OM System OM-5 Black Camera with ED 14-50mm II M.Zuiko Lens
OM System OM-5 Black Camera with ED 14-50mm II M.Zuiko Lens
€1,699.00
EAN / UPC : 4545350053963 | Brand : OM Digital Solutions | SKU : V210021BE000
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With €300.00 Cashback (claim after purchase)
Every journey is a story waiting to be told; a thousand little moments hidden between a beginning and an end. This is for you and your thousand moments. Tell your story with the new OM SYSTEM OM-5. Designed to stay with you but not get in the way of your experience.
Chuck it in your favorite bag, or let it dangle unnoticeably on your shoulder until inspiration strikes. It will be ready for your story but won’t be a tiresome load. The OM-5 features class-leading IP53 dustproof, splashproof, and freezeproof design, so you can keep telling that story, like your favorite pair of boots that just keep on going. Get closer, see more from afar, let computational photography features like Live ND inspire you to try new things and see your surroundings in a new light. The new OM-5, ready for your adventures.
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favourite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
INVISIBLE
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
DURABLE
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
DISCOVER
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Less heft = more fun
The OM-5 is designed to stay with you but not get in the way of your experience. It is so compact that you can chuck it in your favourite bag or let it dangle unnoticeably on your shoulder until inspiration strikes. It will be ready for your story but won’t be a tiresome load.
Embrace surprises with weather sealing
The best stories happen through mishaps. It’s time to embrace those moments: the OM-5 features class-leading IP53 dustproof, splashproof, and freezeproof design so you can keep telling that story, like your favourite pair of boots that just keep on going.
Never get shaken up again with 5-Axis IS
The OM-5 can stabilise the shakiest of situations with up to 6.5 steps of compensation (or 7.5 with compatible Sync-IS lenses). That makes longer handheld exposures and blur-free telephoto pictures a walk in the park.
Forget filters— Get in the creative flow with LiveND
Make the most of moving subjects by changing how you see motion with LiveND. With up to four steps of effect (ND16), you can transform what seems like a seemingly mundane moment into a magical one — even with the widest of lenses.
Big on demand. Handheld Hi-Res
Some scenes have so much to say that to do a moment justice, you need to go big. With the OM-5, you can go big on pictures without having to go big on the size of your gear. Handheld Hi-Res lets you capture amazing 50MP files without lugging around a heavier camera and tripod.
Get that dust off your sensor with Supersonic Wave Filter
Worry-free lens changes on your adventures. The OM-5 features a Supersonic Wave Filter (SSWF), which vibrates over 30,000 times per second to instantly remove dust from the surface of the image sensor.
Never miss the moment - 121 point PDAF Autofocus
Focus on the moment, not the focus. The OM-5 features a 121-point All Cross-type On-chip Phase Detection AF sensor to enable dependable focusing in all situations and for all your scenes. Capture the majesty of wildlife with ease and use large aperture lenses with confidence, knowing the story you captured will be in clear focus.
Focus on who’s important - Improved face/eye AF
Taking pictures of the people you care about should be all smiles and no fuss. Improved face and eye autofocus make capturing both single and groups of people effortless. With a touch of the screen or a flick of a button, you get to decide whose story you want to tell.
Don’t just dream the night away - Capture it with Starry Sky AF
No more guesswork or complicated manual focusing when capturing the night sky. Starry Sky AF makes astrophotography accessible through a dedicated night sky auto-focusing mode. Combine it with other computational photography features like Live Composite and a galaxy of possibilities is just a click away!
Your invisible yet durable device of discovery since 1972.
A storyteller made for nature. Discovery is a product of curiosity and as long as we stay curious, we keep discovering stories and moments in nature that bring us joy. That is and has been the heart of every OM camera since 1972.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t. While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
TOUCH THE SKY
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
CREATIVE FLOW
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
COLOUR YOUR STORY
Capture every shade and colour your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Live Composite
Make the darker hours your ally with Live Composite. Effortlessly enter a whole new world of long exposure photography with this computational photography feature. No more accidental over-exposure or guesswork. See light come alive on the screen of your OM-5 and enjoy anything from star trails to magic hour light painting.
