
Sony FX3 Full-frame 4K Cinema Line ILME Camera Body
Promotions & Cashbacks
Register to Claim Cashback on Selected Lenses or Accessories
Special Cashback Available for University & College Students
Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.

Add-ons




Full-frame image capture even in dim light
The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.
Wide dynamic range, wider creative expression
The FX3 offers an exceptional 15+ stops of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.
Stunning bokeh and full-frame creativity
Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.
Cinematic colour science of S-Cinetone™
S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.
4K 120fps with every frame in focus
Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).
10-bit S-Log3 and HDR recording for smooth gradations
S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.
16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.
Enjoy rich detail and realistic colour
The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.
Dependable, highly accurate autofocus
The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)
Sophisticated tracking AF for steady focus
Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.
Smooth transitions and touch focus control
The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.
High-performance E-mount lenses for movies
Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors.
High-mobility performance wherever you go
With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.
Attachable XLR handle
A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.
In-camera image stabilisation
Active Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.
Image stabilisation and easier editing with Catalyst
Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.
Front and rear tally lamps
Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.
Vari-angle LCD touch-panel monitor
The 3.0-type (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.
Essential controls for efficient solo shooting
In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.
Uninterrupted 4K/60p recording
For uninterrupted 4K/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.
XLR adaptor and digital input for quality audio
In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.
Dual high-speed media slots
Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.
Remote preview, shooting and streaming
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.
General | |
---|---|
CAMERA TYPE | Interchangeable lens digital camera |
LENS MOUNT | E-mount |
Size & Weight | |
WEIGHT (MAIN UNIT ONLY) (approx.) | Approx. 715 g (1 lb 9.3 oz) (with battery and memory card included), Approx. 640 g (1 lb 6.6 oz) (body only) |
DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (approx.) | 1.015 kg (2 lb 3.8 oz) (with XLR Handle, battery pack, SD card) |
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.) | Approx. 129.7 mm x 77.8 mm x 84.5 mm (Approx. 5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions) |
Power | |
POWER CONSUMPTION | [Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
BATTERY OPERATING TIME | Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 600 shots (LCD monitor) (still images, CIPA standard) |
Operation | |
OPERATING TEMPERATURE | 0C to 40C, 32F to 104F |
STORAGE TEMPERATURE | -20C to +60C, -4F to +140F |
Recording Format(Video) | |
XAVC HS | [XAVC HS 4K] 59.94p/50p 200Mbps/150Mbps/100Mbps/75Mbps/45Mbps, MPEG-H HEVC / H.265, 23.98p 100Mbps/100Mbps/50Mbps/50Mbps/30Mbps, MPEG-H HEVC / H.265, 119.88p/100p 280Mbps/200Mbps, MPEG-H HEVC / H.265 |
XAVC S | [XAVC S 4K] 59.94p/50p 200Mbps/150Mbps, MPEG-4 AVC / H.264, 29.97p/25p 140Mbps/100Mbps/60Mbps, MPEG-4 AVC / H.264, 23.98p 100Mbps/100Mbps/60Mbps, MPEG-4 AVC / H.264,[XAVC S HD] 59.94p/50p 50Mbps/50Mbps/25Mbps, MPEG-4 AVC / H.264, 29.97p/25p 50Mbps/50Mbps/16Mbps, MPEG-4 AVC / H.264, 23.98p 50Mbps/50Mbps, MPEG-4 AVC / H.264, 119.88p/100p 100Mbps/60Mbps, MPEG-4 AVC / H.264 |
XAVC S-I | [XAVC S-I 4K] 59.94p/50p 600Mbps/500Mbps, MPEG-4 AVC / H.264, 29.97p/25p 300Mbps/250Mbps, MPEG-4 AVC / H.264, 23.98p 240Mbps, MPEG-4 AVC / H.264, [XAVC S-I HD] 59.94p/50p 222Mbps/185Mbps, MPEG-4 AVC / H.264, 29.97p/25p 111Mbps/93Mbps, MPEG-4 AVC / H.264, 23.98p 100Mbps/100Mbps/60Mbps, MPEG-4 AVC / H.264, 119.88p/100p 280Mbps/200Mbps, MPEG-4 AVC / H.264 |
Recording Format (Audio) | |
RECORDING FORMAT (AUDIO) | LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch |
Recording Frame Rate | |
XAVC HS | [XAVC HS 4K] 3840x2160/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P |
XAVC S | [XAVC S 4K] 3840x2160/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P, [XAVC S-I HD] 1920x1080/59.94P, 50P, 29.97P, 23.98P, 25P |
XAVC S-I | [XAVC S-I 4K] 3840x2160/59.94P, 50P, 29.97P, 23.98P, 25P, [XAVC S-I HD] 1920x1080/59.94P, 50P, 29.97P, 23.98P, 25P |
Recording/Playback Time | |
XAVC HS | [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80GB) Approx. 100 minutes |
XAVC S | [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80GB) Approx. 210 minutes |
XAVC S-I | [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes |
PROXY VIDEO | 1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps) |
RAW Output | |
RAW Output | HDMI: 4264 x 2408 (60p / 50p / 30p / 25p / 24p), 16bit |
Camera Section | |
SENSOR TYPE | 35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor |
Pixels | Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total) |
SENSITIVITY | [Movie] ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit) |
SHUTTER SPEED | Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb |
Slow & Quick Motion | |
XAVC HS | XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
XAVC S | XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps |
XAVC S-I | XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps |
White Balance | |
WHITE BALANCE MODES | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
Gamma | |
GAMMA CURVE | Off / PP1-PP10, Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
Latitude | |
LATITUDE | 15+ stop (S-Log3) |
Focus System | |
Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
FOCUS POINT | [Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF) |
SENSITIVITY RANGE | EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached) |
FOCUS MODE | [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
FOCUS AREA | [Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking |
OTHER FOCUS FEATURES | Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal,),Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x) |
Exposure Control | |
METERING SENSITIVITY | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
EXPOSURE MODES | [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M |
Recording (Still image) | |
RECORDING FORMAT | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
IMAGE SIZE | Image size [3:2] 35mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L:5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S:1.1M Image size, [16:9] 35mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M |
Playback | |
PLAYBACK FUNCTIONS | Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
Interface | |
AUDIO INPUT | 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack) |
USB | USB Type-C (x1, SuperSpeed USB 5Gbps (USB 3.2) compatible), Multi/Micro USB (x1) |
HEADPHONE OUTPUT | Yes (3.5 mm Stereo minijack) |
SPEAKER OUTPUT | Built-in, monaural |
HDMI OUTPUT | HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit |
MULTI INTERFACE SHOE | With Digital Audio Interface |
Bluetooth | Bluetooth Standard Ver. 5.0 (2.4GHz band)) |
Monitoring | |
LCD | 7.5cm (3.0-type) type TFT, approx. 1.44M dots, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg. |
Built-in Microphone | |
Built-in Microphone | Built-in, stereo |
Media | |
MEDIA TYPE | CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
File System | |
FILE SYSTEM | FAT12, 16, 32, exFAT |
Zoom | |
ZOOM FUNCTION | Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x) |
Still image function | |
SHUTTER | Mechanical shutter / Electronic shutter |
DRIVE MODES | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
CONTINUOUS SHOOTING SPEED | Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps |
NOISE REDUCTION | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off |
FLASH CONTROL | Sony a System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/125 sec. |
OTHER STILL IMAGE FUNCTION | Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot |
Image Stabilization | |
Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
MODE | [Movie] Active / Standard / Off, [Still image] On / Off |
COMPENSATION EFFECT (STILL IMAGES) | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T FE 50mm F1.4 ZA lens mounted. Long exposure NR off.) |
Custom Function | |
CUSTOM FUNCTION | Custom key settings, My Menu, My Dial Settings |
Lens Compensation | |
LENS COMPENSATION | Peripheral Shading, Chromatic Aberration, Distortion |
Wi-Fi/NFC | |
SUPPORTED FORMAT | IEEE 802.11a/b/g/n/ac |
FREQUENCY BAND | 2.4GHz band/5GHz band |
SECURITY | WEP/WPA-PSK/WPA2-PSK |
NFC | NFC Forum Type 3 Tag compliant |
FTP Transfer | |
FTP Transfer | FTP Transfer Func. (Wired LAN (USB-LAN), USB Tethering, Wi-Fi) |
Supplied Accessories | |
SUPPLIED ACCESSORIES | Accessory shoe cap, Accessory shoe kit, Battery Charger BC-QZ1, Body cap, Handle shoe cap, Power cord, Rechargeable Battery NP-FZ100, USB-A to USB-C cable (USB 3.2), XLR handle unit |

