
Fujifilm X-T50 Silver Camera Body
Promotions & Cashbacks
Claim 3 Months of Capture ONE All-In-One for FREE
Free 2 Year Warranty
The X-T50 is a compact and lightweight body weighing approximately 438g, and features the back-illuminated 40.2 megapixel X-Trans CMOS 5 HR sensor, the high-speed image processing engine X-Processor 5, and a 5-axis, up to 7.0-stop in-body image stabilization function. It is a versatile model that achieves high image quality, high performance and high mobility. Combined with the new standard zoom lens XF 16-50mm F2.8-4.8 R LM WR it can be used for still image shooting in all situations.
- 40.2MP X-Trans CMOS 5 HR Sensor
- 2.36M-dot OLED Electronic Viewfinder
- 3.0-inch 1.62M-dot 2-Way Tilting Touch LCD
- IBIS up-to 7.0 Stops / Face/Eye AF / Subject Detection
- 20 Film Simulation Modes incl. Reala Ace. / 10-bit HEIF
- Physical Film Simulation Dial
- 1.4x / 2.0x Digital Teleconverter
In addition, for the first time, Film Simulation dial is incorporated on the top plate allowing a user to easily switch between film Simulations, a key feature unique to the company that enables a wide variety of color tones. The X-T50 also incorporates a new round shaped design that achieves both high holding performance and compact size.

Add-ons






Classic Design
FUJIFILM X-T50 inheritates the X-T Series design that suggests the close resemblance of a classic film camera. The compact body weighs just 438g (0.96lb)*. Combined with the sleek design and ergonomic styling, it’s a joy to use wherever your creative journey takes you.
*Including battery and memory card
NEW Rounded Body Shape
FUJIFILM X-T50 incorporates a new, rounded body shape. While slightly larger than the predecessor X-T30 II model, the styling makes it feel small without compromising handling. The thumb grip extends smoothly outward compared to previous models, providing an impressive overall feel and grip on the body.
NEW Film Simulation Dial
FUJIFILM X-T50 features all-new Film Simulation dial on the top plate. Choosing the Film Simulation has never been easier. It is as simple as turning the dial. There are 20 Film Simulation modes to choose from, including the latest “REALA ACE”. Enjoy our color science that we have cultivated since our establishment in 1934.
Dial Operation
FUJIFILM X-T50 houses shutter speed, exposure compensation, and all-new Film Simulation dials on the top-plate. Together with the aperture ring on most XF lenses, settings can be checked and adjusted, even without turning the camera on, leaving you to concentrate on what matters most: making the perfect image.
Electronic Viewfinder
FUJIFILM X-T50 features a 2.36 million dot electronic viewfinder (EVF) with a 0.62x magnification ratio. The specially designed lens elements provide a high-definition live view, and includes an adjustable diopter control to provide a truly comfortable experience.
Tilting LCD
FUJIFILM X-T50 incorporates a tilting LCD, which offers enhanced versatility, particularly when working at waist level. The combination of tilting LCD and center viewfinder aligns the lens, camera, and photographer on the optical axis, for a more comfortable and intuitive image-making experience.
Cutting-Edge Image Quality
FUJIFILM X-T50’s fifth-generation X-Trans CMOS 5 HR sensor, X-Processor 5 imaging engine, and up to 7.0-stop in-body image stabilization (IBIS) combine to deliver the highest image quality yet for X Series in a small, light body.
Improved Features
FUJIFILM X-T50 has further enhanced its features such as autofocus and ISO sensitivity when compared to its predecessor FUJIFILM X-T30 II.
Subject Detection Autofocus
FUJIFILM X-T50 uses X-Processor 5’s subject detection AF to accurately track a range of subjects. Built using deep-learning AI technology, it detects animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones.*
*Set the SUBJECT DETECTION SETTING to BIRD for insect detection, and to AIRPLANE for detecting drones
Updated AF Algorithm
FUJIFILM X-T50 incorporates an impressive autofocus prediction algorithm for reliable focusing even when recording continuously moving subjects. Autofocus enhancements are most notable in Zone AF and low-contrast situations.
ISO 125 Standard Sensitivity
The X-Trans CMOS 5 HR sensor in FUJIFILM X-T50 has a more light-efficient pixel structure. A setting of ISO 125, which on the prior model, FUJIFILM X-T30 II was only an extended sensitivity option, is now available natively on the FUJIFILM X-T50.
Expanding Your Creativity
Add extra options to your image-making journey by combining FUJIFILM X-T50’s unique Film Simulation modes with other creative features. Use analog effects such as film grain, or boost color depth, clarity, or sharpness to elevate your images, and take full control of highlight and shadow tones to dramatically expand your creative palette. A truly bespoke photographic adventure awaits.
