction, high-frequency flicker reduction
Autofocus system Hybrid phase-detection/contrast AF with AF assist
Detection range -10 to +19 EV
Measured in photo mode at ISO 100 equivalent and a temperature of 20 °C/68 °F using single-servo AF (AF‑S) and a lens with a maximum aperture of f/1.2
Lens servo Autofocus (AF):
Single-servo AF (AF-S) , continuous-servo AF (AF-C) , full-time AF (AF-F; available only in video mode); predictive focus tracking
Manual focus (M):
Electronic rangefinder can be used
Focus Point 273 focus points (single-point AF), 299 focus points (auto-area AF);
Number of focus points available in photo mode with FX selected for image area
AF-area mode Pinpoint (available in photo mode only), single-point, dynamic-area (S, M, and L; available in photo mode only), wide-area (S, L, C1, and C2), and auto-area AF; 3D-tracking (available in photo mode only); subject-tracking AF (available in video mode only)
Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF/AF‑S) or by pressing the center of the sub-selector
Camera on-board VR 5-axis image sensor shift
Lens on-board VR Lens shift (available with VR lenses)
Flash control TTL: i‑TTL flash control; i‑TTL balanced fill-flash is used with matrix, center-weighted, and highlight-weighted metering, standard i‑TTL fill-flash with spot metering
Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, off
Flash compensation -3 to +1 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)
Flash-ready indicator Lights when optional flash unit is fully charged; flashes as underexposure warning after flash is fired at full output
Accessory shoe ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS) i-TTL flash control, radio-controlled Advanced Wireless Lighting, optical Advanced Wireless Lighting, modeling illumination, FV lock, Color Information Communication, auto FP high-speed sync, unified flash control
White balance Auto (3 types), natural light auto, direct sunlight, cloudy, shade, incandescent, fluorescent (3 types), flash, choose color temperature (2500 to 10,000 K), preset manual (up to 6 values can be stored), all with fine-tuning
Bracketing types Exposure and/or flash, white balance, ADL
Other options for still photography Vignette control, diffraction compensation, auto distortion control, skin softening, portrait impression balance, and interval-timer, focus-shift, and pixel-shift photography
Video Metering system TTL metering using camera image sensor
Video Metering mode Matrix, center-weighted, or highlight-weighted
Video Frame size (pixels) and frame rate 5376 x 3024 (5.4K): 60p/50p/30p/25p/24p
3840 x 2160 (4K UHD): 120p/100p/60p/50p/30p/25p/24p
1920 x 1080: 240p/200p/120p/100p/60p/50p/30p/25p/24p
1920 x 1080 (slow-motion): 30p x4/25p x4/24p x5
Note: Actual frame rates for 240p, 200p, 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 239.76, 200, 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
Video Frame size (pixels) and frame rate (RAW video) 6048 x 3402: 60p/50p/30p/25p/24p
4032 x 2268: 60p/50p/30p/25p/24p
3984 x 2240: 120p/100p/60p/50p/30p/25p/24p
Note: Actual frame rates for 120p, 100p, 60p, 50p, 30p, 25p, and 24p are 119.88, 100, 59.94, 50, 29.97, 25, and 23.976 fps respectively.
Video File format NEV, MOV, MP4
Video compression N-RAW (12 bit), Apple ProRes RAW HQ (12 bit), Apple ProRes 422 HQ (10 bit), H.265/HEVC (8 bit/10 bit), H.264/AVC (8 bit)
Audio recording format Linear PCM (48 KHz, 24 bit, for videos recorded in NEV or MOV format) , AAC (48 KHz, 16 bit, for videos recorded in MP4 format)
Audio recording device Built-in stereo or external microphone can be used; external audio devices can be used via line input, audio input sensitivity adjustable; attenuator, frequency response, and wind noise reduction functions
Exposure compensation -3 to +3 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)
ISO sensitivity (Recommended Exposure Index) Mode M: Manual selection (ISO 100 to 51200; choose from step sizes of ¹⁄₆, ¹⁄₃ and 1 EV); with additional options available equivalent to approximately 0.3, 0.7, 1, or 2 EV (ISO 204800 equivalent) above ISO 51200; auto ISO sensitivity control (ISO 100 to Hi 2.0) available with selectable upper limit
Note: ISO sensitivity is limited to 400 to 51200 when HLG is selected for tone mode.
Note: ISO sensitivity is limited to Lo 0.3 to 2.0 and 800 to 51200 when N-Log is selected for tone mode.
Modes P, S, A: Auto ISO sensitivity control (ISO 100 to Hi 2.0) with selectable upper limit
AUTO mode: Auto ISO sensitivity control (ISO 100 to 51200)
Active D-Lighting Extra high, High, Normal, Low, and Off
Other options for video recording Time-lapse video recording, electronic vibration reduction, time codes, N-Log and HDR (HLG) video, wave-form display, red REC frame indicator, video recording display zoom (50%, 100%, and 200%), extended shutter speeds (modes S and M), and dual-format (proxy-video) recording for RAW video; option to view video recording info available via i menu; Hi-Res Zoom
Monitor size 8 -cm ( 3.2 –in.) diagonal
Monitor type Vari-angle TFT touch-sensitive LCD with 170° viewing angle, approximately 100% frame coverage, and color balance and 15-level manual brightness controls
Monitor resolution Approx. 2100 k-dot
