Sony FX30 Super 35 Cinema Line ILME Camera Body
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Introducing the new FX30 Cinema Line camera, designed to bring the the vision of content creators to life. Leap into the world of filmmaking with the new ILME-FX30, descended from Sony’s highly acclaimed VENICE Cinema Camera. The ILME-FX30 provides smooth entry to the creative Cinema Line world. It includes the same coveted S-Cinetone™ look provided by high-end Cinema Line models, high dynamic range with S-Log3, Dual Base ISO, Cine EI mode, a top handle, threaded accessory attachment points, tally lamps and other workflow enhancing details that put it in the same category as other Cinema Line models in terms of operability, functionality, and design. It also features RAW output and time code synchronization functionality that makes it highly expandable. A comprehensive selection of E-mount lenses, high-performance audio solutions, and other essential components gives creators extraordinarily flexible systems for a broad range of creative needs.
Creators who start with the ILME-FX30 will easily advance through the Cinema Line as their skills grow, and the ILME-FX30 will continue to work effectively alongside high-end Cinema Line cameras in just about any production scenario.
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STUNNING CINEMATIC IMAGE QUALITY
Offering advanced performance and functionality for a truly high-quality cinematic expression. Sony's industry leading image sensor technology achieves high sensitivity, low noise and wide dynamic latitude, delivering 4K Super 35 resolution for impressive image qualty. The ILME-FX30 includes S-Cinetone™ inhereted from digital cinema cameras such as Sony's VENICE 2, delivering natural mid-tones, plus soft colors and gorgeous highlights that are essential to cinematic expression. Three modes are provided for recording with the S-Log3 gamma curve providing smooth cinematic colour grading. Imported custom assignment LUTs can be recorded to minimize post-production color grading. Dual Base ISO (800 / 2500) allows for shoting top-quality images in different light situations.
COMPACT AND CAGE FREE DESIGN
The new ILME-FX30 comes in a compact and lightweight form designed for mobility and efficiency. The body features five thread holes for accessories, eliminating the need for a cage for optimum flexibility, stability, and comfort. The integrated stabilization keeps the whole setup very mobile, which can support challenging shooting situations without using a gimbal.
ADVANCED AF PERFORMANCE
The ILME-FX30 offers a highly dependable and accurate autofocus performance with a wide-area tracking across the whole frame. Maintaining focus on the subject is made easy with real-time eye AF that follows the face and eyes (human and animal). Focus is precisely and smoothly maintained over a wide area even when using a narrow depth of field or tracking fast-moving subjects with Sony's unique AI-based real time tracking. Stable AF and flexible focusing are available for a wide range of shooting situations. AF Assist, Focus Map, and Breathing Compensation are great support functions.
FLEXIBLE OPERABILITY FOR MOVIE PRODUCTION
Quickly access your favourite items with the new main menu. Focus on composition and framing with the optimised standby mode for movie recording. Recording lamps and emphasized record displays allow for clear confirmation when recording is in progress. The Flexible high-resolution touch-panel LCD monitor enables broad positioning and framing freedom for gimbal-mounted shots. The zoom lever controls compatible powered zoom lenses and allows Clear Image Zoom to be used with unpowered zoom and prime lenses with great image quality. Auto & Manual modes for iris, shutter speed, and ISO to be set independently for a flexible exposure mode. Vertical aspect markers available to check framing in horizontal orientation.
HIGHLY EXPANDIBLE
The two XLR audio inputs enable high-quality audio recording. With an optional XLR microphone, digital audio data can be directly transferred to the camera for outstanding audio quality with a very clean audio signal. Other connectors include USB Type-C®, Multi/micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface. All this connectivity provides broad expandability for a wide range of shooting needs. The ILME-FX30 also supports UVC (USB Video Class) and UAC (USB Audio Class) standards and can be connected to a compatible device via USB to serve as a high-performance webcam.
THE BEST EXPERIENCE WITH SONY LENSES
A comprehensive selection of E-mount lenses gives creators extraordinarily flexibility for a broad range of creative intentions. Incorporating Super 35 sensor and Sony’s E-mount lens to a remote camera provides a new world of impressive and cinematic expression like breathtaking sharpness and bokeh for contents creation. Only native Sony lenses will give you 100% of the performance of the camera and will not limit your creativity. A stunning image quality can be realized with one shot, because the maximum support for stabilization and autofocus will be provided with a native Sony lens on a Sony camera.