Film Simulation
The 20 Film Simulation modes offered by FUJIFILM X-T50, including the new REALA ACE mode, harness 90 years of Fujifilm color science, digitally replicating the look of classic photographic film stocks. Reproduce the classic colors and tones Fujifilm is renowned for, or add artistic flair to your photographic journey.
Colour Chrome FX Blue
Adds more depth and naturally enhances the vividness of the color.
Grain Effect
From subtle textures to the gritty look of traditional high-ISO film stocks, with FUJIFILM X-T50 you can easily add natural-looking grain to your photos. Control the strength and size for just the right amount of texture on any image.
Colour Chrome Effect
For highly-saturated subjects, Color Chrome Effect adds depth, detail, and vibrancy in three strengths to red, green, or yellow tones where detail may otherwise be lost.
Clarity
The Clarity control lets you decide whether to recreate a scene with a crisp sharpness, defining edges and boosting contrast, or with a soft feel. With 11 levels of control, it’s easy to fine-tune to your personal taste and style.
Monochromatic Colour
Monochromatic Color allows you to choose a key color from a matrix of Warm / Cool tones and Magenta / Green hues. You can incorporate the rich gradation into your images to create photographs with a personal twist.
White Balance
Fine adjustments can be made to Auto White Balance (AWB) by selecting one of three modes: Auto, White Priority, and Ambience Priority. Set to White Priority, white is more likely to be reproduced as white under incandescent lighting. However, when Ambience Priority is set, scenes will be photographed with the natural lighting characteristics of the scene preseved. Under incandescent lighting, this will generally result in images with warmer white tones.
Multiple Exposure
Layer up to nine images in Additive, Average, Comparative Bright or Comparative Dark modes to combine multiple perspectives or different points in time. Various settings, including Film Simulations, can be applied to each exposure to produce a unique creative expression completely in-camera.
AUTO Mode
In AUTO mode, the camera automatically recognizes and sets optimal exposure settings for any scene. It also features auto subject detection where the camera automatically detects and tracks the subject, keeping it in focus. This eliminates the need to adjust the subject detection settings manually for easy image making. The AUTO mode can also be used for video.
Video Functionality
FUJIFILM X-T50 offers advanced video performance in a compact, lightweight body. Create movies up to 6.2K internally at 30p in 4:2:2 10-bit color. 4K/60p and high-speed 1080/240p are also available, maximizing video flexibility.
Improved Subject Tracking
Track subjects in your videos with ease. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. FUJIFILM X-T50 will track the object, even in situations where multiple subjects appear in the frame.
F-Log2 support
In addition to F-Log, FUJIFILM X-T50 also supports F-Log2, which records an expanded dynamic range of 13+ stops.* This range is wider than current F-Log, broadening post-production potential.
*When recording F-Log2, based on Fujifilm internal testing.
Lens Mount | FUJIFILM X mount |
Image Sensor | 23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter |
Number of effective pixels | 40.2 millions pixels |
Image Processing Engine | X-Processor 5 |
Sensor Cleaning System | Ultra Sonic Vibration |
Storage media | SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) UHS-I / UHS-II / Video Speed Class V90 |
File format of still image | DCF - Compliant with Design rule for Camera File system (DCF2.0) JPEG - Exif Ver.2.32 HEIF - 4:2:2 10bit RAW - 14bit RAW (RAF original format) TIFF - 8bit / 16bit RGB (In-camera Raw Conversion Only) |
Number of recorded pixels | [L] - 43: 6864×5152 / 32: 7728×5152 / 169: 7728×4344 / 11: 5152×5152 / 54: 6432×5152 [M] - 43: 4864×3648 / 32: 5472×3648 / 169: 5472×3080 / 11: 3648×3648 / 54: 4560×3648 [S] - 43: 3456×2592 / 32: 3888×2592 / 169: 3888×2184 / 11: 2592×2592 / 54: 3264×2592 Panorama [L] - vertical: 9600×2160 / horizontal: 9600×1440 Panorama [M] - vertical: 6400×2160 / horizontal: 6400×1440 |