Live ND
Let the OM-5 lead you into new territories of creative flow with Live ND. With this computational feature, any scene with a moving subject gets transformed into fascinating flowing images. Backyard streams become endless sources of inspiration, clouds become art and waves turn into ethereal-looking mist. With Live ND, you’re also free to use any wide-angle lens such as the 7-14mm F2.8 PRO and 8mm F1.4 Fisheye PRO without worrying about vignetting.
HDR
Capture the full dynamic range of a scene quickly or go beyond your eyes’ natural ability with composite HDR pictures. With multiple levels of effect to choose from, the OM-5 can bracket from 3 to 5 images with varying exposures. It can even process 4 images together in selectable HDR modes.
Color Creator
Get creative with the Color Creator feature that lets you freely control any scene’s hue and colour saturation to maximize its storytelling impact. Choose which part of the scene you want to highlight, from breathtaking oranges in sunsets to the lush greens of the jungle.
Art Filter
Explore the world around you through 16 distinct Art Filters. From classic black and white film-style emulations to soft-focus artistic exploration, there’s more than enough to keep you exploring the world in a new way right through the screen or EVF of your OM-5.
Focus Stacking
Get as close as you want without having to stop down your aperture to keep everything sharp. Choose how deep you want the focus to be and let the camera do the work of combining the images. Whether you’re doing extreme macro or low light landscapes, this feature allows you to maximize your depth of field without resorting to higher ISOs or F-values.
AF Target Modes
From the need to pinpoint focus on details to fast snaps of moving wildlife, there are six different types of AF target modes to ensure you never miss your moment. Whether you’re a fan of the traditional single-point focusing method or want to create custom AF patterns for a specific purpose, there’s a mode to meet the need.
Scene Modes
Got a beautiful scene in front of you that you want to capture as faithfully as possible but are not sure where to start? Well, there’s no shame in that. 22 Scene Modes make the OM-5 like that friend who always has just the advice you need. From Beach & Snow, Nature Macro, to Handheld Starlight, there is a prepared preset to set you and your camera up for success.
Pro Capture
The OM-5 is your personal time machine. Photographing fleeting moments and capturing impossibly fast action is made easy with Pro Capture. Designed to ensure you never miss the decisive moment, Pro Capture continuously adds images to its buffer memory at a maximum of 30 frames per second and at the press of a button, retains the last 14 frames after fully pressing the shutter button. Then simply scroll back like a time machine and pick the perfect moment.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
VERTICAL VIDEO
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-Log400
Capture the full range of nature’s beauty with a filmmaking-specific colourgrading-friendly picture profile.
Tell the whole story
Sometimes to tell a particular story, even pictures do not suffice. Let your adventures turn into beautiful movies on the OM-5 without letting filmmaking take away from your experience in nature. Class-leading image stabilisation makes it possible to pull-off camera moves usually reserved for gimbals and sliders. High video quality, compact size and filmmaker-friendly features such as 120fps FHD, limitless recording time, revised red frame recording indicator and snappy autofocus make filmmaking on the OM-5 an experience in itself.
Vertical Video
Capture your stories the way you intend to share them. Not only does vertical video mode make editing and sharing for social platforms much easier but it also gives you a whole new way to tell stories. From vertical waterfalls and hiking trails to canoes and portrait videos, you can now pick the proper orientation for the story while retaining all the quality and capabilities of a dedicated storytelling system.
OM-Log400 video picture profile
Capture the entire tonality of a scene with a filmmaking-specific picture profile. Designed to maximize dynamic range yet make it easy to color grade in post, OM-Log400 strikes a perfect balance to let you stay more outdoors and less in the edit suite.
Web camera on the go
When not out on adventures, the OM-5 doubles as a premium webcam solution by simply plugging it into your computer via USB — Without a need for extra programs or drivers. Transform your campsite into a web meeting office with a wow factor.