Playback Full-frame and thumbnail (up to 4, 9, or 72 pictures) playback with playback zoom, playback zoom cropping, video playback, slide shows, histogram display, highlights, photo information, location data display, auto picture rotation, picture rating, voice memo recording and playback, IPTC information embedding and display, filtered playback, skip to first shot in series, series playback, save consecutive frames, and motion blend
USB connector Type C SuperSpeed USB connector; connection to built-in USB ports is recommended
HDMI output connector Type A HDMI connector
External audio input Stereo mini-pin jack (3.5 mm diameter; plug-in power and line input supported)
Audio output Stereo mini-pin jack (3.5 mm diameter)
Accessory terminal Built-in (can be used with MC-DC2 remote cords and other optional accessories)
Wi-Fi "NIJ" Standards:
Operating frequency:
2412 to 2472 MHz (channel 13) and 5180 to 5700 MHz
Maximum output power (EIRP):
2.4 GHz band: 3.8 dBm
5 GHz band: 9.5 dBm
Open system, WPA2-PSK, WPA3-SAE
Wi-Fi "NICS" Standards:
IEEE 802.11b/g/n/a/ac
Operating frequency:
2412 to 2472 MHz (channel 13) and 5150 to 5850 MHz (5150 to 5350 MHz and 5725 to 5850 MHz)
Maximum output power (EIRP):
2.4 GHz band: 3.8 dBm
5 GHz band: 9.5 dBm
Open system, WPA2-PSK, WPA3-SAE
Wi-Fi "NIKC" Standards:
IEEE 802.11b/g/n/a/ac
Operating frequency:
2412 to 2472 MHz (channel 13) and 5180 to 5825 MHz (5180 to 5700 MHz and 5745 to 5825 MHz)
Maximum output power (EIRP):
2.4 GHz band: 3.8 dBm
5 GHz band: 9.5 dBm
Open system, WPA2-PSK, WPA3-SAE
Wi-Fi "Others" Standards:
IEEE 802.11b/g/n/a/ac (Europe, Africa, the Middle East, Asia, Oceania, U.S.A., Canada, and Mexico)
IEEE 802.11b/g/n/a (The Americas, other than U.S.A., Canada, and Mexico)
Operating frequency:
Europe (other than Ukraine), Israel, Turkey and India: 2412 to 2472 MHz (channel 13) and 5180 to 5825 MHz (5180 to 5700 MHz and 5745 to 5825 MHz)
Algeria, Egypt, Morocco, the Republic of Congo, and Ukraine: 2412 to 2462 MHz (channel 11) and 5180 to 5320 MHz
Africa (other than Algeria, Egypt, Morocco, and the Republic of Congo), Asia (other than Turkey), and the Middle East (other than Israel): 2412 to 2462 MHz (channel 11) and 5745 to 5805 MHz
U.S.A., Canada, Mexico, Australia, New Zealand, the Republic of Fiji, and Papua New Guinea: 2412 to 2462 MHz (channel 11) and 5180 to 5825 MHz (5180 to 5580 MHz, 5660 to 5700 MHz, and 5745 to 5825 MHz)
Other countries in the Americas: 2412 to 2462 MHz (channel 11) and 5180 to 5805 MHz (5180 to 5320 MHz and 5745 to 5805 MHz)
Maximum output power (EIRP):
2.4 GHz band: 3.8 dBm
5 GHz band: 9.5 dBm
Open system, WPA2-PSK, WPA3-SAE
Bluetooth Communication protocols:
Bluetooth Specification version 5.0
Operating frequency:
Bluetooth: 2402 to 2480 MHz
Bluetooth Low Energy: 2402 to 2480 MHz
Maximum output power (EIRP):
Bluetooth: -1.7 dBm
Bluetooth Low Energy: -3.2 dBm
Battery One EN‑EL15c rechargeable Li-ion battery*
*EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c. EH-8P AC adapters can be used to charge EN‑EL15c and EN‑EL15b batteries only.
Battery pack MB-N14 power battery packs (available separately) taking two EN‑EL15c* batteries
*EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c.
AC adapter EH-8P AC adapters (available separately); supplied UC‑E25 USB cable required
EH‑5d, EH‑5c, and EH‑5b AC adapters; requires EP‑5B power connector (available separately)
Tripod socket 0.635 cm (¹⁄₄ in., ISO 1222)
Dimensions (W x H x D) Approx. 138.5 x 101.5 x 74 mm ( 5.5 x 4 x 3 in.)
Weight Approx. 760 g
( 1 lb. 10.9 oz. )
with battery and memory card but without body cap and accessory shoe cover; approx. 670 g/1 lb. 7.7 oz. (camera body only)
Operating Environment Temperature: -10 °C to 40 °C (+14 °F to 104 °F)
Humidity: 85% or less (no condensation)
Supplied accessories BS‑1 Accessory Shoe Cover (comes attached to camera), DK-29 Rubber Eyecup (comes attached to camera), BF-N1 Body Cap, EN-EL15c Rechargeable Li-ion Battery with terminal cover, HDMI/USB Cable Clip, AN-DC26 Strap, UC-E25 USB Cable


  • Unless otherwise stated, all measurements are performed in conformity with Camera and Imaging Products Association (CIPA) standards or guidelines.
    All figures are for a camera with a fully-charged battery.
  • Throughout this document, “FX format” and “FX” are used in reference to an angle of view equivalent to that of a 35 mm format (“full frame”) camera and “DX format” and “DX” to an angle of view equivalent to that of an APS-C camera.
  • The sample images displayed on the camera and the images and illustrations in this document are for expository purposes only.
    Nikon reserves the right to change the appearance, specifications, and performance of the product described in this document at any time and without prior notice. Nikon will not be held liable for damages that may result from any mistakes that this document may contain.

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Save €100 on the FTZ II Mount Adapter if bought with any Nikon Z camera body when you upgrade, and continue to use older Nikkor F lenses on your new camera.

NB - this promotion is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.

Offer valid until further notice . Terms & Conditions Apply.