CAMERA TYPE | Interchangeable lens digital camera |
LENS MOUNT | E-mount |
Camera Sensor | |
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SENSOR TYPE | APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor |
PIXELS | Approx. 27.0 megapixels (total) Approx. 26.0 megapixels (effective) for Still images Approx. 20.1 megapixels (effective) for movies |
SENSITIVITY | [Movie] ISO 100-32000 equivalent, AUTO (ISO 100-6400, selectable lower limit and upper limit) [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit) |
SHUTTER SPEED | [Movie] 1/8000 to 1/4 (1/3 steps), up to 1/50 in AUTO mode (up to 1/25 in Auto slow shutter mode) [Still image] 1/8000 to 30 sec |
Exposure Control | |
WHITE BALANCE MODES | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom |
GAMMA CURVE | Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
METERING SENSITIVITY | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
EXPOSURE MODES | [Movie] [Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode [Still images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) |
LATITUDE | 14+ stop (S-Log3) |
Focus System | |
TYPE | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
FOCUS POINT | [Movie] 495 points (phase-detection AF) [Still image] 759 points (phase-detection AF) |
SENSITIVITY RANGE | EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached) |
FOCUS MODE | [Movie] AF-C (Continuous AF), MF [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
FOCUS AREA | [Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking |
OTHER FOCUS FEATURES | Eye AF - Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird Face detection - Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority [Movie] AF Subj. Shift Sensitivity [Movie] AF Transition Speed [Still image] Focus Magnifier (APS-C: 6.1x / 12.1x) |
Recording Format (Video) | |
XAVC HS 4K | XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC / H.265 XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265 XAVC HS 4K 59.94p/50p/23.98p 100Mbps 4:2:2 10bit MPEG-H HEVC / H.265 XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC / H.265 XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265 XAVC HS 4K 23.98p 100Mbps 4:2:0 10bit MPEG-H HEVC / H.265 XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC / H.265 XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265 XAVC HS 4K 23.98p 30Mbps 4:2:0 10bit MPEG-H HEVC / H.265 XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265 XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265 |
XAVC S 4K | XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S 4K 59.94p/50p 150Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S 4K 29.97p/25p/23.98p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S 4K 119.88p/100p 200Mbps 4:2:0 8bit MPEG-4 AVC / H.264 |
XAVC S HD | XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC HD 29.97p/25p 16Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264 XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264 |
XAVC S-I 4K | [] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I 4K 50p 500Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC / H.264 |
XAVC S-I HD | XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I HD 50p 185Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264 XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264 |
Recording Frame Rate | |
XAVC HS | [XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p |
XAVC S | [XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p |
XAVC S-I | [XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p |
Slow & Quick Motion | |
XAVC HS 4K | [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
XAVC S 4K | [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps |
XAVC S HD | [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps |
XAVC S-I 4K | [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps[NF_39] |
XAVC S-I HD | [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps |
Recording Format (Audio) | |
RECORDING FORMAT (AUDIO) | LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch (48kHz 24bit), MPEG-4 AAC-LC 2ch |
Recording/Playback Time | |
XAVC HS 4K | 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80GB) Approx. 75 minutes 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80GB) Approx. 95 minutes 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80GB) Approx. 140 minutes |
XAVC S 4K | 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80GB) Approx. 40 minutes 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80GB) Approx. 50 minutes |
XAVC S HD | 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80GB) Approx. 130 minutes 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80GB) Approx. 210 minutes |
XAVC S-I 4K | 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80GB) Approx. 10 minutes |
XAVC S-I HD | 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes |
PROXY AUDIO | XAVC Proxy: AAC-LC, 128kbps, 2 channels |
PROXY VIDEO | 1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps) |
RAW Output | |
RAW OUTPUT | HDMI: 4672 x 2628 (59.94p/50p/29.97p/25p/23.98p), 16bit |
Other Video Function | |
VIDEO FUNCTIONS | Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector |
Still image function | |
SHUTTER | Electronic shutter |
DRIVE MODES | Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
NOISE REDUCTION | High ISO NR: Normal / Low / Off |
OTHER STILL IMAGE FUNCTION | Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot |
RECORDING FORMAT | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant) HEIF (MPEG-A MIAF compliant) RAW (Sony ARW 4.0 format compliant) |
IMAGE SIZE | [3:2] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [4:3] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [16:9] L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M) [1:1] L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M) |