Lenses are the soul of the camera
And if that is true, then the OM-5 has a lot of soul. Lightweight compact zooms like the M.Zuiko 12-45mm F4.0 PRO and 40-150mm F4 PRO cover most photographic needs and packaged with the OM-5, this setup weighs in at just 1050g taking close to no space in your bag. If you wish to venture beyond these, an extensive offering of fast primes and specialist lenses lets you expand your camera system as your interests and skills evolve.
Your smartphone is the perfect accessory with OI.Share
The OM-5 connects easily to your phone through the OI.Share app. This enables swift image transfers so you can quickly share your best stories, remote operation for tricky camera angles, and syncing up GPS location information from your smartphone to your photos.
LS-P5 EcoSystem
Capture nature’s sounds in Hi-Res detail with the LS-P5 PCM recorder, and add Bluetooth wireless (or wired) audio monitoring to your already impressive filmmaking setup. An outstanding 21 levels of microphone zoom allow you to get close to the action or capture all the surrounding soundscapes while keeping your setup nice and compact.
USB Charging
Gone are the days of lugging around multiple separate chargers and batteries for all your devices. While not in use, the OM-5 can conveniently charge via USB from your computer, power bank, or USB AC adapter making power management a walk in the park…or woods.
External Grip
The design of the OM-5 makes handling the camera feel natural and secure but sometimes you may need a little extra to hold - wearing gloves perhaps. This accessory, designed for the OM-5 brings added grip to the camera along with an additional shutter release and control dial for maximal control.
Accessories
Everyone can use the help of a friend every once in a while. That is why we designed an entire range of useful accessories for the OM-5. From wireless remotes to macro flashes, the range includes anything necessary to support your outdoor adventures and photographic pursuits.
| Type | |
|---|---|
| Lens mount | Micro Four Thirds |
| Image Sensor | |
| Type | 4/3'' Live MOS sensor |
| Effective pixels | 20.4 Megapixels |
| Filter array | Primary colour filter (RGB) |
| Aspect ratio & area | 4:3 / 17.3 x 13.0mm |
| Full resolution | 21.8 Megapixels |
| Engine | |
| Type | TruePic IX |
| Filter | |
| Dust reduction filter | Supersonic Wave Filter |
| Viewfinder | |
| Type | OLED Electronic Viewfinder |
| Pixel number | 2.360K dots |
| Diopter adjustment | Equipped ‑4.0 ‑ +2.0 diopters / built‑in type |
| Angle of view | Approx. 100% |
| Magnification | Max. 1.37x with a 50mm lens set to infinity at ‑1 dioptre (depending on selected viewfinder style) |
| Eye point | 27mm at ‑1 dioptre from eyepiece lens |
| Style | 3 styles selectable |
| Displayed information |
|
| Correction of colour temperature | +/‑ 7 levels |
| S-OVF | Expands the Live View dynamic range *Available in the EVF when in P, A, S and M modes. Art filter, WB and exposure are not reflected in EVF. |
| Live View | |
| Displayed information |
|
| Field of view | Approx. 100% |
| Magnification levels | 3 / 5 / 7 / 10 / 14x |
| Dynamic range expansion | When in HDR1 or HDR2 |
| Display modes |
|
| Image Stabiliser | |
| Type | Sensor shift |
| Modes | Five‑dimensional, vertical or horizontal activation, automatic |
| Effective Compensation Range | Up to 7.5 EV steps (Sync IS) Up to 6.5 EV steps Based on CIPA measurement conditions |
| Live View stabilisation | Available |
| Lens IS priority | Available |