Purchase any eligible Sony camera and register it on "My Sony" to receive an email containing THREE voucher codes (per camera body). Each code entitles you to claim €100 cashback from Sony when you register the purchase of a qualifying new lens / flashgun / grip / microphone / memory card!
1) PURCHASE A SONY CAMERA, REGISTER IT ON MYSONY | 2) FIND THE EMAIL SONY SEND YOU! | 3) CHOOSE A COMPATIBLE PRODUCT, GET YOUR REFUND |
---|---|---|
Register your Sony camera, if included in the promotion, on the MySony website | Find the email Sony sent you containing 3 vouchers worth €100, each usable for the purchases of your next 3 lenses, microphones, or other accessories included in the promotion. | Purchase any of the lenses, microphones or accessories included in the promotion and request the refund at Welcome to Alpha by scanning the QR code. |
Camera to be registered within three months of purchase, while lens / accessory purchases can be made at the same time as or after the purchase of the relevant qualifying camera. Cashback claims can only be submitted after thirty days and within 90 days of the purchase of the lens.
Offer valid from 10/07/2024 to 30/06/2025 (inclusive). Claims can be made until 30/09/2024. Terms & Conditions Apply.
New and returning College or University students on a recognised higher education course in Ireland can make some great savings throughout the 2024-25 Academic year with up to €450 cashback available if they buy selected Sony cameras, lenses, or accessories from Conns Cameras. ⇒Click Here⇐ for more information, or view Sony's Frequently Asked Questions!
This promotion can NOT be claimed in conjunction with any other rebate offer. It is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.
Offer valid from 01/07/2024 to 30/06/2025 (inclusive). Claims can be made until 30/07/2025. Terms & Conditions Apply.Showcased Accessories
Special Offers









































Manfrotto Befree 3-Way Live Advanced Tripod Kit (Lever Lock Legs) with 3-Way Head








Share:
Share on Facebook Share on Twitter Share on Pinterest Tell a friend