Playback | |
PLAYBACK FUNCTIONS | Index view, Folder selection (Date / Still / Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills) |
Interface | |
TC INPUT/TC OUTPUT | Multi/Micro USB, TC IN |
AUDIO INPUT | Camera: 3.5 mm Stereo minijack XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2), line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack) |
USB | USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1) |
HEADPHONE OUTPUT | Yes (3.5 mm Stereo minijack) |
SPEAKER OUTPUT | Built-in, monaural |
HDMI OUTPUT | HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit |
MULTI INTERFACE SHOE | With Digital Audio Interface |
BLUETOOTH | Bluetooth Standard Ver. 5.0 (2.4GHz band)) |
Media | |
MEDIA TYPE | CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy |
FILE SYSTEM | FAT12, 16, 32, exFAT |
FTP TRANSFER | Wired LAN (USB-LAN), USB Tethering, Wi-Fi |
Monitor | |
LCD | 7.5 cm (3.0-type), Touch Panel, Approx. 2.36M dots |
OPENING ANGLE | Approx. 176 deg. |
ROTATION ANGLE | Approx. 270 deg. |
Built-in Microphone | |
BUILT-IN MICROPHONE | Built-in, stereo |
Zoom | |
ZOOM FUNCTION | Zoom ring rotate Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x ) Digital zoom ([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x) Smart zoom ([Still image] M: Approx. 1.4x, S: Approx. 2x) |
Image Stabilization | |
TYPE | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
MODE | [Movie] Active / Standard / Off [Still image] On / Off |
COMPENSATION EFFECT (STILL IMAGES) | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.) |
Custom Function | |
CUSTOM FUNCTION | Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set |
Lens Compensation | |
LENS COMPENSATION | Peripheral Shading, Chromatic Aberration, Distortion |
Wi-Fi / NFC | |
SUPPORTED FORMAT | IEEE 802.11a/b/g/n/ac |
FREQUENCY BAND | 2.4 GHz band 8 |
SECURITY | WEP/WPA-PSK/WPA2-PSK |
Power | |
BATTERY | NP-FZ100 Rechargeable Battery |
POWER CONSUMPTION | [Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached) [Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached) |
BATTERY OPERATING TIME | Approx. 115 min (Actual recording, CIPA standard) Approx. 175 min (Continuous recording, CIPA standard) Approx. 570 shots (still images, CIPA standard) |
Operation | |
OPERATING TEMPERATURE | 0°C to 40°C / 32°F to 104°F |
STORAGE TEMPERATURE | -20°C to +55°C, -4°F to +131°F |
Size & Weight | |
WEIGHT (MAIN UNIT ONLY) (APPROX.) | body only : 562 g (1 lb 3.8 oz) inc battery and memory card : 646 g (1 lb 6.8 oz) inc battery, memory card, and XLR Handle : 951 g (2 lb 1.5 oz) |
DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.) |
129.7 mm x 77.8 mm x 84.5 mm (5 1/8 x 3 1/8 x 3 3/8 inches) |
In The Box
Body Only
- ILME-FX30 Camera
- Body cap
- Rechargeable Battery NP-FZ100
- USB-A to USB-C cable (USB 3.2)
- Accessory shoe cap
- Power plug adapter
- AC adapter
Body + XLR Handle Unit
- ILME-FX30 Camera
- XLR-H1 Handle
- Body Cap
- Rechargeable Battery NP-FZ100
- USB-A to USB-C cable (USB 3.2)
- Handle Shoe Cap
- Accessory Shoe Cap
- Power plug adapter
- AC adapter
Discount available on one qualifying Sony Lens bought together with an FX3 or FX30 camera body or kit.
This promotion is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.
Offer valid from 01/11/2024 to 28/02/2025 (inclusive). Terms & Conditions Apply.This promotion is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.
Offer valid from 01/11/2024 to 31/01/2025 (inclusive). Terms & Conditions Apply.
Purchase any eligible Sony camera and register it on "My Sony" to receive an email containing THREE voucher codes (per camera body). Each code entitles you to claim €100 cashback from Sony when you register the purchase of a qualifying new lens / flashgun / grip / microphone / memory card!
1) PURCHASE A SONY CAMERA, REGISTER IT ON MYSONY | 2) FIND THE EMAIL SONY SEND YOU! | 3) CHOOSE A COMPATIBLE PRODUCT, GET YOUR REFUND |
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Register your Sony camera, if included in the promotion, on the MySony website | Find the email Sony sent you containing 3 vouchers worth €100, each usable for the purchases of your next 3 lenses, microphones, or other accessories included in the promotion. | Purchase any of the lenses, microphones or accessories included in the promotion and request the refund at Welcome to Alpha by scanning the QR code. |
Camera to be registered within three months of purchase, while lens / accessory purchases can be made at the same time as or after the purchase of the relevant qualifying camera. Cashback claims can only be submitted after thirty days and within 90 days of the purchase of the lens.
Offer valid from 10/07/2024 to 30/06/2025 (inclusive). Claims can be made until 30/09/2024. Terms & Conditions Apply.New and returning College or University students on a recognised higher education course in Ireland can make some great savings throughout the 2024-25 Academic year with up to €450 cashback available if they buy selected Sony cameras, lenses, or accessories from Conns Cameras. ⇒Click Here⇐ for more information, or view Sony's Frequently Asked Questions!
This promotion can NOT be claimed in conjunction with any other rebate offer. It is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.
Offer valid from 01/07/2024 to 30/06/2025 (inclusive). Claims can be made until 30/07/2025. Terms & Conditions Apply.All qualifying Sony items bought directly from Conns Cameras automatically come with a 2 Year Sony Warranty, without the need to register the product or claim an extension. This offer is only available on selected cameras and lenses (below list is subject to frequent updates by Sony Ireland). The extended warranty is not transferrable
Offer valid until further notice . Terms & Conditions Apply.
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