| Focusing System | |
| Method | TTL phase difference detection system, contrast detection system (when non high‑speed contrast AF compatible lens is used, it works as MF assist) |
| Focus areas | 121 points * / 121 points contrast AF All target, single target (normal / small), group target (5‑area / 9‑area / 25‑area), custom target 1‑4 (AF area and its increment steps selectable) * All cross type |
| AF lock | Available; Locked by first position of shutter release button in single AF mode, AE/AF lock button (customised) |
| Modes |
* incl. manual override |
| AF illuminator | Equipped |
| Manual focus | Available; with enlarged focusing area, focus peaking and focus indicator |
| Face Detection extension |
|
| Predictive AF | Available |
| AF tracking | Available; Available in continuous AF mode |
| Focus Stacking Mode | 8 shots are taken at different focus points and automatically composited together into a single image (Angle of view becomes slightly smaller) Compatible with: 7‑14mm F2.8 PRO, 8‑25mm F4 PRO, 12‑40mm F2.8 PRO, 12‑40mm F2.8 PRO II, 12‑45mm F4 PRO, 12‑100mm F4 IS PRO, 40‑150mm F2.8 PRO 40‑150mm F4.0 PRO, 100‑400mm F5.0‑6.3 IS, 150‑400mm F4.5 TC1.25x IS PRO, 8mm F1.8 Fisheye PRO, 30mm F3.5 Macro, 60mm F2.8 Macro, 300mm F4 PRO, 1.4x Teleconverter MC‑14, 2x Teleconverter MC‑20 |
| Focus peaking | |
| Colour selection | White, black, red, yellow |
| Intensity | High / Normal / Low |
| Back light effect | On / Off |
| Focus Bracketing Mode | |
| Number of images | 3 - 999 shots |
| Step size | 10 levels Compatible with: All Micro Four Thirds AF lenses |
| Modes |
|
| Exposure compensation | +/‑ 5 EV (1, 1/2, 1/3 steps) Note: Monitor and EVF displays only up to ±3 EV. |
| Exposure bracketing | 2 / 3 / 5 frames (+/‑ 1/3, 2/3, 1 EV steps) 7 frames (+/‑ 1/3, 1/2, 2/3 EV steps) |
| ISO bracketing | 3 frames (1/3, 1/2, 1 EV steps) |
| AE lock | Available |
| My Mode | 3 settings storable |
| Enhancement function | Shadow Adjustment Technology Flicker Scan: Available for M, S and silent mode (can be confirmed in Live View) |
| In-Built LiveND | ND2, ND4, ND8, ND16 (+1, 2, 3 or 4 steps) |
| HDR bracketing | 3 / 5 frames (+/‑ 2 / 3 EV steps) 7 frames (+/‑ 2 EV steps) |
| Multi-Exposure | |
| Max. number of frames | 2 frames (shooting) 3 frames (editing) |
| Auto gain control | Available |
| Frame assistance | Live View |
| Light Metering | |
| Method | TTL open aperture light metering |
| Zones | 324 zones Multi‑pattern Sensing System |
| Detection range | ‑2 ‑ 20 EV (17mm f2.8, ISO 100) |
| Modes |
|
| Art Filter | |
| Modes |
* 18 colours selectable |
| Variation / Effect | Available |
| Art Filter bracketing | Art Filters selectable |
| Sensitivity | |
| Auto | (customisable, default ISO LOW ‑ 6400) |
| Manual | ISO LOW ‑ 25600 in 1/3 or 1 EV ISO steps |
| Shutter | |
| Shutter type | Computerised focal‑plane shutter |
| Self timer | 2s / 12s / Custom |
| Shutter Speeds | |
| Shutter speed range | 1/8000 ‑ 60s (in 1/3, 1/2, 1 EV steps) |
| Bulb mode | Up to 30 minutes (selectable longest time in the menu, default: 8 minutes) |
| Flicker Scan | Stills - 1/7634 ‑ 1/50s Movies - 1/250 ‑ 1/30s * * Frame rates greater 30fps are limited to their reciprocal value |
| High-Res Shot | |
| Shutter type | Electronic shutter |
| Shutter speed | 1/8000 ‑ 60s |
| Start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s |
| Resolution | JPEG: 10368x7776 / 8160 x 6120 / 5760 x 4320 RAW: 10368 x 7776 Equivalent to 80M / 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode You need to install OM Workspace to develop on a PC |