Standard Sensitivity | Still Image - AUTO1 / AUTO2 / AUTO3 / ISO125~12800 (1/3 step) Movie - AUTO / ISO125~12800 (1/3 step) |
Extended Sensitivity | Still Image - ISO64 / ISO80 / ISO100 / ISO25600 / ISO51200 Movie - ISO25600 |
Exposure control | TTL 256-zone metering / Multi / Spot / Average / Center Weighted |
Exposure mode | P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure) |
Exposure compensation | Still - -5.0EV~+5.0EV 1/3EV step Movie - -2.0EV~+2.0EV 1/3EV step |
Image stabilizer | Mechanism - Image sensor shift mechanism with 5-axis compensation Compensation Effect - 7.0 stops Digital Image Stabilization - Yes (movie mode only) IS MODE BOOST - Yes (movie mode only) |
Shutter type | Focal Plane Shutter |
Drive Mode | |
---|---|
AE Bracketing | 2 frames / 3 frames / 5 frames / 7 frames / 9 frames |
Filmsimulation Bracketing | Any 3 types of film simulation selectable |
Dynamic Range Bracketing | 100% / 200% / 400% |
ISO Sensitivity Bracketing | ±1/3EV / ±2/3EV / ±1EV |
White Balance Bracketing | ±1 / ±2 / ±3 |
Focus Bracketing | AUTO / MANUAL |
Multiple Exposure | Yes (Max. 9 frames) / Additive / Average / Bright / Dark |
HDR Mode | AUTO / 2 / 4 / 8 / 800% + |
Advanced Filter | Toy camera / Miniature / Pop color / High-key / Low-key / Dynamic tone / Soft focus / Partial color (Red / Orange / Yellow / Green / Blue / Purple) |
Focus | |
Mode | Single AF / Continuous AF / MF |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
AF Frame Selection | Single point AF - 13×9 / 25×17 (Changeable size of AF frame) Zone AF - 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid All - Yes |
Subject Detection | Yes - Animal / Bird / Automobile / Motorcycle&Bike / Airplane / Train |
Flash | |
Sync. Mode | 1st Curtain / 2nd Curtain / AUTO FP (HSS) |
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) MULTI (when EF-X500 is set) MANUAL OFF |
Hot shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder (EVF) | |
EVF | 0.39 inch OLED Color Viewfinder Approx. 2.36 million dots |
Coverage of Viewing Area vs. Capturing Area | Approx. 100% |
Eyepoint | Approx. 17.5mm (from the Rear End of the Camera’s Eyepiece) |
Diopter Adjustment | -4~+2m-1 |
Magnification | 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 |
Diagonal Angle of View | approx. 31° (Horizontal angle of view: approx. 26° ) Built-In Eye Sensor |
LCD monitor | |
Monitor | 3.0 inch Tilt-Type Touch Screen Color LCD |
Aspect Ratio | 3:2 |
Dots | Approx. 1.84 million dots |
Articulation | 2-way tilt mechanism |
Movie recording | |
File Format | MOV - HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MOV – MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4 - MPEG-4 AVC/H.264, AAC |
Movie Compression | All Intra |
6.2K(16:9) | File size: 6240 x 3510 Frame rates: 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
DCI4K HQ(17:9) | File size: 4096 x 2160 Frame rates: 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
4K HQ(16:9) | File size: 3840 x 2160 Frame rates: 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
DCI4K(17:9) | File size: 4096 x 2160 Frame rates: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
4K(16:9) | File size: 3840 x 2160 Frame rates: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
Full HD(17:9) | File size: 2048 x 1080 Frame rates: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
Full HD(16:9) | File size: 1920 x 1080 Frame rates: 59.94p / 50p / 29.97p / 25p / 24p / 23.98p Bitrates: 360Mbps / 200Mbps / 100Mbps / 50Mbps |
Full HD(17:9) High Speed Rec. | File size: 2048 x 1080 Frame rates: 240p / 200p / 120p / 100p Bitrates: 360Mbps (recording) / 200Mbps (recording) |
Full HD(16:9) High Speed Rec. | File size: 1920 x 1080 Frame rates: 240p / 200p / 120p / 100p Bitrates: 360Mbps (recording) / 200Mbps (recording) |
Still Recording | |
Film Simulation mode | 20 modes - PROVIA/Standard / Velvia/Vivid / ASTIA/Soft / Classic Chrome / REALA ACE / PRO Neg.Hi / PRO Neg.Std / Classic Neg. / Nostalgic Neg. / ETERNA/Cinema / ETERNA BLEACH BYPASS / ACROS / ACROS + Ye Filter / ACROS + R Filter / ACROS + G Filter / Black & White / Black & White + Ye Filter / Black & White + R Filter / Black & White + G Filter / Sepia |
Monochromatic Color | Yes |
Grain Effect | Roughness - STRONG, WEAK, OFF Size - LARGE, SMALL |