| Handheld High-Res Shot | |
| Shutter type | Electronic shutter |
| Shutter speed | 1/8000 ‑ 60s |
| Resolution | JPEG: 8160 x 6120 / 5760 x 4320 RAW: 8160 x 6120 Equivalent to 50M / 25M pixel sensor (8 shots combined into a single JPEG using sensor shift) Available in P/A/S/M mode Flash can not be used |
| Anti-shock Mode | |
| Shutter type | Electronic first curtain shutter |
| Shutter speed | 1/320* ‑ 60s * For speeds over 1/320 sec., mechanical shutter will automatically be selected. |
| Start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15, 30s |
| Silent Mode | |
| Shutter type | Electronic shutter |
| Shutter speed | 1/32000 ‑ 60s |
| Start delay | 0, 1/8, 1/4, 1/2, 1, 2, 4, 8, 15. 30s |
| White Balance | |
| AUTO WB system | Advanced detection system with Live MOS sensor |
| Manual White balance (One-Touch) | Available |
| White balance bracketing | 3 frames / +/‑ 2, 4, 6 mired steps |
| One-touch white balance | 4 custom settings can be registered |
| Custom WB | 1 setting can be registered at Kelvin temperature (2000K ‑ 14000K) |
| Preset values |
|
| Auto Flash adjustment | Off / Auto WB / Flash |
| Keep warm colour | On / Off |
| Sequence Shooting | |
| Speed (H) | Approx. 10fps (Max. number of frames: RAW 149 / JPG (LF): Up to card capacity) |
| Speed (L) | 6fps (Max. number of frames: RAW / JPG (LF): Up to card capacity) |
| Silent mode | Speed (H) - Approx. 30fps (Max. number of frames: RAW 18 / JPG (LF) 20) Speed (L) - Approx. 10fps (Max. number of frames: RAW 138 / JPG (LF) Up to card capacity) |
| Pro Capture mode | Speed (H) - Approx. 30fps Speed (L) - Approx. 10fps |
| Pre-shutter Frames | 0 - 14 frames (recorded by half release prior to full release) |
| Frame count limiter | 1- 99 frames / Off (unlimited frames) (incl. pre‑shutter frames) |
| Conditions | Memory card: KIOXIA KSDXU‑A064G When using the M.Zuiko Digital ED 12‑40mm F2.8 Pro Maximum sequential shooting speed may be affected by several factors including lens used, brightness, aperture, shutter speed, and ISO setting. The actual shooting speed may become slower than the set shooting speed by a few frames per second. When using ISO Bracketing, performance will be affected at ISO 2000 or above. |
| Interval shooting | Interval: 1s ‑ 24h Max. number of frames: 9999 |
| Image Processing | |
| Colour space | sRGB / AdobeRGB |
| Sharpness + Contrast | 5 levels |
| Contrast | 5 levels |
| Saturation | 5 levels |
| Black & White filter | Yellow, Orange, Red, Green |
| Black & White toning | Sepia, Blue, Purple or Green in Black & White mode |
| Picture mode | |
| Gradation | 4 levels (auto, high key, normal, low key) |
| Engine | TruePic IX |
| Art Filter bracketing | Available |
| Tele converter effect | 2x |
| Fisheye compensation | Available when M.Zuiko Digital ED 8mm Fisheye PRO is attached Angle of view adjustable in 3 levels Compensation automatically ON when using Underwater Modes, available (can be confirmed in Live View) |
| External Flash Control | |
| X-sync speed | 1/250s / 1/8000s (Super FP Mode) |
| Type | TTL AUTO, AUTO, MANUAL, FP TTL AUTO, FP MANUAL |
| Modes |
|
| Intensity | +/‑ 3 EV (1/3, 1/2, 1 EV steps) |
| Note: Some functions are only available if they are supported by the external flash. | |
| Compatible external flash | FL‑14, FL‑20, FL‑36R, FL‑50R, FL‑300R, FL‑600R, FL‑700WR, FL‑900R, STF‑8 |
| Wireless Flash Control | |
| Number of channels | 4 channels |