Color Chrome Effect | STRONG, WEAK, OFF |
Color chrome Blue | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Dynamic Range setting | Still - AUTO / 100% / 200% / 400% Movie - 100% / 200% / 400% |
Dynamic Range restriction | DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more |
White balance | Auto - White Priority / Auto / Ambience Priority Presets - Daylight / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater Custom - Custom 1–3 |
Color Temperature Selection | 2500K~10000K |
Clarity setting | ±5 steps |
Self-timer | Still - 10sec. / 2sec. Movie - 10sec. / 5sec. / 3sec. |
Interval timer shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
Connectivity | |
Wireless transmitter | Standard - IEEE802.11a/b/g/n/ac (standard wireless protocol) Encryption - WPA/WPA2 mixed mode, WPA3 Access Mode - Infrastructure |
Bluetooth® | Standartd - Bluetooth Ver. 4.2 (Bluetooth low energy) Operating Frequency (Center Frequency) - 2402〜2480MHz |
Digital Interface | USB Type-C (USB3.2 Gen2x1) |
HDMI Output | HDMI Micro connector (Type D) |
Others | ø3.5mm, stereo mini connector (Microphone) Hot shoe |
Power supply | |
Battery | NP-W126S Li-ion battery (included) |
Physical | |
Dimensions (Width x Height x Depth) |
123.8mm x 84mm x 48.8mm |
Minimum Depth | 34.2mm |
Weight | Approx. 438g Including Battery And Memory Card Approx. 389g Excluding Battery And Memory Card |
Operating Temperature | 0℃~+40℃ |
Operating Humidity | 10%~80% (no condensation) |
Accessories | |
Included | Li-ion battery NP-W126S USB cable Headphone adapter Shoulder strap Body cap |
Media Rec (SD memory card)
Resolution/Aspect | Size | Frame Rate | File Format/Compression | Bit Rate*1 | Bit Depth | HDMI Outupt Resolution(Frame Rate)/Sampling/Bit Depth |
Crop Magnification | |
---|---|---|---|---|---|---|---|---|
DIS ON | DIS OFF | |||||||
6.2K 16:9 | 6240 x 3510 | 29.97p 25.00p 24.00p 23.98p |
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
360Mbps | 10bit | FHD 4:2:2 10bit (When H.265 All-Intra 4:2:2 MOV selected)*2 4K 4:2:2 10bit (When H.265 All-Intra 4:2:0 MOV selected)*2 |
Not possible |
1.23x |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
360Mbps 200Mbps 100Mbps 50Mbps |
FHD 4:2:2 10bit (When H.265 Long GOP 4:2:2 MOV selected)*2 4K 4:2:2 10bit (When H.265 Long GOP 4:2:0 MOV selected)*2 |
Not possible |
1.23x | ||||
DCI4K HQ 17:9 4K HQ 16:9 |
4096 x 2160 3840 x 2160 |
29.97p 25.00p 24.00p 23.98p |
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
360Mbps | 10bit | DCI4K/4K 4:2:2 10bit | Not possible |
1.23x |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
360Mbps 200Mbps 100Mbps 50Mbps |
Not possible |
1.23x | |||||
H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | DCI4K/4K 4:2:2 8bit | Not possible |
1.23x | |||
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps 200Mbps 100Mbps 50Mbps |
Not possible |
1.23x | |||||
DCI4K 17:9 4K 16:9 |
4096 x 2160 3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
360Mbps | 10bit | DCI4K/4K 4:2:2 10bit | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|||||
H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | DCI4K/4K 4:2:2 8bit | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|||
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|||||
FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
360Mbps | 10bit | FHD 4:2:2 10bit*3 | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|||||
H.264 All-Intra 4:2:0 MOV | 360Mbps | 8bit | FHD 4:2:2 8bit*3 | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|||
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps 200Mbps 100Mbps 50Mbps |
1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|||||
High speed FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
240fps(4×/8×/10×) 200fps(4×/8×) 120p (2x/4x/5x) 100p (2x/4x) |
H.265 All-Intra 4:2:2 MOV H.265 All-Intra 4:2:0 MOV |
360Mbps (when recording) | 10bit | FHD(59.94p) 4:2:2 10bit*4 | Not possible |
1.23x |
H.265 Long GOP 4:2:2 MOV H.265 Long GOP 4:2:0 MOV |
360Mbps (when recording) 200Mbps (when recording) |
|||||||
H.264 All-Intra 4:2:0 MOV | 360Mbps (when recording) | 8bit | FHD(59.94p) 4:2:2 8bit*4 | |||||
H.264 Long GOP 4:2:0 MOV H.264 Long GOP 4:2:0 MP4 |
360Mbps (when recording) 200Mbps (when recording) |
|||||||
HDMI Output
Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution/Sampling/Bit depth |
Crop Magnification | ||
DIS ON | DIS OFF | |||||
6.2K 16:9 | 6240 x 3510 | 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit*2 | Not possible |
1.23x | |
DCI4K HQ 17:9 4K HQ 16:9 |
4096 x 2160 3840 x 2160 |
29.97p 25.00p 24.00p 23.98p |
DCI4K/4K 4:2:2 10bit | Not possible |
1.23x | |
DCI4K 17:9 4K 16:9 |
4096 x 2160 3840 x 2160 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
DCI4K/4K 4:2:2 10bit | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|
FHD 17:9 FHD 16:9 |
2048 x 1080 1920 x 1080 |
59.94p 50.00p 29.97p 25.00p 24.00p 23.98p |
FHD 4:2:2 10bit *3 | 1.1x | 59.94p/50.00p:1.14x 29.97p/25.00p/24.00p/23.98p:1.0x |
|
HDMI Output (High speed REC HDMI ONLY)
Resolution/Aspect | Size | Frame rate | HDMI outupt Resolution(Frame rate)/Sampling/Bit depth |
Crop Magnification | ||
DIS ON | DIS OFF | |||||
FHD 16:9 | 1920 x 1080 | 120p 100p |
FHD(120p/100p) 4:2:2 10bit | Not possible |
1.23x |
HDMI RAW Output
Resolution/Aspect | Size | Frame rate | Bit depth | Crop Magnification | |
DIS ON | DIS OFF | ||||
6.2K 16:9 | 6240 x 3512 | 29.97p 25.00p 24.00p 23.98p |
12bit | Not possible |
1.23x |
- *1 Bit rate will be changed depend on the subject
- *2 The resolution from HDMI output is different from selected setting
- *3 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band.
- *4 The frame rate from HDMI output is different from selected setting
The EU's General Product Safety Regulation (GPSR) promotes consumer safety and confidence by ensuring compliance with product safety standards and improving recall effectiveness. To meet these requirements, we provide the Manufacturer's information below along with the EU Responsible Person's details, where applicable. As always if you have an issue with any product we firstly recommend that you make direct contact with the shop and we will endeavour to assist you.
GFX Series (Cameras, Lenses, + Accessories)
Manufacturer
FUJIFILM Corporation
7-3 Akasaka 9-Chome,
Minato-Ku,
Tokyo 107-0052,
Japan
EU Importer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
product.safety.eu@fujifilm.com
Manual & Safety Notes
fujifilm-x.com/en-ie/support/manual/cameras/
fujifilm.com/ie/en/consumer/support
X Series (Cameras, Lenses, + Accessories)
Manufacturer
FUJIFILM Corporation
7-3 Akasaka 9-Chome,
Minato-Ku,
Tokyo 107-0052,
Japan
EU Importer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
product.safety.eu@fujifilm.com
Manual & Safety Notes
fujifilm-x.com/en-ie/support/manual/cameras/
fujifilm.com/ie/en/consumer/support
Instax (Cameras, Printers, + Accessories)
Manufacturer
EU Importer
Manual & Safety Notes
Fujifilm Memory Cards
Manufacturer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
EU Importer
FUJIFILM Electronic Imaging Europe GmbH
Fujistraße 1,
47533 Kleve,
Germany
product.safety.eu@fujifilm.com
Manual & Safety Notes
Analogue Film
Manufacturer
EU Importer
Manual & Safety Notes

Capture One is a match made for Fujifilm cameras and lenses. With Fujifilm Film Simulations on both desktop and mobile, you can apply them to your photos even after shooting.
Create and deliver stunning photos quickly and easily with precise editing tools, fast tethering, incredible colors, superb image quality, and much more.
All in One means you get Capture One on your computer, iPhone, and iPad plus the collaboration tool Live Unlimited, priority support from Customer Support, and all future updates included.
NB - this is available due to a partnership between Fujifilm and Capture One, in which Conns Cameras have no involvement. All queries about this promotion should be directed to Capture One via their website.
Offer valid from 01/01/2025 until further notice . Terms & Conditions Apply.
Get a free 2 year warranty with all Fujifilm X-Series and GFX cameras, when purchase from Conns Cameras. Offer available until further notice.
Offer valid from 01/01/2019 until further notice . Terms & Conditions Apply.Showcased Accessories





Special Offers






Manfrotto Befree Advanced Carbon Fibre Travel Tripod (Twist Lock Legs) with Ball Head











































Share:
Share on Facebook Share on Twitter Share on Pinterest Tell a friend