| Compatible external flash | FL‑36R, FL‑50R, FL‑300R, FL‑600R, FL‑700WR, FL‑900R |
| Control method | Triggered and controlled (Olympus Wireless RC Flash system) |
| Group setting | 4 groups |
| Available when used together with cameras compatible with the Olympus wireless RC flash system. | |
| Radio wireless control | Available |
| Monitor | |
| Monitor type | Vari‑angle LCD ‑ Touch Panel |
| Monitor size | 7.6cm / 3.0'' (3:2) |
| Resolution | 1037K dots |
| Brightness adjustment | +/‑ 7 levels |
| Colour balance | +/‑ 7 levels Vivid (default) / Natural |
| Touch Control functions |
|
| Level Gauge | |
| Detection | 2‑axis |
| Display | Rear display and viewfinder |
| Super Control Panel | |
| Displayed information |
|
| Recording Formats | |
| RAW | 12bit |
| RAW & JPEG | Applied parallel recording |
| JPEG | Applied |
| Aspect ratio | 4:3 / 3:2 / 16:9 / 6:6 / 3:4 |
| Image Size | |
| RAW | 5184 x 3888 compressed 5184 x 3888 Fine (compression: 1/4) |
| Still Image Recording | |
| EXIF | 2.3 |
| DCF | Applied |
| RAW | Applied |
| Movie Recording System | |
| Recording format | MOV(MPEG‑4AVC/H.264) |
| Picture mode | Flat, OM‑Log400 |
| Time code | Rec run / Free run Drop frame / Non‑drop frame |
| Image Stabilisation Mode | Applied Sensor shift M‑IS1 (Image sensor shift and electronic image stabilizer with multi motion IS) M‑IS2 (Image sensor shift with multi motion IS) |
| 4K Movie quality | 4096 x 2160 (C4K) / 24p / IPB (approx. 237 Mbps) 3840 x 2160 (4K) / 30p, 25p, 24p / IPB (approx. 102 Mbps) |
| HD Movie quality | Full HD 1920 x 1080 (16:9) / 30p, 25p, 24p / ALL‑I (A‑I), IPB (SF, F, N) (MOV) Full HD 1920 x 1080 (16:9) / 60p, 50p / IPB (SF, F, N) (MOV) HD 1280 x 720 (16:9) / 60p, 50p, 30p, 25p, 24p / ALL‑I (A‑I), IPB (SF, F, N) (MOV) |
| Bit rates | ALL‑I: ~ 202 Mbps FullHD IPB (SF: ~52Mbps, F: ~30Mbps) HD IPB (SF: ~26Mbps, F: ~14Mbps, N: ~10Mbps) |
| Maximum Recording Time | Up to card capacity |
| Max. file size | 4GB (AVCHD) |
| Exposure Modes |
|
| Notes | * Frame rate may drop when using certain art filter Class 10 or higher SD card is recommended for movie shooting UHS‑II or UHS‑I U3 card is recommended for ALL‑I shooting |
| Movie Specialties | |
| Rec Indicator | Red Recording Frame during shooting available |
| Vertical Video | Available |
| High-Speed Recording | 1920x1080 (MOV) / 120fps |
| Time lapse | 4k, 1080p, 720p (AVI Motion JPEG®) |
| Fast motion | Available |
| Slow motion | Available |
| Art Filter |
(Frame rate limited to 30fps or lower) |
| HDMI Live View | |
| Monitor mode | Video signal and info display is processed While recording, footage is simultaneously displayed on the HDMI monitor and on the camera, but the info display is shown only on either one of the two. While playing movies, footage is simultaneously displayed on the HDMI monitor (normal size) and on the camera (normal size or enlarged). |
| Record mode | Only video signal is processed |
| Movie quality is set to YCbCr 4:2:2 (8 bit), frame rate follows movie setting (24p, 30p and 60p settings are not recommended.), and sound will be recorded. | |
| Flicker Scan | Available in M mode (can be confirmed in Live View) |
| Sound Recording System | |
| Speaker | Built‑in mono speaker |
| Microphone | Built‑in stereo microphones |
| External stereo microphone can be attached | |
| Recording format | High quality sound recording (Stereo linear PCM/24‑bit, Sampling frequency 96kHz) |
| Stereo PCM/16bit, 48kHz, Wave Format Base | |
| Image footage | 30s |
| Microphone functions |
|
| Link OM System PCM Recorders | Compatible with: LS‑100, LS‑P4, LS‑P5 |
| Linked Functions | Slate Tone / Synchronised Audio Rec‑Movie Rec |
| View Images | |
| Modes |
|
| Auto rotation | Available |
| Histogram in playback mode | Available |
| Shooting information | Off / On |
| Highlight/Shadow point warning | Available |
| Erase / Protect / Copy Function | |
| Erase modes | Single, All, Selected |
| Image protect mode | Single frame, Selected frames, All Frames, Release protect (Single/All selected) |
| Image Editing | |
| Editing functions |
|
| Menu | |
| Menu languages in camera | English, French, German, Spanish, Italian, Russian, Czech, Dutch, Danish, Polish, Portuguese, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian |
| Customisation Options | |
| Fn Button | Equipped |
| My Mode | 4 settings storable (Can be set to mode dial.) |
| Factory reset | Full / Basic |
| Programmable button | Equipped |
| Interface | |
| Media | SD Memory Card (SDHC, SDXC, UHS‑I, UHS‑II compatible) Class 10 or higher SD card is recommended for movie shooting UHS‑II or UHS‑I U3 card is recommended for 4K, C4K, ALL‑I shooting. |
| Hot shoe | Equipped |
| Microphone jack | 3.5 ø mm mini‑jack (plug‑in power on/off) |
| HDMI™ | Applied Micro connector (Type D) * * "HDMI", the HDMI logo and "High‑Definition Multimedia Interface" are trademarks or registered trademarks of HDMI Licensing LLC |
| USB 2.0 High Speed | Applied |
| Wireless connectivity |
Wi-Fi |
| Communication method | Bluetooth® Low Energy Ver.4.2 |
| SAR | 0.36W/kg SAR quantifies the maximum level of exposure of the user to electromagnetic waves, when using the device close to the head. SAR shall not exceed 2W/kg in accordance with regulations of France. |
| Notes | Wi‑Fi is a registered trademark of the Wi‑Fi Alliance. The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any use of such marks by OLYMPUS CORPORATION is under license. |
| Wi-Fi Functions | |
| Easy Connection | QR code setting |
| Wireless Shooting |
|
| Other Features | |
| WebCam | UVC (USB Video Class) / UAC (USB Audio Class) |
| Power Supply | |
| Battery | BLS‑50 Lithium‑Ion Battery (included) |
| Sleep mode | 1, 3, 5, 10 min. and off selectable. |
| Battery life | Image shooting - 310 shots (using Toshiba SDHC UHS‑I Card Exceria with IS on, with no flashes attached , based on CIPA test standards) Movie recording - 60min (standard JEITA conditions) 110min (when zoom and other operational functions are not used) |
| USB charging | Built‑in battery can be charged with USB (when camera power is off) Performance varies depending on different USB devices |
| Environment | |
| Temperature | ‑10 ‑ 40°C Operating temperature / ‑20 ‑ 60°C storage temperature |
| Humidity | 30 ‑ 90% operation humidity / 10 ‑ 90% storage humidity |
| Dimensions / Weight | |
| Width | 125.3mm |
| Height | 85.2mm |
| Depth | 49.7mm |
| Weight | 366g (body only) 414g (including battery and memory card) |
Showcased Accessories
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Looking to step up your photography this summer? Don't miss out on this opportunity to save up to €500 on select cameras and M.Zuiko lenses. Benefit by buying one of the promotional products between 13.06.2024-28.07.2024 and claim your offer now.
This promotion is strictly subject to availability, and cannot be applied to orders or layaways which are not collected during the promotional period.
Offer valid from 13/06/2024 to 28/07/2024 (inclusive). Claims can be made until 11/08/2024. Terms & Conditions Apply.